| Photos (see all 45 | slideshow) |
| Susan Sarandon | ... | Louise | |
| Geena Davis | ... | Thelma | |
| Harvey Keitel | ... | Hal | |
| Michael Madsen | ... | Jimmy | |
| Christopher McDonald | ... | Darryl | |
| Stephen Tobolowsky | ... | Max | |
| Brad Pitt | ... | J.D. | |
| Timothy Carhart | ... | Harlan | |
| Lucinda Jenney | ... | Lena - the Waitress | |
| Jason Beghe | ... | State Trooper | |
| Sonny Carl Davis | ... | Albert | |
| Ken Swofford | ... | Major | |
| Shelly Desai | ... | East Indian Motel Clerk (as Shelly De Sai) | |
| Carol Mansell | ... | Waitress | |
| Stephen Polk | ... | Surveillance Man | |
| Rob Roy Fitzgerald | ... | Plainclothes Cop | |
| Jack Lindine | ... | I.D. Tech | |
| Michael Delman | ... | Silver Bullet Dancer | |
| Kristel L. Rose | ... | Girl Smoker | |
| Noel L. Walcott III | ... | Mountain Bike Rider (as Noel Walcott) | |
| rest of cast listed alphabetically: | |||
| John Carey | ... | Restaurant Customer (uncredited) | |
| Charlie Sexton | ... | Himself (uncredited) | |
| Marco St. John | ... | Truck Driver (uncredited) | |
| Billy Tim | ... | Man in Bar (uncredited) | |
| Robert 'Bobby Z' Zajonc | ... | State Police Pilot (uncredited) | |
Directed by | |||
| Ridley Scott | |||
Writing credits(WGA) | ||
| Callie Khouri | (written by) | |
Produced by | |||
| Mimi Polk Gitlin | .... | producer (as Mimi Polk) | |
| Callie Khouri | .... | co-producer | |
| Dean O'Brien | .... | co-producer | |
| Ridley Scott | .... | producer | |
Original Music by | |||
| Hans Zimmer | |||
Cinematography by | |||
| Adrian Biddle | (director of photography) | ||
Film Editing by | |||
| Thom Noble | |||
Casting by | |||
| Louis DiGiaimo | (as Louis Di Giaimo) | ||
Production Design by | |||
| Norris Spencer | |||
Art Direction by | |||
| Lisa Dean | |||
Set Decoration by | |||
| Anne H. Ahrens | (as Anne Ahrens) | ||
Costume Design by | |||
| Elizabeth McBride | |||
Makeup Department | |||
| Leslie Ann Anderson | .... | hair stylist | |
| Richard Arrington | .... | makeup artist | |
| Anthony Cortino | .... | hair stylist | |
| Bonita DeHaven | .... | makeup artist | |
| Karl Wesson | .... | hair stylist | |
| Steve LaPorte | .... | special makeup effects artist (uncredited) | |
Production Management | |||
| Mel Dellar | .... | unit production manager | |
| Dean O'Brien | .... | unit production manager | |
| Garth Thomas | .... | post-production supervisor | |
Sound Department | |||
| Michael A. Carter | .... | assistant sound re-recording mixer (as Michael Carter) | |
| Norman A. Cole | .... | assistant adr editor (as Norman Cole) | |
| Gordon Davie | .... | assistant sound editor | |
| Jeffrey J. Haboush | .... | additional re-recording sound | |
| Graham V. Hartstone | .... | sound re-recording mixer (as Graham Hartstone) | |
| Les Healey | .... | assistant sound editor | |
| Nicolas Le Messurier | .... | assistant sound re-recording mixer | |
| John Poyner | .... | adr editor | |
| Bob Risk | .... | sound effects editor | |
| Timothy P. Salmon | .... | boom operator | |
| Jim Shields | .... | supervising sound editor (as Jimmy Shields) | |
| Keith A. Wester | .... | production sound mixer | |
| Sandy Buchanan | .... | post-production sound assistant (uncredited) | |
| Tommy Goodwin | .... | adr mixer (uncredited) | |
| Preston Oliver | .... | sound recordist (uncredited) | |
| Dean St. John | .... | adr recordist (uncredited) | |
Special Effects by | |||
| Martin J. Gibbons | .... | special effects technician | |
| Todd Jensen | .... | special effects technician (as Todd K. Jensen) | |
| Tim Moran | .... | special effects technician (as Tim J. Moran) | |
| Stan Parks | .... | special effects coordinator | |
| Kevin Quibell | .... | special effects technician (as Kevin S. Quibell) | |
| Paul Stewart | .... | special effects technician | |
Stunts | |||
| Gregory J. Barnett | .... | stunt player (as Greg Barnett) | |
| Bobby Bass | .... | stunt coordinator | |
| Bobby Bass | .... | stunt player | |
| Steve Boyum | .... | stunt player | |
| David Burton | .... | stunt player | |
| Terry Collis | .... | stunt player | |
| Bob Dewitt | .... | stunt player | |
| Kenny Endoso | .... | stunt player | |
| Tony Epper | .... | stunt player | |
| Glory Fioramonti | .... | stunt double: 'Louise' | |
| Diane Kay Grant | .... | stunt double: 'Thelma' | |
| Marguerite Happy | .... | stunt double: 'Louise' | |
| Billy Hank Hooker | .... | stunt player (as Hank Hooker) | |
| Buddy Joe Hooker | .... | stunt player | |
| Norman Howell | .... | stunt player (as Norm Howell) | |
| Billy D. Lucas | .... | stunt player (as Billy Lucas) | |
| John Meier | .... | stunt player | |
| Ann Melville | .... | stunt player | |
| Bennie Moore | .... | stunt player (as Bennie E. Moore, Jr.) | |
| Mary Peters | .... | stunt player | |
| Ronnie Rondell Jr. | .... | stunt player (as Ronnie Rondell) | |
| Mike Ryan | .... | stunt player (as Michael C. Ryan) | |
| David Webster | .... | stunt player | |
| Dick Ziker | .... | stunt player | |
Casting Department | |||
| Ira Belgrade | .... | casting associate | |
| Dan Parada | .... | extras casting: The Casting Group | |
Costume and Wardrobe Department | |||
| Nisa Kellner | .... | set costumer | |
| Taneia Lednicky | .... | key costumer | |
| Janet Powell | .... | set costumer (as Janet L. Powell) | |
Editorial Department | |||
| Audrey Evans | .... | apprentice editor | |
| Craig Galloway | .... | assistant film editor | |
| Bob Hart | .... | negative cutter (as Bobby Hart) | |
| Alexandra Leviloff | .... | assistant film editor | |
| David Orr | .... | color timer | |
| Julie Payne | .... | post-production coordinator | |
| Chris Peppe | .... | assistant film editor | |
| David Richards | .... | apprentice editor | |
| Antonia Van Drimmelen | .... | assistant film editor (as Antonia van Drimmelen) | |
Music Department | |||
| Joachim H. Hansch | .... | music executive: Pathe | |
| Peter Haycock | .... | musician: solo guitar (as Pete Haycock) | |
| Blake Lewin | .... | music coordinator | |
| Kathy Nelson | .... | music supervisor | |
| Laura Perlman | .... | music editor | |
| Jay Rifkin | .... | music recordist | |
| Charlie Morgan | .... | musician: drums (uncredited) | |
| John Van Tongeren | .... | composer: additional music (uncredited) | |
Transportation Department | |||
| Lynn Collis | .... | transportation captain | |
| Terry Collis | .... | transportation coordinator | |
| Jerry Sidwell | .... | transportation captain (as Gerald L. Sidwell) | |
| David Trevino | .... | transportation captain | |
Thanks | |||
| Brett Palmer | .... | the producers wish to give special thanks to: The San Juan County Film Commission | |
| Bette Stanton | .... | the producers wish to give special thanks to: The Moab Film Commission | |
| Dale Stapley | .... | the producers wish to give special thanks to: State of Utah Department of Transportation | |
| Amanda Temple | .... | the producers wish to give special thanks to | |
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| Wild at Heart | Jimmy and Judy | Sullivan's Travels | Across the Universe | Detour |
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A lot of people have dubbed this as a "chick flick" but I do not really like that term as it implies that men cannot enjoy watching it. Alien had a female lead and had parts that were sad but nobody would call that a chick flick. Also is every movie about male characters a guy flick? I thought this was a great drama and the acting was superb. No one can deny that this movie is a classic and has influenced the English language. I would also like to mention that I am a man. In response to people who bash the movie saying that it is anti-male; I would like to say that Thelma and Louise is simply a movie about situations that happen to women all too often. Women are raped everyday and women are abused everyday; this movie brings that into the light and says that it is not good enough. I do not believe that shooting the rapist was justified but at least he did not get away with it. The movie shows that by running away from your problems things only get worse. People have also commented that there are no men that are not portrayed negatively. Both the sympathetic police officer and Jimmy are likable characters. The purpose of this film was not to celebrate masculinity but to show two women breaking free from oppression. Not all women are raped or abused but it is something that is very common and it is relevant enough to be a theme of a movie.
I was very moved by the movie and I gave it a 9/10