| Photos (see all 9 | slideshow) |
| Alice Diabo | ... | Alice | |
| Constance Garneau | ... | Constance | |
| Winifred Holden | ... | Winnie | |
| Cissy Meddings | ... | Cissy | |
| Mary Meigs | ... | Mary | |
| Catherine Roche | ... | Catherine | |
| Michelle Sweeney | ... | Michelle | |
| Beth Webber | ... | Beth |
Directed by | |||
| Cynthia Scott | |||
Writing credits(in alphabetical order) | ||
| Sally Bochner | writer | |
| Gloria Demers | writer | |
| Cynthia Scott | writer | |
| David Wilson | writer | |
Produced by | |||
| Sally Bochner | .... | associate producer | |
| Rina Fraticelli | .... | executive producer | |
| Peter Katadotis | .... | executive producer | |
| Colin Neale | .... | executive producer | |
| David Wilson | .... | producer | |
Original Music by | |||
| Marie Bernard | |||
Cinematography by | |||
| David De Volpi | |||
Film Editing by | |||
| David Wilson | |||
Costume Design by | |||
| Elaine Langlais | |||
Second Unit Director or Assistant Director | |||
| Francois Gingras | .... | assistant director | |
Art Department | |||
| Christiane Gagnon | .... | scenic artist | |
Sound Department | |||
| Marie-France Delagrave | .... | boom operator | |
| Jacques Drouin | .... | location sound | |
| André Galbrand | .... | sound editor | |
| Danuta Klis | .... | sound editor | |
| Andy Malcolm | .... | foley artist | |
| Justine Pimlott | .... | boom operator | |
| Hans Peter Strobl | .... | sound re-recording mixer | |
Camera and Electrical Department | |||
| Richard Bujold | .... | assistant camera focus | |
| Jean-Maurice de Ernsted | .... | key grip | |
| David De Volpi | .... | camera operator | |
| Ron Diamond | .... | still photographer | |
| André-Luc Dupont | .... | additional camera operator | |
| Jacques Girard | .... | additional gaffer | |
| Raynald Lavoie | .... | key grip | |
| Roger Martin | .... | camera operator | |
| Roger Martin | .... | gaffer | |
| Julie Nault | .... | electrician | |
| Dawn Nichol | .... | second assistant camera | |
| Chantal Sabourin | .... | electrician | |
Editorial Department | |||
| Claude Cardinal | .... | negative cutter | |
| Gudrun Klawe | .... | color timer | |
| Catherine Mullins | .... | assistant editor | |
Music Department | |||
| Louis Hone | .... | music scoring mixer | |
Other crew | |||
| Denis Boucher | .... | consultant | |
| Alison Burns | .... | production assistant | |
| Michel Dandavino | .... | location researcher | |
| Gloria Demers | .... | associate director | |
| Hannele Halm | .... | additional researcher | |
| Edna Lee | .... | nurse | |
| Patrick Loiselle | .... | production assistant | |
| Laura Olivia | .... | production assistant | |
| Pierre Pouliot | .... | production assistant | |
| Lois Siegel | .... | additional researcher | |
| John N. Smith | .... | consultant | |
| Val Teodori | .... | title designer | |
| Recent Posts (updated daily) | User |
|---|---|
| docu-drama? | olblueeyes40 |
| Very sweet and simplwe movie. | FierceBLUE |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb Canada section | Add this title to MyMovies |
I have always found the lives of women to be more interesting than that of men. They are emotionally stronger, have more depth. And this film confirms my belief. I wish I each of the women were my personal friend. It's hard to believe they are all first time actors. They are all so natural. Constance conveyed more with her silence than any actor I have seen on screen with a million words. A beautifully made film. Terrific photography of the Canadian countryside, haunting music, superb acting. The film's more like a documentary. I wish there were more personal information on the Net on each of the actors, including their addresses so I could write and tell them how much they have touched my life through this film. Thank you everyone who was involved in the making of "Strangers In Good Company".