Presents a day in the life in Austin, Texas among its social outcasts and misfits, predominantly the twenty-something set, using a series of linear vignettes. These characters, who in some ... See full summary »
A self-styled New York hipster is paid a surprise visit by his younger cousin from Budapest. From initial hostility and indifference a small degree of affection grows between the two. Along... See full summary »
With only the plan of moving in together after high school, two unusually devious friends seek direction in life. As a mere gag, they respond to a man's newspaper ad for a date, only to find it will greatly complicate their lives.
Based on the true childhood experiences of Noah Baumbach and his brother, The Squid and the Whale tells the touching story of two young boys dealing with their parents' divorce in Brooklyn in the 1980s.
Presents a day in the life in Austin, Texas among its social outcasts and misfits, predominantly the twenty-something set, using a series of linear vignettes. These characters, who in some manner just don't fit into the establishment norms, move seamlessly from one scene to the next, randomly coming and going into one another's lives. Highlights include a UFO buff who adamantly insists that the U.S. has been on the moon since the 1950s, a woman who produces a glass slide purportedly of Madonna's pap smear, and an old anarchist who sympathetically shares his philosophy of life with a robber. Written by
Rick Gregory <firstname.lastname@example.org>
The "Oblique Strategies" cards that appear in the movie were originally invented by Brian Eno and Peter Schmidt in 1975. See more »
When the GTO guy arrives he places a few aluminum drink cans on the ground and they clearly sound empty. When he and Nova pick up the Hitchhiker Awaiting 'True Call', they give him one of the cans which is now full. See more »
The title of Richard Linklater's deadpan debut feature describes a new generation of young, educated, aimless social misfits, part of a young neo-bohemian subculture of drifters, dreamers, and losers with no money, no ambitions, and no worries outside the occasional paranoid conspiracy theory. Their marginal lifestyle revolves around the concept of (in slacker vernacular) 'hanging out': eating, sleeping, watching TV, drinking coffee, and listening to the latest, local garage bands. But what they do best is simply talk, and the viewer is invited to eavesdrop on an extended series of hilarious soliloquies, anecdotes, and observations about politics, history, art, Smurfs, and UFOs, from a cast of nearly 100 genuine slackers pulled off the streets of Austin, Texas, apparently a hub of slackerdom. The film (not a documentary) is structured entirely around random encounters, methodically following one character after another, with no plot to interrupt all the verbal detours and digressions. It looks (and sounds) entirely improvised, but believe it or not was all carefully scripted and choreographed, and the result is one of the more unique and original American features of its time.
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