In a future where the polar ice-caps have melted and Earth is almost entirely submerged, a mutated mariner fights starvation and outlaw "smokers," and reluctantly helps a woman and a young girl try to find dry land.
After being captured by Turks during the Crusades, Robin of Locksley and a Moor, Azeem, escape back to England, where Azeem vows to remain until he repays Robin for saving his life. Meanwhile, Robin's father, a nobleman loyal to King Richard the Lionhearted, has been murdered by the brutal Sheriff of Nottingham, who helped install Richard's treacherous brother, Prince John, as king while Richard is overseas fighting the Crusades. When Robin returns home, he vows to avenge his father's death and restore Richard to the throne. Even though Maid Marian, his childhood friend, cannot help him, he escapes to the Forest of Sherwood where he joins a band of exiled villagers and becomes their leader. With their help he attempts to cleanse the land of the evil that the Sheriff has spread. Written by
Graeme Roy <firstname.lastname@example.org>
The producers, one of them being director Kevin Reynolds' longtime friend, Kevin Costner, took over the editing of the film, going to the extent of physically locking the original editor Peter Boyle out of the editing suite. However they were contractually obliged, under Directors' Guild rules, to show their cut to Reynolds. He was less than impressed with what they'd done to his film. See more »
When Robin begins training the outlaws, we see an arrowhead being cast, outdoors in a small mould. Next, we see an iron/steel arrowhead being shaped on a stone. Iron or steel could not be cast, outdoors and in the small quantity as shown, due to the heat needed. The metal shown can only be pewter, lead or tin. To produce arrowheads in those conditions, a friendly blacksmith would beat out a suitably thin piece of waste metal, chop pieces off, then, others could file or rub them to shape and sharpness. See more »
Show them the courage of Allah!
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All initial copies of the original 1991 UK 'PG' Video had the full promo video for Bryan Adams' "Everything I Do (I Do It For You)" played underneath the credits at the end of the film. See more »
I have seen Robin Hood: Prince of Thieves so many times and yet it still thrills me the 100th time as much as it did the first. I just can't ever get enough of this near perfect adventure film.
I've always cherished films set in medieval times. There's just something about the plights of the oppressed class and the simple heroics of the man who steps forward to fight for honor and better lives for the dismal. Then there are the luxuriant castles, the dashing sword fights, the extravagant costumes, the tragically beautiful princess he's destined to fall in love with, and the evil power-hungry villain who will stop at nothing to be King.
OK, it's a bit of a cliché, but this formula makes for the perfect escapist film and one thrilling and emotional ride. No, it isn't original, but it's just got everything you'd ever want from a film.
The story of Robin Hood has been done so many times, and (unlike most of his other roles) Kevin Costner is not only believable, but actually quite good this time (well, except for the accent, but nobody's perfect).
Alan Rickman is just flawlessly devious as the Sheriff of Nottingham. Nobody could have done it better, and he also had the best lines ("Because it's dull, it'll hurt more!")
This was sadly Kevin Costner's last great film, as he went on to star in such duds as Waterworld and the dismal The Postman. Christian Slater, Morgan Freeman, Sean Connery, and especially Mary Elizabeth Mastrantonio give their all, creating a truly emotional and powerful film. I don't understand why the ratings are so low.
The ending is just beautiful. I boo at the sheriff, cheer for Robin, and cry during Robin and Marian's post-sword fight embrace every time, and you will too if you ignore the cynics and give this adventure a chance.
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