A nameless young character goes into travels to the country, meeting some acquaintances and strangers as well, having banal conversations, dedicating his existence into daily mundane ... See full summary »
Presents a day in the life in Austin, Texas among its social outcasts and misfits, predominantly the twenty-something set, using a series of linear vignettes. These characters, who in some manner just don't fit into the establishment norms, move seamlessly from one scene to the next, randomly coming and going into one another's lives. Highlights include a UFO buff who adamantly insists that the U.S. has been on the moon since the 1950s, a woman who produces a glass slide purportedly of Madonna's pap smear, and an old anarchist who sympathetically shares his philosophy of life with a robber. Written by
Rick Gregory <email@example.com>
The woman who plays "Pap Smear Pusher", also on the movie poster and video covers, is Teresa Taylor, who was a drummer for Butthole Surfers. See more »
In the pap smear scene the street sign for 2nd Street is facing the wrong way. See more »
Should Have Stayed at Bus Station:
[babbling to silent cab driver]
Man, I just had the weirdest dream - back on the bus there? Did you ever have one of those dreams that are completely real. I mean they're so vivid. It's just like completely real. It's like, there's always something bizarre going on, though. I have one about every 2 years or something. I always remember 'em real good. Like there's always someone getting run over, or something really weird. Um, one time I had lunch with Tolstoy. Another time I was a ...
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This film about Texas misfits gets off to a somewhat amusing start as Linklater, the writer-director himself, takes a cab ride and rambles off for several minutes about alternate universes and the roads not taken to the disinterested cab driver. When he reaches his destination, however, the focus shifts to another character that Linkletter passes on the street. Then it's on to another unrelated vignette and another and so on. It seems that each segment is less interesting than the one that preceded it. About half way through, the concept runs out of steam and film really begins to drag. It's an interesting concept that would have worked better if Linklater's script were actually funny. Alas, the laughs are few and far between.
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