Based on the bestseller by Catherine Marshall, Christy tells the story of an idealistic nineteen year old who leaves the comforts of her city home to teach school in the impoverished ... See full summary »
After charming her reclusive grandfather and falling in love with the beautiful mountain he calls home, Heidi is uprooted and sent to Frankfurt where she befriends Klara, a young girl confined to a wheelchair.
The continued Westward journey of settlers Missie and Willie Lahaye. Their roots now firmly planted as they set up homestead in the far West, Missie begins to realize her passion for ... See full summary »
Missie three years later: being a single mother after her husband Willie was shot during a poker scuffle, move back east near her parents, Clark and Marty. She finds finds a new teaching ... See full summary »
Devout, wild west farmer, Clark Davis, works his tail off to provide for his wife, sons Aaron and Arnie, and daughter Missie. When his doted upon, equally devoted oldest son Aaron is ... See full summary »
Michael Landon Jr.
Missie's surprise pregnancy sets her on a new course that is both thrilling and terrifying. After all the planning and dreaming, she and her husband, Willie, have headed west in a covered ... See full summary »
Michael Landon Jr.
William Morgan Sheppard
Set around the turn of the century. Jacob, a widowed farmer with two small children, places an ad in a paper for a new wife. The ad is answered by a spinster in Maine, who writes letters to them and describes herself as "plain and tall." And she takes a trip to Jacob's farm to see if she can make a difference. Written by
This seems to be a minority opinion, but I actually liked the book "Sarah, Plain and Tall" much better than the movie. The book is spare, poetic and lovely. The romance of Jacob and Sarah is in the background, but Anna and Caleb's hopes to have a new mother are almost palpable. The lack of details allows rich play for the imagination, and Patricia MacLachlan is an absolute master at evoking the sights, the sounds, the very texture of the world in which her characters live. When Jacob puts his arm around Sarah for the first time in the book, it is a delightful surprise and it means so much because we are seeing it through the eyes of the children who so very much want Sarah to stay. The movie, by filling in all the gaps, and filling it with conversations which to me, felt too modern for the times, lost a lot of the magic of the story. Glenn Close did a wonderful job of embodying Sarah, but she was a little too adept in her ability to analyze Jacob's lingering grief and anger -- in those days they didn't do as much emotional analysis as we do now, and anyway, how would a spinster who lived with three elderly aunts know about a widower's inability to let go of grief? I think perhaps if I hadn't read the book first and loved it so deeply, I may have liked the movie more than I did. The book was a perfect example of the old writing adage, "show, don't tell," but ironically, the movie did way too much telling and not enough showing.
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