In a future where the polar ice-caps have melted and Earth is almost entirely submerged, a mutated mariner fights starvation and outlaw "smokers," and reluctantly helps a woman and a young girl try to find dry land.
Despite trying to keep his swashbuckling to a minimum, a threat to California's pending statehood causes the adventure-loving Alejandro de la Vega (Banderas) -- and his wife, Elena (Zeta-Jones) -- to take action.
After being captured by Turks during the Crusades, Robin of Locksley and a Moor, Azeem, escape back to England, where Azeem vows to remain until he repays Robin for saving his life. Meanwhile, Robin's father, a nobleman loyal to King Richard the Lionhearted, has been murdered by the brutal Sheriff of Nottingham, who helped install Richard's treacherous brother, Prince John, as king while Richard is overseas fighting the Crusades. When Robin returns home, he vows to avenge his father's death and restore Richard to the throne. Even though Maid Marian, his childhood friend, cannot help him, he escapes to the Forest of Sherwood where he joins a band of exiled villagers and becomes their leader. With their help he attempts to cleanse the land of the evil that the Sheriff has spread. Written by
Graeme Roy <firstname.lastname@example.org>
Having watched and been very inspired by the British television series Robin Hood (1984), where a Saracen merry man was introduced into the Robin Hood-legend and let loose in Sherwood Forest, the makers of the film originally called Morgan Freeman's character Nasir, thinking that the character played by Mark Ryan in the British TV-series was a traditional one drawn from the old legend. When stuntman Terry Walsh, who had also worked on "Robin of Sherwood" (1984), happened to mention that "Nasir" was not in the original legend, but was completely made-up by the makers of the British television series, the name of Freeman's character was rapidly changed to "Azeem" in order to avoid a possible lawsuit. See more »
Before Robin enters the bishop's private chamber he places his rings into a gold dish with black circle on it. Later the same dish appears in Robin's treasure room behind Mariam. See more »
I have seen Robin Hood: Prince of Thieves so many times and yet it still thrills me the 100th time as much as it did the first. I just can't ever get enough of this near perfect adventure film.
I've always cherished films set in medieval times. There's just something about the plights of the oppressed class and the simple heroics of the man who steps forward to fight for honor and better lives for the dismal. Then there are the luxuriant castles, the dashing sword fights, the extravagant costumes, the tragically beautiful princess he's destined to fall in love with, and the evil power-hungry villain who will stop at nothing to be King.
OK, it's a bit of a cliché, but this formula makes for the perfect escapist film and one thrilling and emotional ride. No, it isn't original, but it's just got everything you'd ever want from a film.
The story of Robin Hood has been done so many times, and (unlike most of his other roles) Kevin Costner is not only believable, but actually quite good this time (well, except for the accent, but nobody's perfect).
Alan Rickman is just flawlessly devious as the Sheriff of Nottingham. Nobody could have done it better, and he also had the best lines ("Because it's dull, it'll hurt more!")
This was sadly Kevin Costner's last great film, as he went on to star in such duds as Waterworld and the dismal The Postman. Christian Slater, Morgan Freeman, Sean Connery, and especially Mary Elizabeth Mastrantonio give their all, creating a truly emotional and powerful film. I don't understand why the ratings are so low.
The ending is just beautiful. I boo at the sheriff, cheer for Robin, and cry during Robin and Marian's post-sword fight embrace every time, and you will too if you ignore the cynics and give this adventure a chance.
75 of 105 people found this review helpful.
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