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Slacker (1991)

 -  Comedy | Drama  -  5 July 1991 (USA)
7.1
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Ratings: 7.1/10 from 11,525 users   Metascore: 69/100
Reviews: 68 user | 54 critic | 16 from Metacritic.com

Presents a day in the life in Austin, Texas among its social outcasts and misfits, predominantly the twenty-something set, using a series of linear vignettes. These characters, who in some ... See full summary »

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Title: Slacker (1991)

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Cast

Cast overview, first billed only:
...
Rudy Basquez ...
Taxi Driver
Jean Caffeine ...
Roadkill
Jan Hockey ...
Jogger
Stephan Hockey ...
Running Late
Mark James ...
Hit-and-Run Son
Samuel Dietert ...
Grocery Grabber of Death's Bounty
Bob Boyd ...
Officer Bozzio
Terrence Kirk ...
Officer Love
Keith McCormack ...
Street Musician
Jennifer Schaudies ...
Walking to Coffee Shop
Dan Kratochvil ...
Espresso Czar / Masonic Malcontent
Maris Strautmanis ...
Giant Cappuccino
Brecht Andersch ...
Tommy Pallotta ...
Looking for Missing Friend (as Tom Pallotta)
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Storyline

Presents a day in the life in Austin, Texas among its social outcasts and misfits, predominantly the twenty-something set, using a series of linear vignettes. These characters, who in some manner just don't fit into the establishment norms, move seamlessly from one scene to the next, randomly coming and going into one another's lives. Highlights include a UFO buff who adamantly insists that the U.S. has been on the moon since the 1950s, a woman who produces a glass slide purportedly of Madonna's pap smear, and an old anarchist who sympathetically shares his philosophy of life with a robber. Written by Rick Gregory <rag.apa@email.apa.org>

Plot Summary | Add Synopsis

Genres:

Comedy | Drama

Motion Picture Rating (MPAA)

Rated R for language | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

5 July 1991 (USA)  »

Also Known As:

Richard Linklater's Slacker  »

Filming Locations:

 »

Box Office

Budget:

$23,000 (estimated)

Gross:

$1,227,508 (USA)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

| (DVD)

Sound Mix:

Color:

(bar scene)|

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

There is a still from Eraserhead (1977) on the hit-and-run driver's wall. See more »

Goofs

"Video Playing Store Security" character gets a haircut and grows a thin moustache while exiting the building. See more »

Quotes

Based on Authoritative Sources: Why in the hell is he throwing it in? It's a perfectly good typewriter.
Guy Who Tosses Typewriter: Because! The typewriter isn't the point. The point is, it symbolizes the bitch that just fucked him over. It symbolizes the bitch that fucked me over six months ago. And it symbolizes the bitch that's GONNA fuck you over!
See more »

Crazy Credits

In memory: George Morris See more »

Connections

Featured in Snowball Effect: The Story of 'Clerks' (2004) See more »

Soundtracks

Aphrodite
Written by Lynn Keller / St. Cecilia
Performed by St. Cecilia
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User Reviews

 
Genuine and deadpan deadpan and genuine
3 December 1999 | by (Raleigh, NC) – See all my reviews

I walked into Richard Linklater's SLACKER not knowing for sure what to expect. I think that is the best way to experience this film. I wouldn't exactly put this film under 'Comedy', if I ran my own video store. I would invent the category 'Post-Film School Experimental Piece' and place it under that. Because that is just what it is, but don't let that repulse you. It is very interesting and has the power to warp you in what seems like one shot throughout a day and night in a college town of Austin, Texas.

The true life preserver of this film is the sure directorial hand and witty script of Linklater. I enjoy the matter-of-fact philosophy within the dialogue of Linklater movies, (DAZED & CONFUSED, BEFORE SUNRISE)it is especially heavy here. It's fun watching the weirdos in this movie, like the video-obsessed droid who prefers taped sequences over reality or the chick with Madonna's pap smear (eewww!!) But it's almost frightening when you come upon a character very much like yourself.

But the movie most successfully gives us a town populated by characters we actually believe are living their aimless life in front of us. Minute-by-minute plays that intricately connect into a long string of slacker beads. These characters belong to the counter-culture where neurosis comes naturally and there are hardly skeptics anywhere. Where conversations find the metaphysical levels of funny postcards.

Later in the future, we will trip upon this movie again and find it more as being a time capsule of the early 90s than a semi-experimental comedy by a director most known for his insights of the sub-culture living inside their own heads.


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