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High Heels (1991)

Tacones lejanos (original title)
A girl's mother returns after 15 years to find her daughter has married one of her (the mother's) old boyfriends. They try to mend their broken mother/daughter relationship and deal with ... See full summary »

Director:

Writers:

(screenplay), (story)

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Nominated for 1 Golden Globe. Another 10 wins & 7 nominations. See more awards »
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Cast

Cast overview, first billed only:
...
...
Miguel Bosé ...
Juez Domínguez / Hugo / Letal
...
Margarita (as Ana Lizaran)
Mayrata O'Wisiedo ...
Madre del Juez Domínguez (as Mairata O'Wisiedo)
...
Paula
...
Manuel (as Feodor Atkine)
Pedro Díez del Corral ...
Alberto
...
Susana (as Bibi Andersen)
Nacho Martínez ...
Juan
...
Isabel
Lupe Barrado ...
Luisa
Juan José Otegui ...
Capellán Hospital (as Juan Jose Otegui)
Paula Soldevila ...
Enfermera Hospital
...
Regidor T.V.
Edit

Storyline

A girl's mother returns after 15 years to find her daughter has married one of her (the mother's) old boyfriends. They try to mend their broken mother/daughter relationship and deal with their common lover. Written by Ed Sutton <esutton@mindspring.com>

Plot Summary | Add Synopsis

Taglines:

a mother, a daughter, a lover. relationships can be murder.

Genres:

Comedy | Drama | Romance

Motion Picture Rating (MPAA)

Rated R for a scene of strong sensuality, and for language | See all certifications »
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Details

Official Sites:

Country:

|

Language:

Release Date:

20 December 1991 (USA)  »

Also Known As:

High Heels  »

Box Office

Gross:

$1,710,057 (USA)
 »

Company Credits

Production Co:

, ,  »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

(Eastmancolor)

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

Even though she was nominated as Best Supporting Actress for a Goya award, Cristina Marcos has barely 5 minutes of screen time. See more »

Quotes

Becky del Páramo: My daughter, Do you hate me?
Rebeca: No , I love you very much mother.
Becky del Páramo: I was afraid you hated me.
Rebeca: I hated you sometimes, but even on those times I never stop loving you.
See more »

Connections

Referenced in Full Frontal (2002) See more »

Soundtracks

Beyond My Control
Written by George Fenton
Editor original Warner Bros Music Corp. (Canciones del Munido, S.A.)
Por cortesia de Warner Bros Inc.
See more »

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User Reviews

 
Nice Almodóvar film
19 February 2005 | by (The Hague, Netherlands) – See all my reviews

I like the films made by director Pedro Almodóvar and 'Tacones Lejanos' ('High Heels') is no exception. Even his lesser film ('Kika') have something to enjoy, most of all because they are so very different from other films you have seen. Like a Tarantino-film, an Almodóvar-film is sort of like a genre on itself. Although Almodóvar reached greatness with 'Todo Sobre Mi Madre' and especially 'Hable Con Ella', his earlier films like 'Mujeres al Borde de un Ataque de Nervios' and this one are a lot of fun. He mixes so many genres here, uses symbolism in such an effective way, the least thing it does is being original. I guess there is nothing wrong with that.

The story involves a daughter Rebeca (Victoria Abril), her famous mother Becky (Marisa Paredes) who returns to Spain after fifteen tears, a murder that could have been committed by Rebeca, Becky and a third suspect, Judge Domínguez (Miguel Bosé) who is on the case, and a lot of colorful supporting characters. I could tell you more but the plot is not really the issue here. Although this films sounds like a drama, maybe a detective or a thriller even, it is closer to a comedy because of the way Almodóvar handles the absurd situations. There is a scene where Rebeca, an anchorwoman, tells something about the murder where she herself is one of the suspects. Next to her sits a woman who does the news in sign language. The whole scene, which is dramatic in what it tells us, is one of the best moments of comedy I have seen.

Of course the themes here are really dramatic. Not only we have the murder, we also have Rebeca who has wanted to impress her mother her entire life. It is just that Almodóvar creates a world that reminds you of a soap opera that can bring comedy out of every dramatic event. That his film is more serious than you might think is proved by the symbolism he uses. Scenes where Rebeca is temporarily in prison show her in a symbolic way how she feels. In another beautiful scene we see Rebeca driving her car, but it is the wall on the background that draws her attention. It is like her entire life is written on the wall. Almodóvar who loves to use bright colors finds an effective way here to use them, representing the state the character is in. It is not only effective it is quite beautiful to look at as well.


12 of 14 people found this review helpful.  Was this review helpful to you?

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