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Louise is working in a diner as a waitress and has some problems with her boyfriend Jimmy, who, as a musician, is always on the road. Thelma is married to Darryl who likes his wife to stay quiet in the kitchen so that he can watch football on TV. One day they decide to break out of their normal life and jump in the car and hit the road. Their journey, however, turns into a flight when Louise kills a man who threatens to rape Thelma. They decide to go to Mexico, but soon they are hunted by American police. Written by
Harald Mayr <email@example.com>
When Geena Davis happened to be seated next to George Clooney on a flight over 20 years after the movie's release, during the course of idle conversation George mentioned that he'd read with her for the part of J.D. but she, regretfully, had to admit that she had no recollection of his audition. See more »
While it is a popular movie trope that a caller must stay on the line a minimum amount of time before the call can be traced, by the time of this movie's setting, calls could be traced as soon as the connection was made. This is true even with a landline, a public phone, or a long distance call, as was the case in the film. See more »
What did Darryl have to say?
Oh, he said,
[in a mocking tone of voice]
"Okay, Thelma, I just wanted to make sure you was all right. I sure hope you're havin' fun. You deserve it after all you've put up with me. I love you, honey."
[she swigs from a mini-bottle of bourbon]
So, how long before we're in goddamn Mexico?
[realizing that Thelma has committed to journeying with her, Louise grins]
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Almost perfect road movie about two women on the run
Thelma and Louise is a rarity. It is a buddy movie about two women, and it is one of the best road movies to ever grace the screen.
Louise (Susan Sarandon) and Thelma (Gina Davis) are two friends who plan a road trip into the mountains for the weekend. Neither one of their lives seems exciting at the moment. Louise waits tables at the local diner and is also waiting on boyfriend Jimmy (Michael Madsen)who is always traveling and seems destined to never settle down. Thelma is a sexually repressed housewife who lives at home with a self-important husband (Christopher McDonald) who doesn't seem to care much for her at all except when she is not fulfilling her house-wife duties like having diner made and the house cleaned.
It is no wonder these two decide to take a trip for the weekend to the mountains to get away for awhile and have fun. Of course there is an event that happens not long after they have started their journey, and right after said event, things quickly spiral out of control as the two girls find themselves racing for Mexico with the law quickly on their heels.
This movie could've been just another boring road picture, but both Geena Davis and Susan Sarandon along with a fine script and clever pacing by director Ridley Scott, make it much better. Davis and Sarandon have great chemistry together, and the script is loaded with offbeat humor to go along with its clever story. The movie is never boring because Ridley Scott makes it so by slowing the pace down at the right moments, and then picking it back up when necessary. I enjoyed all the characters, including the minor ones which included a cameo by Brad Pitt as the young hitchhiker JD who Thelma quickly falls in lust with.
Some people may see this as the ultimate female picture, but I think it is more than that. Harvey Keitel is the inspector on the case who believes that these girls really aren't as bad as some may think, and his character is interesting as well because he seems to understand why everything involving the girls has lead up to this series of unfortunate events. Michael Madsen, as Louise's boyfriend Jimmy, also adds depth to his role as a man who though upset with what Louise is going to do understands and loves her still. These two characters add something more to the story which makes it less of a feminist picture without once taking away from the two leads. If that was even possible.
My only gripe with the movie would be the ending. Not the way it ended but how quickly it rushed to the end credits. I for one, like Roger Ebert who stated the same thing in his review of the movie, believe that the ending should of lasted a little longer before fading out. That's my only problem, and it's the only reason why the movie doesn't get a perfect score from me.
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