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Jennifer Jason Leigh,
Laura and Martin have been married for four years. They seem to be the perfect, happiest and most successful couple. The reality of their house- hold, however, is very different. Martin is an abusive and brutally obsessed husband. Laura is living her life in constant fear and waits for a chance to escape. She finally stages her own death, and flees to a new town and new identity. But when Martin finds out that his wife is not dead he will stop at nothing to find and kill her. Written by
Sami Al-Taher <email@example.com>
At the time director Joseph Ruben was hired, Kim Basinger was attached to the project as Laura Burney. She ultimately turned down the part, though, feeling she wasn't right for the role. See more »
When Laura first goes over to Ben's house for dinner, Laura makes the comment that she likes Classical Music, and then elaborates, saying anything except Berlioz. Berlioz is a Romantic Composer. However, the term "Classical" is commonly used by the general public to refer to instrumental or orchestral music regardless of the time period in which it was actually created. See more »
I can't live without you. And I won't let you live without me.
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Berlioz Symphonie Fantastique will never sound the same again!.
Laura marries Martin Burney who appears to be the perfect man, he is handsome and successful, yet the dream of the perfect man becomes a nightmare as Martin is a control freak who abuses her both physically and mentally. Once she decides enough is enough she plots her escape by way of faking her own death by drowning, a new life beckons, but she will always be looking over her shoulder to see if Martin finds out the truth and tracks her down.
Thus the vehicle for Julia Roberts pans out as your just above average thriller. It has some decent moments that keep it from drifting into tedium, the set up perfectly portrays the double life that some people lead, on the social circuit it appears the couple are happy and at one with each other, yet behind their own walls there is violence and the crushing of the spirit. The final third of the film is also well worthy of the word thriller, for the tension is nigh on unbearable as we slowly come to the conclusion, whilst Julia Roberts as Laura does a very tidy job as this sort of modern day princess escaping the evil clutches of her keeper. Must mention the great use of Berlioz's Symphonie Fantastique, it's eerie and impacts hard for the scenes it is used for.
Patrick Bergin plays his role well enough, it's just that his villainy is never fully realised, we see enough to know that what he does is wrong, yet it feels a bit too polished. Whilst a sequence that sees Laura dress up as a man is clearly the low point of the film, it really does stretch the viewers patience, and sadly insults their respective intelligence. It's a mixed bag that isn't quite a waste of time, it just doesn't leave you with anything other than a feeling of being semi fulfilled, shame as it could have been brilliant with a bit more bravery and brains in the script, 6/10.
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