A nameless young character goes into travels to the country, meeting some acquaintances and strangers as well, having banal conversations, dedicating his existence into daily mundane ... See full summary »
Follows tour guide, historian and flâneur Timothy 'Speed' Levitch as he visits the monumentally ignored monuments of America's cities, from the shoe gardens of San Francisco to the luckiest subway grate in New York City.
Timothy 'Speed' Levitch,
John C. McDonnell,
Presents a day in the life in Austin, Texas among its social outcasts and misfits, predominantly the twenty-something set, using a series of linear vignettes. These characters, who in some manner just don't fit into the establishment norms, move seamlessly from one scene to the next, randomly coming and going into one another's lives. Highlights include a UFO buff who adamantly insists that the U.S. has been on the moon since the 1950s, a woman who produces a glass slide purportedly of Madonna's pap smear, and an old anarchist who sympathetically shares his philosophy of life with a robber. Written by
Rick Gregory <email@example.com>
The "Anti-Artist" in the bar about 3/4 through the movie is a prominent Austin musician and spoken word artist. Wammo is a founding member in the band the "Asylum Street Spankers". The spankers have released numerous CDs and Wammo has also released several solo CDs. His music/poetry are either artistic or anti-artistic depending on your taste. See more »
The taxi cab that Linkletter's character gets into at the Trailways station is not the one he later gets out of near campus. The second one has a different unit number, a No Smoking sign, and a missing whitewall tire. See more »
Director Richard Linklater follows one slacker after another in this absolutely fascinating film. Linklater throws out the rules of traditional movie-making with this low-budget film shot in Austin, Texas. There is no star, in fact, there is no central character. The camera simply follows one person, who meets and relates to a second person, then follows the second person to a third person and so on. Although the structure appears aimless, it remains thematically in focus throughout, and the film introduces enough interesting characters to fill five movies. The only problem is the length. By the end, the novelty starts to wear off a little bit.
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