Louise is working in a diner as a waitress and has some problems with her boyfriend Jimmy, who, as a musician, is always on the road. Thelma is married to Darryl who likes his wife to stay quiet in the kitchen so that he can watch football on TV. One day they decide to break out of their normal life and jump in the car and hit the road. Their journey, however, turns into a flight when Louise kills a man who threatens to rape Thelma. They decide to go to Mexico, but soon they are hunted by American police. Written by
Harald Mayr <firstname.lastname@example.org>
Thelma and Louise could not have blown up the rude trucker's tanker by merely shooting holes into it with a handgun, this is pure Hollywood hokum. For an explosion to occur the correct fuel/air mixture is required, additionally the vaporised gasoline would need an ignition source like an open flame to combust. The women could be firing military incendiary rounds into the tanker and it would still not blow up. Gasoline can not burn much less explode with out an oxygen source. See more »
[shouting wildly as she runs back to the car]
Driiive, Louise! Drive! Drive the car! Come on. Go! Go! Go go go go go!
[Thelma holds up money]
You robbed the store? You robbed the goddamn store?
Well, we needed the money.
It's not like I killed anybody, for God's sake!
I'm sorry, we needed the money, now we have it.
Oh, shit! Oh, shit! Oh, shit, Thelma!
[...] See more »
Through his career, Ridley Scott was an eclectic film-maker because he broached (with success) several cinema styles: science-fiction with "Alien", historical film with "1492: Christopher Colombus". Here, he succeeded very well his way to the road-movie and this one is listed among the best road-movies ever made. At first look, the story looks simple and without too many claims: two young women, Thelma and Louise are going out for the week-end with the firm intention of having a ball. But what they don't know is that this drive will soon become a descent into hell... The movie is worth seeing for its two main actresses: Susan Sarandon and Geena Davis, both outstanding and what interests Ridley Scott, is their temperament and their evolution during the movie. At the beginning, a sensitive and fragile Thelma is next to a energetic and realistic Louise but in the second part of the movie, more precisely, after Thelma burglarized a shop (probably the best sequence in the whole movie) in order to grab money, roles are reversed. This is an occasion to make out Louise's wounds and weaknesses. So, don't rely too much on appearances... "Thelma and Louise" is also a movie where Scott takes a lucid look on the hidden side of the American society and especially on men. Scott introduces them to us with their worst faults: either they're macho (Darryl), obscene (the truck driver), perverse (the rapist) or coward (the cop). The only one saved is Harvey Keitel who never falls into the caricature of the American cop usually described to us as merciless or obsequious. Here, he shows understanding and even compassion towards the two runaways, notably Louise because he knows that she hides a terrible secret. A dynamic and panting movie where laugh and sorrow are skillfully married.
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