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Son of Darkness: To Die for II (1991)

R | | Drama, Horror | April 1991 (USA)
Vampires come to town. Who's a vampire? Who's not? Ask our main character, who is suspicious, and our main character's brother, who gets seduced by one.

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Cast

Cast overview, first billed only:
...
Nina
...
Tom
...
Martin
...
Max Schreck / Vlad Tepish
...
Danny
...
Cellia
Remy O'Neill ...
Jane
...
Bartender
...
Field Reporter
Elizabeth Woods ...
Wife
Jim Price ...
Husband
...
Joe
...
Teenage Boy (as Scott Heath)
Gayle Phelps ...
Woman Attacked
Doug Collins ...
Man Outside House
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Storyline

Vampires come to town. Who's a vampire? Who's not? Ask our main character, who is suspicious, and our main character's brother, who gets seduced by one.

Plot Summary | Plot Synopsis

Taglines:

Hush Little Baby, Don't You Bite... Daddy Gonna Get You Some Blood Tonight.

Genres:

Drama | Horror

Motion Picture Rating (MPAA)

Rated R for strong horror violence, sensuality and language. | See all certifications »
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Details

Country:

Language:

Release Date:

April 1991 (USA)  »

Also Known As:

El hijo de las tinieblas  »

Company Credits

Production Co:

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Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

In 1992 a man in Milwaukee, Wisconsin, was watching this movie with his girlfriend when he suddenly cut her and then tried to suck her blood. He claimed he was inspired to do that by this film. See more »

Connections

Follows To Die For (1988) See more »

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User Reviews

 
Bland and unimpressive romantic-vampire effort
11 February 2015 | by (Los Angeles, Ca) – See all my reviews

Moving to a small mountain town, a woman learns that her adopted infant is the son of a legendary vampire count looking to control his contentious underlings threatening his rule and must stop them from harming her baby.

Overall, this one was a pretty disappointing effort that doesn't really have a whole lot to really remark about it. One of the biggest issues with this one is the fact that nothing at all happens here, spent for the large part on trying to convince her of the vampire heritage of everyone around her to no avail, which results in countless visits to her both at work and her home in vain attempts to get the truth revealed when the surmounting evidence should've been sufficient regardless of his antics. The decision to have the brother spellbound by the female vampire doesn't have nearly the same effect it should've done because it's just too obvious what's going on here and her blindness to it all doesn't instill fear in the situation but rather infuriation at her being unable to notice it, much like the frequent trips to the clinic to meet with the doctor who takes it away to be satisfied mysterious only to have to come back again and again for the exact same reasons. By infusing all of this with a tepid and utterly clichéd romance angle that doesn't in the slightest bit feel interesting or really worthwhile as it's a retread of the last film anyway during the first half here, the horror part of this is shoved so far aside it barely even feels like one during this time except for the presence of the vampires and their bloody feedings. That does change slightly once we get to the second half where the vampiric tendencies come more to the forefront as the attacks grow more violent in execution which allows for a bit more action anyway as well as the addition of more carnage and bloodshed which is always a good notion here. This is more evident in the big action scene for the finale where the big brawl between the two vampires leads to a whole lot of action throughout with plenty of flying around on wires, powerful punching and the kind of punishment that comes from being inhuman result in a fantastic scene that really generates a lot more goodwill than initially expected and helps to overcome some of the other flaws here. Otherwise, there's not a whole lot to really like here.

Rated R: Graphic Violence, Graphic Language and Nudity.


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