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Thelma & Louise (1991)

An Arkansas waitress and a housewife shoot a rapist and take off in a '66 Thunderbird.

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Won 1 Oscar. Another 17 wins & 39 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Max
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Lena, the Waitress
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State Trooper
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Major
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East Indian Motel Clerk (as Shelly De Sai)
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Waitress
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Surveillance Man
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Storyline

Louise is working in a diner as a waitress and has some problems with her boyfriend Jimmy, who, as a musician, is always on the road. Thelma is married to Darryl who likes his wife to stay quiet in the kitchen so that he can watch football on TV. One day they decide to break out of their normal life and jump in the car and hit the road. Their journey, however, turns into a flight when Louise kills a man who threatens to rape Thelma. They decide to go to Mexico, but soon they are hunted by American police. Written by Harald Mayr <marvin@bike.augusta.de>

Plot Summary | Plot Synopsis

Taglines:

Somebody said get a life... so they did.

Genres:

Adventure | Crime | Drama

Motion Picture Rating (MPAA)

Rated R for strong language, and for some violence and sensuality | See all certifications »

Parents Guide:

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Details

Country:

|

Language:

Release Date:

24 May 1991 (USA)  »

Also Known As:

Thelma and Louise  »

Filming Locations:

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Box Office

Budget:

$16,500,000 (estimated)

Gross:

$45,361,000 (USA)
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Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

At one point Richard Donner was actively interested in directing. See more »

Goofs

It doesn't take "two and a half days" to get from Oklahoma City to Mexico. The Texas border towns of Laredo and El Paso are each less than an 11 hour drive. See more »

Quotes

Thelma: You awake?
Louise: Guess you could call it that, my eyes are open.
Thelma: I'm awake too. I feel awake.
Louise: Good.
Thelma: I feel really awake. I don't recall ever feeling this awake. You know? Everything looks different now. You feel like that? You feel like you got something to live for now?
Louise: We'll be drinking margaritas by the sea, mamacita.
Thelma: You know we could change our names.
Louise: To live in a hacienda.
Thelma: I want to get a job, I'll work at Club Med.
Louise: Yeah, what kind of deal is that cop going to have to come up with to top that?
[...]
See more »

Connections

Referenced in How I Met Your Mother: Best Prom Ever (2006) See more »

Soundtracks

Mercury Blues
Written by Robert Geddins & K. C. Douglas
Performed by Charlie Sexton
Produced by Jeff Lord-Alge & Charlie Sexton
Re-Mixed by Don Smith
Courtesy of MCA Records
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Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

car emptiness...
13 March 2003 | by See all my reviews

Through his career, Ridley Scott was an eclectic film-maker because he broached (with success) several cinema styles: science-fiction with "Alien", historical film with "1492: Christopher Colombus". Here, he succeeded very well his way to the road-movie and this one is listed among the best road-movies ever made. At first look, the story looks simple and without too many claims: two young women, Thelma and Louise are going out for the week-end with the firm intention of having a ball. But what they don't know is that this drive will soon become a descent into hell... The movie is worth seeing for its two main actresses: Susan Sarandon and Geena Davis, both outstanding and what interests Ridley Scott, is their temperament and their evolution during the movie. At the beginning, a sensitive and fragile Thelma is next to a energetic and realistic Louise but in the second part of the movie, more precisely, after Thelma burglarized a shop (probably the best sequence in the whole movie) in order to grab money, roles are reversed. This is an occasion to make out Louise's wounds and weaknesses. So, don't rely too much on appearances... "Thelma and Louise" is also a movie where Scott takes a lucid look on the hidden side of the American society and especially on men. Scott introduces them to us with their worst faults: either they're macho (Darryl), obscene (the truck driver), perverse (the rapist) or coward (the cop). The only one saved is Harvey Keitel who never falls into the caricature of the American cop usually described to us as merciless or obsequious. Here, he shows understanding and even compassion towards the two runaways, notably Louise because he knows that she hides a terrible secret. A dynamic and panting movie where laugh and sorrow are skillfully married.


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