A bisexual petty criminal named Bob encounters a married couple arguing in a bar. Bob breaks up the fight and proceeds to seduce first the wife and then the husband. Then Bob teaches the ... See full summary »
What is going on here?!? French director, Michel Blanc (as Himself), just doesn't understand why his life is suddenly falling apart. This nightmarish comedy-thriller is all about identity. ... See full summary »
A farce, Hoskins plays a photographer who specializes in religious pictures who searches for a model for Jesus. He does a favor for a friend and finds himself doing a voice track for a ... See full summary »
Urbain and his grandmother are stingy. They buy gold with all their money, and hide it inside the bricks of a wall at their country house. Jackes, his chauffer, and his lover (who casualy ... See full summary »
An upstanding provincial reporter becomes presenter of the TV news on a commercial network owned by an influential Italian businessman. He soon outgrows his family and neglects them terribly. Investigating a fascist terrorist cell, the reporter's integrity is called into doubt by the police. Soon after, his jealous wife unleashes her wrath live in TV. It goes from bad to worse until his wife's ... See full summary »
This is a sketches film introducing the Apfelglück doctor (Thierry Lhermitte) and four of his patients who are living each other a weird or embarrasing adventure. Among these patients, there is Jacques Villeret who's got to spend the night in a disturbing hotel. Philippe Bruneau, actor of a movie in which a cinema crew doesn't succeed in making a sequence. Then it's Alain Chabat's turn in the skin of a quizmaster who can't get rid of a crude candidate (Roland Giraud). At last, it's Thierry Lhermitte's turn!! Indeed, following a fatal malaise, he's going to heaven (where everything's fine...).
Most of sketches movies are unequal and this movie isn't an exception to the rule. If the second and the last sketches are rather correct, the third one is falling into vulgarity and easiness, whereas the story of the first one is told and made in an indigent and unlikely way. Moreover, the movie often introduces some abortive situations and a bit of a mess that hardly maintain the spectator's attention (Lhermitte who tries desperately to get rid of his wife in heaven). Now what to say about the Apfelglück doctor? Well, he's a bad doctor: he has no control over his secretary, he doesn't care about what his patients say to him. But, we learn nothing about his professionals secrets... At the end: it's an untidy and light movie. In the register: sketches film, "Paris vu par..." is clearly superior.
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