Shakes plods about his duties as party clown, and uses all of his free time getting seriously drunk. Binky, another clown, wins the spot on a local kiddie show, which depresses Shakes even ... See full summary »
When his son's body is found in a humiliating accident, a lonely high school teacher inadvertently attracts an overwhelming amount of community and media attention after covering up the truth with a phony suicide note.
Barry Crimmins is pissed. His hellfire brand of comedy has rained verbal lightning bolts on American audiences and politicians for decades, yet you've probably never heard of him. But once ... See full summary »
Shakes plods about his duties as party clown, and uses all of his free time getting seriously drunk. Binky, another clown, wins the spot on a local kiddie show, which depresses Shakes even more, and his boss threatens him with unemployment if he can't get his act under control. When someone murders Shakes' boss and makes it look like Shakes did it, he goes undercover, posing as a hated mime, and tries to find information that will clear his name. Written by
Ed Sutton <firstname.lastname@example.org>
When Shakes confronts Binky at the clown bar, the clown with the bright green hair loses his bright green chest hair. See more »
Mime Class Instructor:
Everybody get ready to fry our bacon... Ready?... Here we go!... Raise 'em! And we go suck in the little pork belly and... FRY! C'mon Chuck... we want to fry off that little fat ass of yours! FRY!... FRY!... FRY!... Chuckie! C'mon everbody, let's sizzle! We're gonna sizzle off little pork but, aren't we? Fry yourself... Let the heat work through you! Shake your meat, Chuck!. You've got a roll of quarters... make some change! There we go! Now you're burnin'!... Now you're on fire! Shake your ...
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No identification with or similarity to actual persons, living or dead, or drunk or to actual events is intended or should be inferred. See more »
Very entertaining film pits rival bands of clowns (Rodeo, party, and mime clowns) against each other in a weird alternate world dominated by archetypes of 1950s entertainment (much like Tim Burton's equally entertaining "Pee Wee's Big Adventure"). Goldthwait acts up a storm as the clinically alcoholic title character. The photography is as dark as the film's viewpoint -- this one is a keeper!
Shakes is truly sympathetic because he never solicits pity or tries to be cute (like Sandler would have if it was his film). Here honesty pays off, because we'd really like to see Shakes hook up with his dream girl (Brown) by the end. Nice character acting all around, especially the clowns in the bar and the 2 cops.
Memorable and highly recommended.
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