| Robert Foxworth | ... | Narrator | |
| rest of cast listed alphabetically: | |||
| Norman Banks | ... | Himself (voice) (as Dr. Norman Banks) | |
| Lawrence Blair | ... | Himself (voice) (as Dr. Lawrence Blair) | |
| Gary Rosenquist | ... | Himself (voice) | |
Directed by | |||
| George Casey | |||
Writing credits(in alphabetical order) | ||
| Lawrence Blair | (as Dr. Lawrence Blair) | |
| George Casey | ||
| David Hamilton | (as David L. Hamilton) | |
| Sean MacLeod Phillips | (as Sean Phillips) | |
Produced by | |||
| George Casey | .... | producer | |
| Mike Day | .... | executive producer | |
| Jeffrey Kirsch | .... | consulting producer (as Dr. Jeffrey Kirsch) | |
| Ammiel G. Najar | .... | associate producer (as Ammiel Najar) | |
| Paul Novros | .... | producer | |
| Mal Wolfe | .... | location producer | |
Original Music by | |||
| Michael Stearns | |||
Cinematography by | |||
| Mehran Salamati | |||
Film Editing by | |||
| Tim Huntley | |||
Production Management | |||
| Lawrence Blair | .... | production manager | |
| Michael Cook | .... | production manager | |
| Masaki Kaneko | .... | production manager | |
| David Weiss | .... | production manager | |
Sound Department | |||
| George Berndt | .... | sound editor | |
| John Morris | .... | supervising sound editor | |
| Jennifer Myers | .... | foley walker | |
| Margie O'Malley | .... | foley walker | |
| Peter Michael Sullivan | .... | sound editor (as Peter Sullivan) | |
| John Thomas | .... | sound editor | |
Visual Effects by | |||
| Rob Dickson | .... | programmer: computer animation sequences | |
| Geoffrey Fennell | .... | animator: computer animation sequences (as Geoff Fennel) | |
| Larry Luther | .... | programmer: computer animation sequences | |
| Sean MacLeod Phillips | .... | creative director: computer animation sequences (as Sean Phillips) | |
| Sean MacLeod Phillips | .... | special visual effects (as Sean Phillips) | |
| Tim Sassoon | .... | credit titles photography | |
| Doug Smith | .... | animator: computer animation sequences | |
| Chris Walker | .... | director: computer animation sequences | |
| William Powloski | .... | motion control (uncredited) | |
Stunts | |||
| Jon Agro | .... | stunts | |
Camera and Electrical Department | |||
| Neil Ayers | .... | assistant camera (as Neil Ayres) | |
| Brian Bailey | .... | assistant camera | |
| Sean C. Casey | .... | location grip (as Sean Casey) | |
| Chuck Davis | .... | assistant camera | |
| Dave Evans | .... | camera pilot: Bluebird Helicopters, Mount St. Helens | |
| John Greenaway | .... | camera pilot: Hawaii, Hilo Bay Helicopters | |
| Ken Guthrie | .... | camera pilot: Bluebird Helicopters, Mount St. Helens | |
| Jeff Johnson | .... | assistant camera | |
| Bill Lacey Jr. | .... | camera pilot: Hawaii, Lacey Helicopters | |
| Mehran Salamati | .... | director of photography | |
| Rodney Taylor | .... | assistant camera | |
| Denny Tedesco | .... | location grip (as Dennis Tedesco) | |
| Pat Walters | .... | camera pilot: Air There Helicopters, San Francisco | |
Editorial Department | |||
| Dan Hamilton | .... | negative cutter | |
| William Pine | .... | color timer: DeLuxe Laboratory (as Bill Pine) | |
| Andrew Pratt | .... | negative cutter | |
Other crew | |||
| James Carney | .... | production coordinator | |
| Bundy Chanock | .... | set medic | |
| Lin Law | .... | additional laboratory services: Columbia Optical | |
| Robert McDaniel | .... | production coordinator | |
| Dash Morrison | .... | color prints: DeLuxe Laboratory | |
| Vince Roth | .... | additional laboratory services: Columbia Optical | |
| Don Shinneman | .... | color prints: DeLuxe Laboratory | |
| Sera Skoll | .... | production coordinator | |
Thanks | |||
| Michael Boeckmann | .... | grateful thanks | |
| Joel Estes | .... | special gratitude | |
| Ryuichiro Goto | .... | special gratitude | |
| Linda Johnson | .... | special gratitude | |
| Kosuke Kamo | .... | special gratitude: director of Sakurajima Volcano Observatory (as Dr. Kosuke Kamo) | |
| Duane Kocik | .... | special gratitude | |
| Sobroto Modjo | .... | special gratitude: director of Volcanological Survey of Indonesia | |
| Masaharu Suzuki | .... | special gratitude | |
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| The Eruption of Mount St. Helens! | King of the Rocket Men | Africa: The Serengeti | 2012 | Encounters at the End of the World |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Documentary section | IMDb USA section |
First, I have to say that I'm really not a fan of documentaries, and in general they put me to sleep. That said, IMAX films are some of the only documentaries I've ever been able to sit through. Part of that, perhaps most of it, is their extraordinary presentation. It's a terrific format, and the films made for them are usually well put together.
RING OF FIRE is such a film (at least in it's original IMAX format - I have not seen the DVD). The title refers to the ring of volcanoes on the Pacific Rim, not a hard subject for me to be interested in to be sure. The narration is genuinely informative if not all that exciting.
But it's the cinematography that really makes RING work. The combination of great camera work, and the format itself, was immersing. Short of visiting these volcanic sites (and I'd imagine at some personal risk), I doubt a better experience could be had on the subject. You can forget all that stock volcano footage you've seen before, RING has all that beat, hands down.
If anything, the film's 40 minutes just isn't long enough for me. But even modern IMAX work like James Cameron's ALIENS OF THE DEEP run about the same length. This most likely is due to the expense of shooting the format, but it's still unfortunate. Also, I'm not sure if this can even be seen in an IMAX theater these days, and it will certainly lose much of it's impact on DVD. In comparison, IMAX has done a couple of other films (on the space shuttle and the ISS) that I found superior to this one overall. But as documentaries go, RING OF FIRE is still quite good, and certainly worth the time. 7 out of 10 stars.