Two New York cops get involved in a gang war between members of the Yakuza, the Japanese Mafia. They arrest one of their killers and are ordered to escort him back to Japan. In Japan, ... See full summary »
Set during the grand, sweeping Napoleonic age, an officer in the French army insults another officer and sets off a life-long enmity. The two officers, D'Hubert and Feraud, cross swords ... See full summary »
Louise is working in a diner as a waitress and has some problems with her boyfriend Jimmy, who, as a musician, is always on the road. Thelma is married to Darryl who likes his wife to stay quiet in the kitchen so that he can watch football on TV. One day they decide to break out of their normal life and jump in the car and hit the road. Their journey, however, turns into a flight when Louise kills a man who threatens to rape Thelma. They decide to go to Mexico, but soon they are hunted by American police. Written by
Harald Mayr <firstname.lastname@example.org>
In the scene where the tanker truck is shot and blown up, the reactions of Susan Sarandon and Geena Davis were supposed to be genuine. Rather than filming separate reaction shots, director Ridley Scott rigged the tanker to blow up during the take, in order to get authentic expressions of surprise from the two leads. Despite this, they were so astonished while watching it that they forgot to actually react, so Scott had to film their reactions again. See more »
Towards the end of the film, where Thelma rings Hal Slocumb the state police investigator, the FBI are in the same room as Hal, recording the telephone. Watch for the guy at the tape recorder - he's messed up his headphones so much that the left ear cup is pointing out rather than pointing in. Professionals do often listen with just one cup (to retain some ambient sense), but never like this. See more »
Now if you think he knows anything, hang up the phone, because the line will be tapped.
[Dials the number]
[Exchanges looks with police, then answers phone]
Hey Darryl, it's me.
[with forced cheer]
Hey there, Thelma!
See more »
THELMA & LOUISE has to be regarded as a pure 90s classic that brought up a considerable amount of risk in creating a first-person feminist formula into a mainstream movie, which is often missing. It pulls off fantastically true in form, with the exceptional Southern character talents of the two lady fugitives on the run, Geena Davis and Susan Sarandon, who may stand out as memorable on the silver screen. Let's not forget that silly truck driver they pass quite often, and of course, cowboy Brad Pitt as a young student. While not needed to be fully reliant on action substances like gunshooting, there is good chemistry within its grasp. Every single minute should not be wasteful, as plenty of refreshing outbursts of enjoyment outweighs the familiar old plot of evading the police. The ending is a definite eye catcher, and also the riskiest ever filmed! Beware of this rip-off called GOOD GIRLS DON'T, another poor B-movie with no redeeming quality. Satisfyingly original, and highly recommended!
38 of 68 people found this review helpful.
Was this review helpful to you?