After she discovers that her boyfriend has betrayed her, Hilary O'Neil is looking for a new start and a new job. She begins to work as a private nurse for a young man suffering from blood ... See full summary »
When a 'Single White Female' places an ad in the press for a similar woman to rent a room (to replace the boyfriend she's just left), all the applicants seem weird. Then along comes a level... See full summary »
Jennifer Jason Leigh,
Laura and Martin have been married for four years. They seem to be the perfect, happiest and most successful couple. The reality of their house- hold, however, is very different. Martin is an abusive and brutally obsessed husband. Laura is living her life in constant fear and waits for a chance to escape. She finally stages her own death, and flees to a new town and new identity. But when Martin finds out that his wife is not dead he will stop at nothing to find and kill her. Written by
Sami Al-Taher <firstname.lastname@example.org>
At the time director Joseph Ruben was hired, Kim Basinger was attached to the project as Laura Burney. She ultimately turned down the part, though, feeling she wasn't right for the role. See more »
When Laura is in the bathtub after the carnival, she runs her hand through her wet hair and messes it up. She looks over, sees the straightened towel and stands up and puts on her robe. The next moment her hair is perfectly slicked back and combed neatly. As she walks down the hall to check the rooms, her hair goes back and forth from neat to messy. See more »
You sneaked off inexplicably, need I remind you how I worried?
No. You reminded me enough the night I came back.
You're not suggesting I enjoyed that?
God, no. That would make you a monster.
See more »
I found this movie, if not terribly believable, very moving and emotional when I saw it some years back. Julia Roberts brings a real vulnerability to all her roles, and is perfect here as the affluent but both mentally and physically abused wife.
The sad tale revolves around an apparently perfect upper middle class couple who share a beach home...the beautiful young Laura (who has every material comfort) and her obsessive and abusive husband, Martin. Laura lives in terror of her abuser, finally seizing a chance to escape by faking her own death and and fleeing to another town, where she assumes an entirely new identity. Meanwhile, Martin becomes ballistic when he discovers that his wife is not really dead and goes after her...
I admit it, the plot is pretty far fetched, a lot of holes in the story, some events depicted not very believable. Leave your logic behind. Still, I was able to overlook all this and focus my attention on Laura's plight, hoping she could evade (or eliminate) this intellectual brute, and build a new life for herself with a new love.
The portrayal of Laura's terror is vivid as she tries to appease her obsessive husband, who becomes violent if she fails to keep the pantry shelf items in perfect alignment. The most chilling scene of all is the rape, with its accompaniment of Martin's favorite classical music, a piece which thereafter haunts his young wife. No sympathy here for the husband, whose unfolding actions simply go from unspeakable to unthinkable.
Not a particularly believable plot but engrossing, nevertheless, and a pair of vividly drawn characters who elicit strong emotions. However, the best part of this movie is definitely its message. Contrary to the typical image, spousal abuse is no respecter of social class. It would have been much more difficult for me before this film than it is now to picture an affluent, educated, sophisticated abuser.
10 of 13 people found this review helpful.
Was this review helpful to you?