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Directed by | |||
| Kevin Reynolds | |||
Writing credits(WGA) | ||
| Pen Densham | (story) | |
| Pen Densham | (screenplay) & | |
| John Watson | (screenplay) | |
Produced by | |||
| Gary Barber | .... | executive producer | |
| Pen Densham | .... | producer | |
| Michael J. Kagan | .... | co-producer | |
| Richard Barton Lewis | .... | producer | |
| David Nicksay | .... | executive producer | |
| James G. Robinson | .... | executive producer | |
| John Watson | .... | producer | |
| Kevin Costner | .... | producer (uncredited) | |
Original Music by | |||
| Michael Kamen | |||
Cinematography by | |||
| Douglas Milsome | |||
Film Editing by | |||
| Peter Boyle | |||
Casting by | |||
| Noel Davis | |||
| Ilene Starger | |||
| Jeremy Zimmermann | (as Jeremy Zimmerman) | ||
Production Design by | |||
| John Graysmark | |||
Art Direction by | |||
| Fred Carter | |||
Costume Design by | |||
| John Bloomfield | |||
Makeup Department | |||
| Christine Allsopp | .... | makeup artist | |
| Lynda Armstrong | .... | makeup artist | |
| Paul Engelen | .... | key makeup artist | |
| Richard Glass | .... | standby contact lens optician | |
| Daniel Parker | .... | makeup artist | |
| Lisa Tomblin | .... | hair stylist | |
Production Management | |||
| Malcolm J. Christopher | .... | production supervisor (as Malcolm Christopher) | |
| Michael Hartman | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Lee Cleary | .... | key second assistant director | |
| Jamie Fowlds | .... | trainee assistant director | |
| Marios Hamboulides | .... | trainee assistant director | |
| Nick Heckstall-Smith | .... | second assistant director: second unit | |
| Peter Heslop | .... | second second assistant director | |
| Mark Illsley | .... | second unit director | |
| Max Kleven | .... | second unit director: action sequence | |
| Adam Somner | .... | third assistant director | |
| David Tringham | .... | first assistant director | |
Art Department | |||
| John Alvin | .... | poster artist | |
| Alan Cheevers | .... | plasterer | |
| John Chisholm | .... | property master | |
| Dominique Coste | .... | art department | |
| Gavin Gordon | .... | carpenter | |
| Patricia Johnson | .... | draughtsman | |
| Gwendolyn Margetson | .... | draftsperson | |
| Giles Masters | .... | assistant art director | |
| Mark Reynolds | .... | stand-by props: second unit | |
| Bill Stallion | .... | storyboard artist | |
| Dean Coldham | .... | chargehand plasterer (uncredited) | |
Sound Department | |||
| Anna Behlmer | .... | sound re-recording mixer | |
| Simon Coke | .... | sound effects editor | |
| Joe Dorn | .... | adr editor | |
| Robert Grieve | .... | supervising sound editor | |
| Steve Mann | .... | sound effects editor | |
| Courtenay Marvin | .... | assistant sound editor | |
| James Matheny | .... | dialogue editor | |
| Chris Munro | .... | sound mixer | |
| Greg Orloff | .... | foley mixer | |
| Judy Oseransky | .... | assistant sound editor | |
| Roy Seeger | .... | assistant adr editor | |
| Frank Smathers | .... | dialogue editor | |
| Mark Smith | .... | sound re-recording mixer | |
| Otto Snel | .... | sound re-recording mixer | |
| Lionel Strutt | .... | adr mixer | |
| David Williams | .... | dialogue editor | |
| James Allen | .... | sound re-recordist (uncredited) | |
| David W. Alstadter | .... | foley mixer (uncredited) | |
| Carmen Flores De Tanis | .... | assistant sound editor (uncredited) | |
| David R. Finkelstein | .... | assistant foley editor (uncredited) | |
| Dennis Leonard | .... | additional sound re-recording mixer (uncredited) | |
| John Roesch | .... | foley artist (uncredited) | |
| Carolyn Tapp | .... | foley recordist (uncredited) | |
Special Effects by | |||
| Steve Hamilton | .... | senior special effects technician | |
| Barry Whitrod | .... | special effects | |
Visual Effects by | |||
| Craig Barron | .... | visual effects supervisor: Matte World | |
| Rob Burton | .... | visual effects | |
| Krystyna Demkowicz | .... | executive in charge of production: Matte World | |
| Joel Hladecek | .... | motion control camera | |
| Rich McKay | .... | camera assistant | |
| Michael Pangrazio | .... | matte artist supervisor | |
Camera and Electrical Department | |||
| Mike Brewster | .... | camera operator: second unit | |
| Bob Bridges | .... | assistant camera | |
| Gary Cross | .... | gaffer: second unit | |
| Mike Frift | .... | camera operator | |
| W.C. 'Chunky' Huse | .... | key grip | |
| Wayne Leach | .... | electrician | |
| Alan Martin | .... | gaffer | |
| Jason Martin | .... | best boy | |
| David Tondeur | .... | assistant camera | |
| John Ward | .... | Steadicam operator | |
| Carlos Melville | .... | electrician (uncredited) | |
Costume and Wardrobe Department | |||
| Elvis Davis | .... | set costumer | |
| Robyn Elliott | .... | set costumer (as Robyn Elliot) | |
| Michael McGarrigle | .... | wardrobe assistant | |
| Dominic Young | .... | costume workroom assistant | |
Editorial Department | |||
| Joss Agnew | .... | second assistant editor | |
| Brent Eldridge | .... | digital color correction | |
| Peter Hollywood | .... | editor: special sequences | |
| Michael Kelly | .... | editor: additional sequences | |
| Carole A. Kenneally | .... | assistant editor | |
| Alexandra Leviloff | .... | second assistant editor | |
| Jonathan Lucas | .... | first assistant editor | |
| Robert C. Lusted | .... | assistant editor (as Bob Lusted) | |
| Marcus Manton | .... | additional editor | |
| Bob Putynkowski | .... | color timer | |
| Gladys Vega | .... | assistant editor | |
| Glenn Richard Côté | .... | assistant to editor (uncredited) | |
Transportation Department | |||
| Brian Hathaway | .... | transportation coordinator | |
| Mark White | .... | transportation | |
Other crew | |||
| Stuart Baird | .... | project consultant | |
| Mark Bunce | .... | chef | |
| David Chorley | .... | chef | |
| Caroline Cornish-Trestrail | .... | production staff | |
| Kevin Costner | .... | production consultant | |
| Gabe Cronnelly | .... | archery coach | |
| Susan d'Arcy | .... | unit publicist | |
| Reg Dent | .... | horse supplier | |
| Steve Dent | .... | assistant horse master | |
| Steve Dent | .... | horse supplier | |
| Sara Desmond | .... | production runner | |
| Wayne Docksey | .... | animal master: Animal Acting | |
| Michelle Fox | .... | production associate | |
| Ira Friedlander | .... | production accountant | |
| Rowley Irlam | .... | rider | |
| Sheldon Katz | .... | production controller | |
| David Kerney | .... | production accountant | |
| Samantha C. Kirkeby | .... | script supervisor | |
| John Lees | .... | fitness coach | |
| Neil Ravan | .... | location manager | |
| Tony Smart | .... | horse master | |
| Alan Sutton | .... | fire officer | |
| Kathleen Switzer | .... | assistant: Kevin Reynolds (as Kathleen A. Switzer) | |
| Mark Thomason | .... | photo double | |
| Mark Thomason | .... | stand-in | |
| Terry Walsh | .... | sword master | |
| Andrew A Wilkinson | .... | sword master | |
| Andrew Jack | .... | dialect coach: Michael McShane (uncredited) | |
| Craig Stevenson | .... | assistant sword master (uncredited) | |
| Pam Weaver | .... | animal handler (uncredited) | |
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| The Adventures of Robin Hood | Robin and Marian | Robin Hood: Men in Tights | Conan the Barbarian | DragonHeart |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb USA section |
I have seen Robin Hood: Prince of Thieves so many times and yet it still thrills me the 100th time as much as it did the first. I just can't ever get enough of this near perfect adventure film.
I've always cherished films set in medieval times. There's just something about the plights of the oppressed class and the simple heroics of the man who steps forward to fight for honor and better lives for the dismal. Then there are the luxuriant castles, the dashing sword fights, the extravagant costumes, the tragically beautiful princess he's destined to fall in love with, and the evil power-hungry villain who will stop at nothing to be King.
OK, it's a bit of a cliché, but this formula makes for the perfect escapist film and one thrilling and emotional ride. No, it isn't original, but it's just got everything you'd ever want from a film.
The story of Robin Hood has been done so many times, and (unlike most of his other roles) Kevin Costner is not only believable, but actually quite good this time (well, except for the accent, but nobody's perfect).
Alan Rickman is just flawlessly devious as the Sheriff of Nottingham. Nobody could have done it better, and he also had the best lines ("Because it's dull, it'll hurt more!")
This was sadly Kevin Costner's last great film, as he went on to star in such duds as Waterworld and the dismal The Postman. Christian Slater, Morgan Freeman, Sean Connery, and especially Mary Elizabeth Mastrantonio give their all, creating a truly emotional and powerful film. I don't understand why the ratings are so low.
The ending is just beautiful. I boo at the sheriff, cheer for Robin, and cry during Robin and Marian's post-sword fight embrace every time, and you will too if you ignore the cynics and give this adventure a chance.
9/10