| Photos (See all 41 | slideshow) | Videos (see all 8) |
| Billy Campbell | ... | Cliff (as Bill Campbell) | |
| Jennifer Connelly | ... | Jenny | |
| Alan Arkin | ... | Peevy | |
| Timothy Dalton | ... | Neville Sinclair | |
| Paul Sorvino | ... | Eddie Valentine | |
| Terry O'Quinn | ... | Howard Hughes | |
| Ed Lauter | ... | Fitch | |
| James Handy | ... | Wooly | |
| Robert Miranda | ... | Spanish Johnny (as Robert Guy Miranda) | |
| John Lavachielli | ... | Rusty | |
| Jon Polito | ... | Bigelow | |
| Eddie Jones | ... | Malcolm | |
| William Sanderson | ... | Skeets | |
| Don Pugsley | ... | Goose | |
| Nada Despotovich | ... | Irma | |
| Margo Martindale | ... | Millie | |
| America Martin | ... | Patsy | |
| Max Grodénchik | ... | Wilmer | |
| Michael Milhoan | ... | Jeff | |
| Daniel O'Shea | ... | Mike | |
| Joe D'Angerio | ... | Stevie (as Joseph D'Angerio) | |
| Clint Howard | ... | Mark | |
| Tommy J. Huff | ... | Lenny (as Thomas J. Huff) | |
| Paul DeSouza | ... | Pauly | |
| Pat Crawford Brown | ... | Mrs. Pye | |
| Julian Barnes | ... | Charlie - Filmstage Actor | |
| Sam Vincent | ... | Filmstage Director | |
| Lisa Pedersen | ... | Noblewoman | |
| Peter Bromilow | ... | Nobleman | |
| Tom Kindle | ... | Clapperboy | |
| Charlie Stavola | ... | Assistant Director | |
| William Boyett | ... | Government Liaison | |
| William Frankfather | ... | Government Liaison | |
| Heinrich James | ... | Nazi Agent | |
| Herman Poppe | ... | Zeppelin Captain | |
| Norbert Weisser | ... | Zeppelin Pilot | |
| Michael Francis Clarke | ... | G-Man | |
| Darryl Henriques | ... | G-Man | |
| Scanlon Gail | ... | G-Man at Chaplin Field | |
| Melora Hardin | ... | South Seas Singer | |
| Bob Leeman | ... | W.C. Fields | |
| Rick Overton | ... | South Seas Patron | |
| Gene Daily | ... | Clark Gable | |
| Dick Warlock | ... | FBI Agent (as Richard Warlock) | |
| Thomas Lee Tully | ... | Reporter | |
| Mike Finneran | ... | Reporter | |
| Doug McGrath | ... | Reporter | |
| Dave Adams | ... | Reporter | |
| Arlee Reed | ... | Cameraman | |
| Kim Sebastian | ... | Nurse | |
| David Pressman | ... | Hospital Guard | |
| Lila Finn | ... | Clothesline Lady | |
| Perry Cook | ... | Good Old Boy | |
| Tiny Ron | ... | Lothar / Good Old Boy (as Tiny Ron Taylor) | |
| Taylor Gilbert | ... | Stewardess | |
| Ele Keats | ... | Girl at Newsstand | |
| Danielle Bedau | ... | Girl at Newsstand | |
| Chance Michael Corbitt | ... | Newspaper Kid | |
| Bob Sandman | ... | South Seas Bandleader | |
| Lori Lynn Ross | ... | South Seas Mermaid | |
| Kathleen Michaels | ... | South Seas Camera Girl | |
| Merritt Yohnka | ... | Nazi Crewman | |
| Peter Frankland | ... | Nazi Commando | |
| Kristopher Logan | ... | Nazi Commando | |
| Paul Forsyth | ... | Nazi Commando | |
| Craig Hosking | ... | Airshow Pilot | |
| Steve Hinton Sr. | ... | Airshow Pilot (as Steve Hinton) | |
| Jim Franklin | ... | Airshow Pilot | |
| Richard T. Brickert | ... | Airshow Pilot | |
| Chuck Wentworth | ... | Airshow Pilot | |
| Bill Turner | ... | Airshow Pilot | |
| rest of cast listed alphabetically: | |||
| Bret Culpepper | ... | Startled Tri-Motor Passenger (uncredited) | |
| Wilhelm Frick | ... | Himself (archive footage) (uncredited) | |
| Adolf Hitler | ... | Himself (archive footage) (uncredited) | |
| Steve Moriarty | ... | Spectator at Air Show (uncredited) | |
| Tim Neeley | ... | Ganster (uncredited) | |
| William Woodson | ... | Newsreel Announcer (voice) (uncredited) | |
Directed by | |||
| Joe Johnston | |||
Writing credits(WGA) | ||
| Dave Stevens | (graphic novel "The Rocketeer") | |
| Danny Bilson | (story) & | |
| Paul De Meo | (story) & | |
| William Dear | (story) | |
| Danny Bilson | (screenplay) & | |
| Paul De Meo | (screenplay) | |
Produced by | |||
| Lisa Bailey | .... | associate producer | |
| Larry J. Franco | .... | executive producer (as Larry Franco) | |
| Charles Gordon | .... | producer | |
| Lawrence Gordon | .... | producer | |
| Lloyd Levin | .... | producer | |
| Dave Stevens | .... | co-producer | |
Original Music by | |||
| James Horner | |||
Cinematography by | |||
| Hiro Narita | (director of photography) | ||
Film Editing by | |||
| Arthur Schmidt | |||
Casting by | |||
| Nancy Foy | |||
Production Design by | |||
| James D. Bissell | (as Jim Bissell) | ||
Art Direction by | |||
| Christopher Burian-Mohr | |||
Set Decoration by | |||
| Linda DeScenna | |||
Costume Design by | |||
| Marilyn Vance | (as Marilyn Vance-Straker) | ||
Makeup Department | |||
| Rick Baker | .... | makeup creator: Lothar | |
| Michael Mills | .... | makeup artist | |
| Greg Nelson | .... | makeup artist: Lothar | |
| Carol A. O'Connell | .... | hair styles supervisor | |
| Matt Rose | .... | special makeup effects crew: Cinovation Studios | |
| Dione Taylor | .... | hair stylist | |
| Brad Wilder | .... | makeup supervisor | |
Production Management | |||
| Ian Bryce | .... | unit production manager | |
Special Effects by | |||
| Jon G. Belyeu | .... | special effects supervisor | |
| Chris Burton | .... | special effects foreman | |
| Steve Fink | .... | prosthetics technician | |
| Scott Forbes | .... | special effects foreman | |
| Larry L. Fuentes | .... | special effects foreman | |
| Bruce Y. Kuroyama | .... | special effects technician | |
| Alan Rifkin | .... | special effects technician | |
| James D. Schwalm | .... | special effects foreman (as Jim D. Schwalm) | |
| Mike Wever | .... | special effects technician | |
| Richard Zarro | .... | special effects technician | |
| Ronald Zarro | .... | special effects technician (as Ron Zarro) | |
| Rich E. Cordobes | .... | special effects technician (uncredited) | |
| Michael Meier | .... | pyrotechnician (uncredited) | |
Visual Effects by | |||
| Jon Alexander | .... | optical camera operator | |
| Sandra Almond | .... | visual effects production assistant (as Sandra Almond Williams) | |
| Charles Bailey | .... | chief model maker (as Charlie Bailey) | |
| Randall K. Bean | .... | film scanner operator | |
| John Bell | .... | visual effects art director | |
| Tom Bertino | .... | rotoscope supervisor | |
| Patricia Blau | .... | visual effects producer | |
| Anne Calanchini | .... | visual effects coordinator | |
| Terry Chostner | .... | visual effects cameramen | |
| Charlie Clavadetscher | .... | effects camera operator | |
| Michael Curtis | .... | designer: one-sheet | |
| Peter Daulton | .... | visual effects cameraman | |
| Jeff Doran | .... | optical camera operator | |
| Dick Dova | .... | stage technician (as Richard Spah) | |
| Loring Doyle | .... | visual effects artist | |
| Timothy Eaton | .... | visual effects editor (as Tim Eaton) | |
| John Ellis | .... | optical photography supervisor: ILM | |
| Bob Finley III | .... | stage technician (as Robert Finley III) | |
| Robert Finley Jr. | .... | stage technician | |
| Ron Fode | .... | assistant visual effects editor | |
| Michael Fulmer | .... | chief model maker (as Mike Fulmer) | |
| Steve Gawley | .... | supervising model maker | |
| Brian Gernand | .... | model maker: ILM | |
| Joanne Hafner | .... | rotoscope artist | |
| David Hanks | .... | first assistant camera: visual effects | |
| David Heron | .... | stage technician | |
| Rebecca Heskes | .... | rotoscope artist | |
| Edward Hirsh | .... | project manager (as Ed Hirsh) | |
| Sandy Houston | .... | rotoscope artist | |
| Peg Hunter | .... | optical lineup | |
| David P.I. James | .... | visual effects production assistant (as David James) | |
| Keith Johnson | .... | optical camera operator | |
| Ed Jones | .... | visual effects executive in charge of post-production (as Ed L. Jones) | |
| David Karpman | .... | optical lineup | |
| Sandra Ford Karpman | .... | computer graphics: ILM (as Sandra R. Ford) | |
| Ira Keeler | .... | chief model maker | |
| Jennifer Lee | .... | optical lineup | |
| Jeffrey B. Light | .... | film scanner operator (as Jeff B. Light) | |
| James Lim | .... | optical camera operator | |
| Karl J. Martin | .... | visual effects model maker | |
| Michael McGovern | .... | assistant visual effects editor | |
| Richard Miller | .... | chief model maker | |
| Terry Molatore | .... | rotoscope artist | |
| Jack Mongovan | .... | rotoscope artist | |
| Tim Morgan | .... | stage technician | |
| Jim Morris | .... | executive in charge of production | |
| Ellen Mueller | .... | rotoscope artist | |
| Patrick T. Myers | .... | effects camera operator (as Patrick Myers) | |
| Lori J. Nelson | .... | optical lineup (as Lori Nelson) | |
| Kate O'Neill | .... | first assistant camera: visual effects | |
| Michael Olague | .... | stage technician | |
| Randy Ottenberg | .... | chief model maker | |
| Joshua Pines | .... | film scanner operator | |
| Vance Piper | .... | first assistant camera: visual effects | |
| Ken Ralston | .... | visual effects supervisor | |
| Pat Repola | .... | optical camera operator | |
| Louis Rivera | .... | negative cutter: ILM | |
| Stuart Robertson | .... | digital effects supervisor: ILM | |
| Scott Ross | .... | general manager | |
| Thomas Rosseter | .... | optical lineup (as Tom Rosseter) | |
| Penny Runge | .... | visual effects coordinator | |
| Kenneth Smith | .... | optical camera operator | |
| Tom St. Amand | .... | stop motion animator | |
| Mark Sullivan | .... | chief matte painter | |
| Pat Sweeney | .... | visual effects cameramen | |
| Wes Takahashi | .... | animation supervisor (as Wes Ford Takahashi) | |
| Larry Tan | .... | chief model maker | |
| Pat Turner | .... | director of photography: visual effects (as Patrick Turner) | |
| Bruce Vecchitto | .... | optical photography supervisor | |
| Bruce Walters | .... | matte painting supervisor | |
| John Whisnant | .... | optical lineup | |
| Gene Young | .... | model maker | |
| David Biedny | .... | digital compositor (uncredited) | |
| Daniel Brown | .... | model maker (uncredited) | |
| Susan Adele Colletta | .... | post production coordinator: ILM (uncredited) | |
| John Goodson | .... | model maker (uncredited) | |
| Al Magliochetti | .... | visual effects (uncredited) | |
| David J. Rowe | .... | compositor (uncredited) | |
Animation Department | |||
| Gordon Baker | .... | animator | |
| James Beihold | .... | layout artist (as Jim Beihold) | |
| Charlie Canfield | .... | animator | |
| Kevin Coffey | .... | animator | |
| Mark Dindal | .... | director: animation segments | |
| Loring Doyle | .... | animator | |
| Chris R. Green | .... | animator | |
| Crispy Green | .... | animator | |
| Philip Phillipson | .... | background artist (as Phil Phillipson) | |
| Anthony Stacchi | .... | animator | |
Casting Department | |||
| Nancy Foy | .... | casting | |
| Nicole Gelbard | .... | casting assistant (as Nicole Boroda-Gelbard) | |
| Marshall Peck | .... | extras casting: Santa Maria | |
Costume and Wardrobe Department | |||
| Jacqueline G. Arthur | .... | assistant to costume designer (as Jacki Arthur) | |
| Winnie D. Brown | .... | costume supervisor: women | |
| James P. Cullen | .... | costumer (as Jim Cullen) | |
| Karen M. Davis | .... | costumer | |
| Lois DeArmond | .... | costume illustrator | |
| Daniel J. Lester | .... | costume supervisor: men (as Dan Lester) | |
| Alan Martin | .... | costumer | |
| Bill Tiegs | .... | costumer | |
Editorial Department | |||
| Harry Hitner | .... | assistant editor | |
| Bob Kaiser | .... | color timer | |
| Peter Lonsdale | .... | additional editor | |
| Stephen L. Meek | .... | assistant editor | |
| Eric O. Schusterman | .... | apprentice editor | |
| Carin-Anne Strohmaier | .... | first assistant editor | |
Music Department | |||
| Jim Henrikson | .... | music editor | |
| Jo Ann Kane | .... | supervising music copyist (as Joanne Kane) | |
| Elliot Kaplan | .... | orchestrator | |
| Nathan Kaproff | .... | orchestra contractor | |
| Billy May | .... | additional orchestrator | |
| Shawn Murphy | .... | music scoring mixer | |
| John Neufeld | .... | orchestrator | |
| Joe E. Rand | .... | assistant music editor | |
| Sandy DeCrescent | .... | orchestra contractor (uncredited) | |
| James Horner | .... | conductor (uncredited) | |
| Brian L. McCarty | .... | music coordinator (uncredited) | |
| Conrad Pope | .... | orchestrator (uncredited) | |
| Steven L. Smith | .... | music preparation (uncredited) | |
| James Thatcher | .... | musician: French horn (uncredited) | |
Transportation Department | |||
| Sheridan Ross Batson | .... | transportation co-captain | |
| Sharon Hollis | .... | transportation co-captain (as Sharon G. Hollis) | |
| Randy Musselman | .... | transportation co-captain | |
| Randy Peters | .... | transportation coordinator | |
| Robert Dulys | .... | driver (uncredited) | |
| Tom Marchetti | .... | driver (uncredited) | |
Other crew | |||
| Jackie Baugh | .... | production accountant | |
| Danny Cadow | .... | flying effects technician | |
| David W. Dale | .... | assistant: Jennifer Connelly | |
| David W. Dale | .... | production assistant (as David Dale) | |
| Tony Didio Jr. | .... | armorer | |
| Cliff Fleming | .... | pilot | |
| David Fulton | .... | unit publicist (as Dave Fulton) | |
| Miranda Garrison | .... | choreographer | |
| James W. Gavin | .... | pilot | |
| Robbie Goldstein | .... | location manager | |
| Jay Gowey | .... | location trainee | |
| Henry H. Hammond | .... | production assistant | |
| Robert Harman | .... | wire rigs (as Bob Harman) | |
| Angela Heald | .... | production coordinator | |
| Maureen Higgins | .... | second assistant accountant | |
| Grey Hill | .... | shop hand | |
| Steve Hinton | .... | pilot | |
| Craig Hosking | .... | aerial coordinator | |
| Craig Hosking | .... | pilot | |
| Kristina H. Jones | .... | production assistant | |
| Alec Kamp | .... | assistant: Larry Franco | |
| Gladys Kaye McCall | .... | assistant production accountant (as Kaye McCall) | |
| Damian Mcknight | .... | studio runner | |
| Jonise Misiewicz | .... | assistant production accountant | |
| Christopher Mollo | .... | assistant: Larry Gordon | |
| Wendell Morris | .... | production assistant | |
| Toby C. Schwartz | .... | assistant production coordinator | |
| Aaron Sims | .... | painter: Cinovation | |
| Laura Sode-Matteson | .... | location manager | |
| Kristen Stavola | .... | assistant: Lloyd Levin | |
| Janna Stern | .... | script supervisor | |
| Judie Surridge | .... | assistant: Chuck Gordon | |
| Paul Tinsley | .... | script supervisor: second unit | |
| Diana Vilkaitis | .... | production assistant | |
| Sid Wagner | .... | assistant production accountant | |
| Jeff Winn | .... | craft service | |
| Mario Iscovich | .... | production executive (uncredited) | |
| Anne Lockhart | .... | adr voice (uncredited) | |
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| King of the Rocket Men | Indiana Jones and the Temple of Doom | Raiders of the Lost Ark | Captain America: The First Avenger | G.I. Joe: The Rise of Cobra |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb USA section |
There's more fun to be had out of this movie than I'd expected. The story is given elsewhere so I'll pretty much skip it and get to the more important things, like the twenty-year-old Jennifer Connelly. She's a bit plumper (all over) than we're used to seeing her but it's okay because cartoon figures ought to be slightly overdone. She looks and sounds magnificent -- those over-sized nacreous incisors, I guess. She could open mangoes with those teeth. Not that she's as beautiful as any woman possibly could be. Connelly COULD be better looking but if she were it would probably be against some law.
Bill Campbell looks like a cartoon too. In fact everyone in the movie looks like a cartoon except the guy playing the huge thug working for Paul Sorvino. That guy doesn't look like a cartoon. He looks exactly like Rondo Hatten, an acromegalic actor from a few 40s horror flicks. But, it must be admitted, Rondo Hatten looked like a cartoon. And, well, if A = B and B = C, then A = C, no? It's a conundrum alright.
The movie is filled with delicious 1938 atmosphere. I wasn't around to enjoy it but it's always struck a resonant chord in me when I glimpse it in movies or listen to recordings from the period. Here we have an Artie Shaw sort of band playing "Begin the Beguine" with a close simulation of that famous arrangement that made it such a hit. A smiling singer who looks like Nicole Kidman stands on the stage and sings without rolling around or smashing a guitar. Call me retro, but I prefer it to Snoop Dog Eeeze 2 Dudes. All seriousness aside, what happened to pop music anyway? Where are our Cole Porters and Ira Gershwins. Somebody hand me a hankie.
I enjoyed the airplanes too. The one in the beginning of the movie was built exclusively for racing. (I forget its designation.) It was a horror to fly because it was hardly more than a huge engine with a tiny airplane built around it, as unstable a craft as ever took wing. Scary news footage exists of one of them zipping along at a tremendous rate and then, out of nowhere, kaboom, spinning deliriously into the ground at full speed. The 1930s were famous for their air races, like NASCAR is today. Heroes were made out of aviators. Airplanes that later became famous as fighters in WWII were first configured as racers -- Curtis P-40s, for instance, and the British Spitfires.
Of course it's an imitation of the Indiana Jones series and maybe an imitation of some Indiana Jones imitations, a kind of meta-imitation, but, gee, it's enjoyable. What atmosphere. And lots of action. Everybody and everything is turned into mincemeat one way or another but not in any way that's offensive.
It's really kind of engaging if you don't ask for significance.