Two New York cops get involved in a gang war between members of the Yakuza, the Japanese Mafia. They arrest one of their killers and are ordered to escort him back to Japan. In Japan, ... See full summary »
Louise is working in a diner as a waitress and has some problems with her boyfriend Jimmy, who, as a musician, is always on the road. Thelma is married to Darryl who likes his wife to stay quiet in the kitchen so that he can watch football on TV. One day they decide to break out of their normal life and jump in the car and hit the road. Their journey, however, turns into a flight when Louise kills a man who threatens to rape Thelma. They decide to go to Mexico, but soon they are hunted by American police. Written by
Harald Mayr <email@example.com>
For the more raunchy sex scenes between Brad Pitt and Geena Davis, director Ridley Scott had assumed that a body double would be needed for Geena. Shortly after he'd begun auditioning prospective doubles, Davis learned of Scott's intentions and insisted that no doubles were needed in those steamy scenes. See more »
During the big chase scene, the Thunderbird Louise is driving hits a police cruiser and knocks off a side mirror. However, after the chase scene, we can clearly see that the mirror is still intact and on the car. This is because the mirror that we saw fly clear was from the police cruiser, not Louise's Thunderbird. See more »
THELMA & LOUISE has to be regarded as a pure 90s classic that brought up a considerable amount of risk in creating a first-person feminist formula into a mainstream movie, which is often missing. It pulls off fantastically true in form, with the exceptional Southern character talents of the two lady fugitives on the run, Geena Davis and Susan Sarandon, who may stand out as memorable on the silver screen. Let's not forget that silly truck driver they pass quite often, and of course, cowboy Brad Pitt as a young student. While not needed to be fully reliant on action substances like gunshooting, there is good chemistry within its grasp. Every single minute should not be wasteful, as plenty of refreshing outbursts of enjoyment outweighs the familiar old plot of evading the police. The ending is a definite eye catcher, and also the riskiest ever filmed! Beware of this rip-off called GOOD GIRLS DON'T, another poor B-movie with no redeeming quality. Satisfyingly original, and highly recommended!
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