In a future where the polar ice-caps have melted and Earth is almost entirely submerged, a mutated mariner fights starvation and outlaw "smokers," and reluctantly helps a woman and a young girl try to find dry land.
When an escort girl is found dead in the offices of a Japanese company in Los Angeles, detectives Web Smith and John Connor act as liaison between the company's executives and the investigating cop Tom Graham.
After being captured by Turks during the Crusades, Robin of Locksley and a Moor, Azeem, escape back to England, where Azeem vows to remain until he repays Robin for saving his life. Meanwhile, Robin's father, a nobleman loyal to King Richard the Lionhearted, has been murdered by the brutal Sheriff of Nottingham, who helped install Richard's treacherous brother, Prince John, as king while Richard is overseas fighting the Crusades. When Robin returns home, he vows to avenge his father's death and restore Richard to the throne. Even though Maid Marian, his childhood friend, cannot help him, he escapes to the Forest of Sherwood where he joins a band of exiled villagers and becomes their leader. With their help he attempts to cleanse the land of the evil that the Sheriff has spread. Written by
Graeme Roy <firstname.lastname@example.org>
The summer of 1991 was a lousy one for movies; there were only a few that stood out amid dozens of crummy releases. The only movies that summer that I admired were 'Terminator 2,' 'Thelma & Louise,' and this one, which still stands as one of the most entertaining action-adventure movies I've seen.
No, it isn't a masterpiece, on any level. Yes, I realize that Kevin Costner lacks a satisfactory British accent (he doesn't even attempt one). But the movie is still a fun, rip-roaring piece of escapism, sort of like 'Raiders of the Lost Ark,' only without the special effects.
Costner may seem miscast as Robin of Locksley, but there's no doubt that he had the physicality and screen presence to convincingly hold our attention as a larger-than-life hero. He'd just come off 'Dances With Wolves,' and so it was a thrill to see him on horseback again (it still is, in 'Open Range'). I'm willing to concede that he's no Olivier, but in the action hero mold, he still cut an exciting figure.
I also enjoyed Alan Rickman's great, over-the-top portrayal of the Sheriff of Nottingham. Out of place? You betcha. Fun? Funny? Wicked? Hey, that's why we pay admission.
The sets are all dank and gloomy and wonderful. The action is well-staged and had audiences on their feet all those years ago. Sherwood Forest is appropriately dense and spooky-looking. OK, so the movie has Christian Slater in it. I didn't say it was perfect.
'Robin Hood' marked the beginning of the end of Kevin Costner's unanimous popularity with audiences. Everyone started playing the part of Hollywood bean-counter and worrying about 'Waterworld's' budget. But you know what I like about both these movies? No CGI. I am sick and tired of CGI movies. Popping the deluxe 'Robin Hood' DVD into the old player is a refreshing treat and a thumb in the eye of digital junk like 'Pirates of the Caribbean.'
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