An insomniac office worker, looking for a way to change his life, crosses paths with a alter-ego devil-may-care soap maker, forming an underground fight club that evolves into something much, much more...
Young FBI agent Clarice Starling is assigned to help find a missing woman to save her from a psychopathic serial killer who skins his victims. Clarice attempts to gain a better insight into the twisted mind of the killer by talking to another psychopath: Hannibal Lecter, who used to be a respected psychiatrist. FBI agent Jack Crawford believes that Lecter, who is also a very powerful and clever mind manipulator, has the answers to their questions and can help locate the killer. However, Clarice must first gain Lecter's confidence before the inmate will give away any information. Written by
Sami Al-Taher <firstname.lastname@example.org>
Originally, the film was to open with Clarice Starling and a male FBI agent in the middle of a drug bust. They were to burst into the room and make a number of arrests, then the bust would be revealed as a training exercise. Jodie Foster was able to convince Jonathan Demme to change the scene because it had been done so many times before. Foster came up with the idea of opening with Starling running through the assault course. The drug bust training idea was still used, but after Clarice's first conversation with Lecter. See more »
The same newspaper clipping from the National Inquisitor with the headline "Bill Skins Fifth" appears on the wall of Jack Crawford's office at the beginning of the film, and on the wall of Buffalo Bill's trophy room at the end. The text of the article is actually not about Buffalo Bill at all: it is the story of how Hannibal Lecter was arrested for a "brutal murder" in which "reportedly acts of cannibalism were a factor in the death". The victim, named as Stuart Heart, is inconsistently described as a museum curator, as an entymologist, and as the creator of a liver disease drug. The story includes a quote from "Special Agent Jack Crawford".
The story's text can be seen in its proper place during Clarice's research on the microfiche, in the Washington Dispatch story headlined "Renowned Psychiatrist Charged in Murder". See more »
With Silence of the Lambs comes some much needed recognition for the horror genre. It is a first-rate production all around. It boasts a witty and suspenseful script based on the Thomas Harris novel, full of great lines. It has marvelous direction from Demme. Demme creates suspense very well throughout and uses some great directorial shots such as the twin frames of Clarice ringing a doorbell and the FBI men breaking into a home. The two lead actors won oscars for their performances...each deserved. Foster is very good in her role, but it is Anthony Hopkins that literally lights up the screen with his complex portrayal of a complex serial killer. Hopkins does the seemingly impossible. He frightens you with his outrageousness and yet illicts some pity/compassion(albeit not a lot) for his situation. He says his lines with reservedness when needed and brashness when needed. The rest of the cast is also quite good with Anthony Heald a standout as a unethical, petty doctor in charge of Hopkins. Of course the story of the other killer is very very chilling as well. A quality film in all aspects!
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