Summer, 1984: 30 years after Duane captained the high school football team and Jacy was homecoming queen, this Texas town near Wichita Falls prepares for its centennial. Oil prices are down... See full summary »
Jack is now out of jail and he meets Nick, his adolescent son. Their relationship will be complicated, because Jack has a problem with alcohol. But his love for Nick will help him to get over the past and reach his dreams.
This film was Peter Bogdanovich's homage to musical comedies of the 1930s. A millionaire named Michael Oliver Pritchard III and a singer named Kitty O'Kelly meet and fall in love. Meanwhile... See full summary »
This homage to the childhood days of the motion pictures starts in 1910, when the young attorney Leo Harrigan by chance meets a motion picture producer. Immediately he's invited to become a... See full summary »
Three years after his divorce from his model-wife is the psychologist Larry Livingstone ready for a new commitment. He falls in love with the young widow Beth who has two children. But Beth... See full summary »
Summer, 1984: 30 years after Duane captained the high school football team and Jacy was homecoming queen, this Texas town near Wichita Falls prepares for its centennial. Oil prices are down, banks are failing, and Duane's $12 million in debt. His wife Karla drinks too much, his children are always in trouble, and he tom-cats around with the wives of friends. Jacy's back in town, after a mildly successful acting career, life in Italy, and the death of her son. Folks assume Duane and Jacy will resume their high school romance. And Sonny is "tired in his mind," causing worries for his safety. Can these friends find equilibrium in middle age? Written by
Though this is the only cinematic sequel to The Last Picture Show (1971), Duane Jackson (Moore in the books) and the small town of Analene (Thalia in the books) were the subject of three more novels by Larry McMurtry: Duane's Depressed, When The Light Goes, and Rhino Ranch. See more »
At the beginning of the centennial parade, a half-built Ferris wheel with no cars attached can be seen in background; several minutes later, it's fully operational. See more »
Are you the one I went skinny-dipping with?
No, that was Lester Marlowe.
Well, I bet I was your favorite mermaid.
See more »
Some worthwhile performances here. The film does suffer from comparisons to "The Last Picture Show". That film was astonishing in its originality and has become iconic. "Texasville" neither aims so high, nor lands so hard. Nonetheless, the whole atmosphere of sadness calls to mind TLPS, as does the lack of a musical score, the only background being radios or whatever that the characters also hear. The adult characters, who were teen-agers in TLPS never seem to have grown up. At all. As Ebert said, I wonder what Sam the Lion would think of all these people. I seem to have missed all the sex going on in the '50's (OK wasn't born yet) and missed it again in the 80's. Maybe I'll catch that train SOMEDAY.
Jeff Bridges put in a great performance here, just as he always does. He never seems to play a character you don't believe. This in films as disparate as this one, "The Fabulous Baker Boys", and, say, "The Big Lebowski". Cybill Shepherd was very good and very beautiful. It probably took some amount of courage for a former model/beauty queen to take this role, that explicitly compares her middle-aged looks to her youthful pulchritude. I thought she still looked great. (But then, I'm middle-aged) Cloris Leachman showed her dramatic talent to wonderful effect. But, saving the best for last, I thought Annie Potts basically stole the show. She was gorgeous, and she so totally nailed her character. Acting doesn't get much better than this.
Anyone who liked TLPS (and that's almost everyone) should see this sequel. But don't carry into it unrealistic expectations.
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