Toto the Hero
(1991)
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Toto the Hero
(1991)
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| Cast overview, first billed only: | |||
| Michel Bouquet | ... |
Thomas, as an old man
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Jo De Backer | ... |
Thomas, as an adult
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Thomas Godet | ... |
Thomas, as a child
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Gisela Uhlen | ... |
Evelyne as an old woman
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Mireille Perrier | ... |
Evelyne as young woman
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Sandrine Blancke | ... |
Alice
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Peter Böhlke | ... |
Alfred as an old man
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Didier Ferney | ... |
Alfred, as an adult
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Hugo Harold-Harrison | ... |
Alfred, as a child
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Fabienne Loriaux | ... |
Thomas' Mother
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Klaus Schindler | ... |
Thomas' Father
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Pascal Duquenne | ... |
Celestin, as an adult
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Karim Moussati | ... |
Celestin, as a child
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Didier De Neck | ... |
Mr. Kant
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Christine Smeysters | ... |
Mrs. Kant
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Thomas and Alfred were born around the same time; a fire in the nursery had nurses scrambling to save the newborns. Because he felt that he deserved Alfred's good fortune at being born into a wealthy family, Thomas conceives the idea that he and Alfred were switched at birth, and he can't help seeing that his unhappiness should be Alfred's, from the loss of his sister to his inability to have a relationship with the woman Evelyne. So, as his life is ending, he formulates a plan of revenge against his bitter enemy, his lifetime adversary, the man who stole his existence. Written by Gary Dickerson <slug@mail.utexas.edu>
Ask me what time it is. Very very very strange and very entertaining bit of European cinema from Wacko Jaco Van Dormael, a former circus clown turned director. This film about fate, love, and childhood fantasies gone awry is very hard to describe. Imagine a kids film directed by Lars Von Trier, add a dash of "Amelie," a scent of "Donnie Darko," a sprinkle of Lynchian strangeness, and a good heaping of Terry Gilliam inspired wackiness, place in a blender, then travel back in time (as this movie came long before and probably inspired "Amelie" and "Donnie Darko") and voilà, you'll have "Toto." Sometimes heartbreaking, sometimes funny (everybody seems to love those dancing tulips), sometimes weird, always captivating, this is a film for people who enjoy non-linear and creative story-telling. Also, that much talked about floating plastic bag stuff from "American Beauty" is taken straight from this film's unforgettable final scenes. Dormael seemed to have so much good stuff going on in this film, it's ashame he's only made one film since this, as any film buff who watches it will no doubt imagine a few more great films being pulled out of Dormael's magician's hat.