True Identity is a comedy about a black actor named Miles Pope who wants to play a part in Othello. After a plane ride home from a failed acting job Miles meets a producer named Leland Carver who slips out his mob identity when the plane is about to crash but after all of that the plane does not crash. Now Miles is the only man who knows the past to this mob man. Miles gets the help of his best friend make-up artist Duane to turn him into a White man. As Miles is packing his stuff to get out of town, the hitman walks in and a struggle is in affect. Miles wins the fight and kills the hitman in an electrical fashion. Now Anthony (Leland Carver's top man) comes in to confirm that Miles is dead. Now Miles is mistaken as the hitman. Now Miles must assume a parade of identity's to get away from the Mob's guns hot on his trail. Written by
D.B. Dickerson <firstname.lastname@example.org>
This film was designed as a vehicle for Lenny Henry as part of a 3-picture deal the actor signed with the Walt Disney Company, which thought that he had the potential to be a big star in the United States. When this film flopped at the box office, Henry's deal with Disney was canceled, and the other films were never made. See more »
Yo, Frankie, when you get to jail, you might want to talk to some of the brothers on your views of racial equality.
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The comedic verve of Lenny Henry has flourished on both stage and television over 35 years for one of Britain's most loved entertainment personalities. However Dudley's finest son has never managed to translate his talent on to the big screen with much success. One of Lenworth's few attempts to break into Hollywood came in the 1991 release True Identity.
True Identity is a Comedy/Crime effort that owes much of it's scope and design to Beverly Hills Cop (1984), which will generate comparisons for those who have seen White Chicks (2004). Henry plays a struggling actor who involuntarily ends up on the Hit List of a want away Mafia crime boss played expertly by Frank Langella. To avoid assassination Henry utilises the make-up prowess of a neighbour to turn himself into a white man, whilst teaming up with burned out FBI agent Houston (JT Walsh).
Lets get something True Identity isn't the greatest work you'll ever see, but somehow the film kind of pulls off something worth watching, Henry's talent is obvious and with help from the supporting cast manages to get mileage out of the gags that do work, and the film delivers it's message while hovering around some potentially sensitive themes without ever taking itself too seriously.
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