| Photos (see all 30 | slideshow) | Videos |
| Bill Campbell | ... | Cliff Secord | |
| Jennifer Connelly | ... | Jenny Blake | |
| Alan Arkin | ... | A. 'Peevy' Peabody | |
| Timothy Dalton | ... | Neville Sinclair | |
| Paul Sorvino | ... | Eddie Valentine | |
| Terry O'Quinn | ... | Howard Hughes | |
| Ed Lauter | ... | Agent Fitch | |
| James Handy | ... | Agent 'Wooly' Wolinski | |
| Tiny Ron | ... | Lothar / Good Old Boy | |
| Robert Miranda | ... | Spanish Johnny (as Robert Guy Miranda) | |
| John Lavachielli | ... | Rusty, Valentine Hood | |
| Jon Polito | ... | Otis Bigelow | |
| Eddie Jones | ... | Malcolm the Mechanic | |
| William Sanderson | ... | Skeets | |
| Don Pugsley | ... | Goose | |
| Nada Despotovich | ... | Irma | |
| Margo Martindale | ... | Millie | |
| America Martin | ... | Patsy | |
| Max Grodénchik | ... | Wilmer | |
| Michael Milhoan | ... | Jeff | |
| Daniel O'Shea | ... | Mike | |
| Joe D'Angerio | ... | Stevie | |
| Clint Howard | ... | Mark | |
| Tommy J. Huff | ... | Lenny | |
| Paul DeSouza | ... | Pauly | |
| Pat Crawford Brown | ... | Mrs. Pye | |
| Julian Barnes | ... | Charlie | |
| Sam Vincent | ... | Victor | |
| Lisa Pedersen | ... | Noblewoman in Laughing Bandit | |
| Peter Bromilow | ... | Nobleman in Laughing Bandit | |
| Tom Kindle | ... | Clapperboy | |
| Charlie Stavola | ... | Assistant Director | |
| William Boyett | ... | Government Liaison | |
| William Frankfather | ... | Government Liaison | |
| Heinrich James | ... | Nazi Agent | |
| Herman Poppe | ... | Zeppelin Captain | |
| Norbert Weisser | ... | Zeppelin Pilot | |
| Michael Francis Clarke | ... | G-Man | |
| Darryl Henriques | ... | G-Man | |
| Scanlon Gail | ... | G-Man at Chaplin Field | |
| Melora Hardin | ... | South Seas Club Singer | |
| Bob Leeman | ... | W.C. Fields | |
| Rick Overton | ... | South Seas Club Patron | |
| Gene Daily | ... | Clark Gable | |
| Dick Warlock | ... | FBI Agent (as Richard Warlock) | |
| Thomas Lee Tully | ... | Reporter | |
| Mike Finneran | ... | Reporter | |
| Doug McGrath | ... | Reporter | |
| Dave Adams | ... | Reporter | |
| Arlee Reed | ... | Cameraman | |
| Kim Sebastian | ... | Hospital Prison Ward Nurse | |
| David Pressman | ... | Hospital Prison Ward Guard | |
| Lila Finn | ... | Clothesline Lady | |
| Perry Cook | ... | Good Old Boy | |
| Taylor Gilbert | ... | Stewardess | |
| Ele Keats | ... | Girl at Newsstand | |
| Danielle Bedau | ... | Girl at Newsstand | |
| Chance Michael Corbitt | ... | Newspaper Kid | |
| Bob Sandman | ... | South Seas Club Bandleader | |
| Lori Lynn Ross | ... | South Seas Club Mermaid | |
| Kathleen Michaels | ... | South Seas Club Camera Girl | |
| Merritt Yohnka | ... | Nazi Crewman | |
| Peter Frankland | ... | Nazi Commando | |
| Kristopher Logan | ... | Nazi Commando | |
| Paul Forsyth | ... | Nazi Commando | |
| Craig Hosking | ... | Airshow Pilot | |
| Steve Hinton Sr. | ... | Airshow Pilot (as Steve Hinton) | |
| Jim Franklin | ... | Airshow Pilot | |
| Richard T. Brickert | ... | Airshow Pilot | |
| Chuck Wentworth | ... | Airshow Pilot | |
| Bill Turner | ... | Airshow Pilot | |
| rest of cast listed alphabetically: | |||
| Bret Culpepper | ... | Startled Tri-Motor Passenger (uncredited) | |
| Wilhelm Frick | ... | Himself (archive footage) (uncredited) | |
| Adolf Hitler | ... | Himself (archive footage) (uncredited) | |
| William Woodson | ... | Newsreel Announcer (voice) (uncredited) | |
Directed by | |||
| Joe Johnston | |||
Writing credits(WGA) | ||
| Dave Stevens | (graphic novel "The Rocketeer") | |
| Danny Bilson | (story) & | |
| Paul De Meo | (story) & | |
| William Dear | (story) | |
| Danny Bilson | (screenplay) & | |
| Paul De Meo | (screenplay) | |
Produced by | |||
| Lisa Bailey | .... | associate producer | |
| Larry J. Franco | .... | executive producer | |
| Charles Gordon | .... | producer | |
| Lawrence Gordon | .... | producer | |
| Lloyd Levin | .... | producer | |
| Dave Stevens | .... | co-producer | |
Original Music by | |||
| James Horner | |||
Cinematography by | |||
| Hiro Narita | (director of photography) | ||
Film Editing by | |||
| Arthur Schmidt | |||
Casting by | |||
| Nancy Foy | |||
Production Design by | |||
| James D. Bissell | (as Jim Bissell) | ||
Art Direction by | |||
| Christopher Burian-Mohr | |||
Set Decoration by | |||
| Linda DeScenna | |||
Costume Design by | |||
| Marilyn Vance | |||
Makeup Department | |||
| Rick Baker | .... | makeup creator: Lothar | |
| Michael Mills | .... | makeup artist | |
| Greg Nelson | .... | makeup artist: Lothar | |
| Carol A. O'Connell | .... | hair styles supervisor | |
| Shari Perry | .... | additional hair stylist | |
| Matt Rose | .... | special makeup effects crew: Cinovation Studios | |
| Dione Taylor | .... | hair stylist | |
| Brad Wilder | .... | makeup supervisor | |
Production Management | |||
| Ian Bryce | .... | unit production manager | |
Special Effects by | |||
| Jon G. Belyeu | .... | special effects supervisor | |
| Chris Burton | .... | special effects foreman | |
| Steve Fink | .... | prosthetics technician | |
| Scott Forbes | .... | special effects foreman | |
| Larry L. Fuentes | .... | special effects foreman | |
| Bruce Y. Kuroyama | .... | special effects technician | |
| Alan Rifkin | .... | special effects technician | |
| James D. Schwalm | .... | special effects foreman (as Jim D. Schwalm) | |
| Mike Wever | .... | special effects technician | |
| Richard Zarro | .... | special effects technician | |
| Ronald Zarro | .... | special effects technician (as Ron Zarro) | |
| Rich E. Cordobes | .... | special effects technician (uncredited) | |
| Michael Meier | .... | pyrotechnician (uncredited) | |
Visual Effects by | |||
| Jon Alexander | .... | optical camera operator | |
| Sandra Almond | .... | visual effects production assistant (as Sandra Almond Williams) | |
| Charles Bailey | .... | chief model maker (as Charlie Bailey) | |
| Randall K. Bean | .... | film scanner operator | |
| John Bell | .... | visual effects art director | |
| Tom Bertino | .... | rotoscope supervisor | |
| Patricia Blau | .... | visual effects producer | |
| Anne Calanchini | .... | visual effects coordinator | |
| Terry Chostner | .... | visual effects cameramen | |
| Charlie Clavadetscher | .... | effects camera operator | |
| Michael Curtis | .... | designer: one-sheet | |
| Peter Daulton | .... | visual effects cameraman | |
| Jeff Doran | .... | optical camera operator | |
| Dick Dova | .... | stage technician (as Richard Spah) | |
| Timothy Eaton | .... | visual effects editor (as Tim Eaton) | |
| John Ellis | .... | optical photography supervisor | |
| Bob Finley III | .... | stage technician (as Robert Finley III) | |
| Robert Finley Jr. | .... | stage technician | |
| Ron Fode | .... | assistant visual effects editor | |
| Michael Fulmer | .... | chief model maker (as Mike Fulmer) | |
| Steve Gawley | .... | supervising model maker | |
| Brian Gernand | .... | model maker: ILM | |
| Joanne Hafner | .... | rotoscope artist | |
| David Hanks | .... | first assistant camera: visual effects | |
| David Heron | .... | stage technician | |
| Rebecca Heskes | .... | rotoscope artist | |
| Edward Hirsh | .... | project manager (as Ed Hirsh) | |
| Sandy Houston | .... | rotoscope artist | |
| Peg Hunter | .... | optical lineup | |
| David James | .... | visual effects production assistant | |
| Keith Johnson | .... | optical camera operator | |
| Ed Jones | .... | visual effects executive in charge of post-production (as Ed L. Jones) | |
| David Karpman | .... | optical lineup | |
| Sandra Ford Karpman | .... | computer graphics: ILM (as Sandra R. Ford) | |
| Ira Keeler | .... | chief model maker | |
| Jennifer Lee | .... | optical lineup | |
| Jeffrey B. Light | .... | film scanner operator (as Jeff B. Light) | |
| James Lim | .... | optical camera operator | |
| Karl J. Martin | .... | visual effects model maker | |
| Mickey McGovern | .... | assistant visual effects editor (as Michael McGovern) | |
| Richard Miller | .... | chief model maker | |
| Terry Molatore | .... | rotoscope artist | |
| Jack Mongovan | .... | rotoscope artist | |
| Tim Morgan | .... | stage technician | |
| Jim Morris | .... | executive in charge of production | |
| Ellen Mueller | .... | rotoscope artist | |
| Patrick T. Myers | .... | effects camera operator (as Patrick Myers) | |
| Lori J. Nelson | .... | optical lineup (as Lori Nelson) | |
| Michael Olague | .... | stage technician | |
| Kate O'Neill | .... | first assistant camera: visual effects | |
| Randy Ottenberg | .... | chief model maker | |
| Josh Pines | .... | film scanner operator (as Joshua Pines) | |
| Vance Piper | .... | first assistant camera: visual effects | |
| Ken Ralston | .... | visual effects supervisor | |
| Pat Repola | .... | optical camera operator | |
| Louis Rivera | .... | negative cutter: ILM | |
| Stuart Robertson | .... | digital effects supervisor: ILM | |
| Thomas Rosseter | .... | optical lineup (as Tom Rosseter) | |
| Scott Ross | .... | general manager | |
| Penny Runge | .... | visual effects coordinator | |
| Kenneth Smith | .... | optical camera operator | |
| Tom St. Amand | .... | stop motion animator | |
| Mark Sullivan | .... | chief matte painter | |
| Pat Sweeney | .... | visual effects cameramen | |
| Wes Takahashi | .... | animation supervisor (as Wes Ford Takahashi) | |
| Larry Tan | .... | chief model maker | |
| Pat Turner | .... | director of photography for visual effects (as Patrick Turner) | |
| Bruce Vecchitto | .... | optical photography supervisor | |
| Bruce Walters | .... | matte painting supervisor | |
| John Whisnant | .... | optical lineup | |
| Gene Young | .... | model maker | |
| David Biedny | .... | digital compositor (uncredited) | |
| John Goodson | .... | model maker (uncredited) | |
| Al Magliochetti | .... | visual effects (uncredited) | |
Camera and Electrical Department | |||
| Eric Anderson | .... | camera operator (as Roy Anderson) | |
| William L. Asman | .... | camera operator: "a" camera: 2nd Unit | |
| Dustin Ault | .... | grip | |
| Ron Batzdorff | .... | still photographer | |
| Chris Blauvelt | .... | clapper loader | |
| Bruce Byall | .... | best boy grip | |
| Tim Collins | .... | dolly grip (as Timothy Collins) | |
| Jeff Durling | .... | electrician | |
| Todd Griffith | .... | company grip | |
| Frank M. Holgate | .... | director of photography: second unit (as Frank Holgate) | |
| Brett Laumann | .... | electrical best boy | |
| Kim Marks | .... | camera operator | |
| Steve Mathis | .... | gaffer (as Steven R. Mathis) | |
| Rexford L. Metz | .... | director of photography: second unit (as Rexford Metz) | |
| Rob Morey | .... | first assistant camera | |
| John Murphy | .... | grip | |
| Tom Prophet Jr. | .... | key grip: second unit | |
| David Schmalz | .... | video assist operator | |
| Steve Smith | .... | key grip | |
| Richard Stevens | .... | second assistant camera (as Richard M. Stevens) | |
| David Wagreich | .... | director of photography: second unit | |
| Dwayne Platz | .... | grip (uncredited) | |
Animation Department | |||
| Gordon Baker | .... | animator | |
| James Beihold | .... | layout artist (as Jim Beihold) | |
| Charlie Canfield | .... | animator | |
| Kevin Coffey | .... | animator | |
| Mark Dindal | .... | director: animation segments | |
| Loring Doyle | .... | animator | |
| Chris R. Green | .... | animator | |
| Crispy Green | .... | animator | |
| Philip Phillipson | .... | background artist (as Phil Phillipson) | |
| Anthony Stacchi | .... | animator | |
Casting Department | |||
| Nicole Gelbard | .... | casting assistant (as Nicole Boroda-Gelbard) | |
| Marshall Peck | .... | extras casting: Santa Maria | |
Costume and Wardrobe Department | |||
| Jacqueline G. Arthur | .... | assistant to costume designer (as Jacki Arthur) | |
| Winnie D. Brown | .... | costume supervisor: women | |
| James P. Cullen | .... | costumer (as Jim Cullen) | |
| Karen M. Davis | .... | costumer | |
| Lois DeArmond | .... | costume illustrator | |
| Daniel J. Lester | .... | costume supervisor: men (as Dan Lester) | |
| Alan Martin | .... | costumer | |
| Bill Tiegs | .... | costumer | |
Editorial Department | |||
| Harry Hitner | .... | assistant editor | |
| Bob Kaiser | .... | color timer | |
| Peter Lonsdale | .... | additional editor | |
| Stephen L. Meek | .... | assistant editor | |
| Eric O. Schusterman | .... | apprentice editor | |
| Carin-Anne Strohmaier | .... | first assistant editor | |
Music Department | |||
| Sandy DeCrescent | .... | orchestra contractor | |
| Jim Henrikson | .... | music editor | |
| Jo Ann Kane | .... | supervising music copyist (as Joanne Kane) | |
| Elliot Kaplan | .... | orchestrator | |
| Nathan Kaproff | .... | orchestra contractor | |
| Billy May | .... | additional orchestrator | |
| Brian L. McCarty | .... | music coordinator | |
| Shawn Murphy | .... | score mixer | |
| John Neufeld | .... | orchestrator | |
| Conrad Pope | .... | orchestrator | |
| Joe E. Rand | .... | assistant music editor | |
| Steven L. Smith | .... | music preparation | |
| Arnold Steck | .... | composer: additional music | |
| James Horner | .... | conductor (uncredited) | |
Transportation Department | |||
| Sheridan Ross Batson | .... | transportation co-captain | |
| Sharon Hollis | .... | transportation co-captain (as Sharon G. Hollis) | |
| Randy Musselman | .... | transportation co-captain | |
| Randy Peters | .... | transportation coordinator | |
| Robert Dulys | .... | driver (uncredited) | |
| Tom Marchetti | .... | driver (uncredited) | |
Other crew | |||
| Jackie Baugh | .... | production accountant | |
| Danny Cadow | .... | flying effects technician | |
| David W. Dale | .... | assistant: Jennifer Connelly | |
| David W. Dale | .... | production assistant (as David Dale) | |
| Tony Didio Jr. | .... | armorer | |
| Cliff Fleming | .... | pilot | |
| David Fulton | .... | unit publicist (as Dave Fulton) | |
| Miranda Garrison | .... | choreographer | |
| James W. Gavin | .... | pilot | |
| Robbie Goldstein | .... | location manager | |
| Jay Gowey | .... | location trainee | |
| Henry H. Hammond | .... | production assistant | |
| Robert Harman | .... | wire rigs (as Bob Harman) | |
| Angela Heald | .... | production coordinator | |
| Maureen Higgins | .... | second assistant accountant | |
| Grey Hill | .... | shop hand | |
| Steve Hinton | .... | pilot | |
| Craig Hosking | .... | aerial coordinator | |
| Craig Hosking | .... | pilot | |
| Kristina H. Jones | .... | production assistant | |
| Alec Kamp | .... | assistant: Larry Franco | |
| Gladys Kaye McCall | .... | assistant production accountant (as Kaye McCall) | |
| Damian Mcknight | .... | studio runner | |
| Jonise Misiewicz | .... | assistant production accountant | |
| Christopher Mollo | .... | assistant: Larry Gordon | |
| Wendell Morris | .... | production assistant | |
| Toby C. Schwartz | .... | assistant production coordinator | |
| Aaron Sims | .... | painter: Cinovation | |
| Laura Sode-Matteson | .... | location manager | |
| Kristen Stavola | .... | assistant: Lloyd Levin | |
| Janna Stern | .... | script supervisor | |
| Judie Surridge | .... | assistant: Chuck Gordon | |
| Paul Tinsley | .... | script supervisor: second unit | |
| Diana Vilkaitis | .... | production assistant | |
| Sid Wagner | .... | assistant production accountant | |
| Mario Iscovich | .... | production executive (uncredited) | |
|
|
|
|
|
| The Incredibles | The Transformers: The Movie | The Chronicles of Narnia: The Lion, the Witch and the Wardrobe | Stormbreaker | Star Wars |
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb USA section |
| Add this title to MyMovies |
There's more fun to be had out of this movie than I'd expected. The story is given elsewhere so I'll pretty much skip it and get to the more important things, like the twenty-year-old Jennifer Connelly. She's a bit plumper (all over) than we're used to seeing her but it's okay because cartoon figures ought to be slightly overdone. She looks and sounds magnificent -- those over-sized nacreous incisors, I guess. She could open mangoes with those teeth. Not that she's as beautiful as any woman possibly could be. Connelly COULD be better looking but if she were it would probably be against some law.
Bill Campbell looks like a cartoon too. In fact everyone in the movie looks like a cartoon except the guy playing the huge thug working for Paul Sorvino. That guy doesn't look like a cartoon. He looks exactly like Rondo Hatten, an acromegalic actor from a few 40s horror flicks. But, it must be admitted, Rondo Hatten looked like a cartoon. And, well, if A = B and B = C, then A = C, no? It's a conundrum alright.
The movie is filled with delicious 1938 atmosphere. I wasn't around to enjoy it but it's always struck a resonant chord in me when I glimpse it in movies or listen to recordings from the period. Here we have an Artie Shaw sort of band playing "Begin the Beguine" with a close simulation of that famous arrangement that made it such a hit. A smiling singer who looks like Nicole Kidman stands on the stage and sings without rolling around or smashing a guitar. Call me retro, but I prefer it to Snoop Dog Eeeze 2 Dudes. All seriousness aside, what happened to pop music anyway? Where are our Cole Porters and Ira Gershwins. Somebody hand me a hankie.
I enjoyed the airplanes too. The one in the beginning of the movie was built exclusively for racing. (I forget its designation.) It was a horror to fly because it was hardly more than a huge engine with a tiny airplane built around it, as unstable a craft as ever took wing. Scary news footage exists of one of them zipping along at a tremendous rate and then, out of nowhere, kaboom, spinning deliriously into the ground at full speed. The 1930s were famous for their air races, like NASCAR is today. Heroes were made out of aviators. Airplanes that later became famous as fighters in WWII were first configured as racers -- Curtis P-40s, for instance, and the British Spitfires.
Of course it's an imitation of the Indiana Jones series and maybe an imitation of some Indiana Jones imitations, a kind of meta-imitation, but, gee, it's enjoyable. What atmosphere. And lots of action. Everybody and everything is turned into mincemeat one way or another but not in any way that's offensive.
It's really kind of engaging if you don't ask for significance.