A nameless young character goes into travels to the country, meeting some acquaintances and strangers as well, having banal conversations, dedicating his existence into daily mundane ... See full summary »
Presents a day in the life in Austin, Texas among its social outcasts and misfits, predominantly the twenty-something set, using a series of linear vignettes. These characters, who in some manner just don't fit into the establishment norms, move seamlessly from one scene to the next, randomly coming and going into one another's lives. Highlights include a UFO buff who adamantly insists that the U.S. has been on the moon since the 1950s, a woman who produces a glass slide purportedly of Madonna's pap smear, and an old anarchist who sympathetically shares his philosophy of life with a robber. Written by
Rick Gregory <firstname.lastname@example.org>
The "Oblique Strategies" cards that appear in the movie were originally invented by Brian Eno and Peter Schmidt in 1975. See more »
"Video Playing Store Security" character gets a haircut and grows a thin moustache while exiting the building. See more »
Should Have Stayed at Bus Station:
[babbling to silent cab driver]
Man, I just had the weirdest dream - back on the bus there? Did you ever have one of those dreams that are completely real. I mean they're so vivid. It's just like completely real. It's like, there's always something bizarre going on, though. I have one about every 2 years or something. I always remember 'em real good. Like there's always someone getting run over, or something really weird. Um, one time I had lunch with Tolstoy. Another time I was a ...
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Director Richard Linklater follows one slacker after another in this absolutely fascinating film. Linklater throws out the rules of traditional movie-making with this low-budget film shot in Austin, Texas. There is no star, in fact, there is no central character. The camera simply follows one person, who meets and relates to a second person, then follows the second person to a third person and so on. Although the structure appears aimless, it remains thematically in focus throughout, and the film introduces enough interesting characters to fill five movies. The only problem is the length. By the end, the novelty starts to wear off a little bit.
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