A fencing master in pre-revolution Spain is hired to teach fencing to teach fencing to a beautiful young woman. Although he has never taught a woman before he is fascinated by her and ... See full summary »
Joaquim de Almeida
In the 18th century in Madrid, the Marquess of Esquilache, King Charles III of Spain's former minister, bans on wearing the popular wide collar with a long coat and brimmed hat. Along with other measures provoke a massive riot in the city.
Fernando Fernán Gómez,
José Luis López Vázquez,
Barcelona: during a long night of August, some people have different experiences what left a deep impression in them: Lucía is abandoned by his boyfriend Iván after three-years-old of ... See full summary »
Manuela Burló Moreno
Pilar López de Ayala,
A work of Valle-Inclán, the story takes place in Galicia in the early twentieth century. To escape poverty, the wife of a sacristan uses a hydrocephalic child as a sideshow attraction. This causes a confrontation with her sister-in-law.
Ana is a former ETA member who lives in a village called Bermillo de Sayago, near the border with Portugal. She works as a veterinary with her friend and fellow Dario. With him, she shares ... See full summary »
Joaquim de Almeida,
During his bitter old age, Shanti Andía is gathering the fragments of a diary written at different times of his life. So we know his childhood in the Basque village of Lúzaro, his dreamy ... See full summary »
A delightful, endearing, and fun film which is also intriguing and thought-provoking, like the terrific short novel on which it is based. Not surprisingly, the film was nominated for 14 Goyas Spain's equivalent of the Oscars and won eight.
The star-studded cast reads almost like a Who's Who of Spanish filmmaking in the early 1990s, featuring enshrined greats like Fernando Fernán Gómez and Juan Diego alongside then-youthful favorites like Gabino Diego and Javier Gurruchaga.
I would highlight that the excellent Portuguese actor Joaquim de Almeida, for many years now a regular in Hollywood as well as Europe, delivers an absolutely delicious performance as the Jesuit priest Almeida (no, no relation!). The intellectual Jesuits have always been suspect to the more conservative establishment in the Catholic Church, and Almeida plays the role with such subtle ambiguousness an ambiguity that is absolutely key to developing the more complex elements of the film's plot that long after the credits have rolled you will still be wondering about and arguing over his place in the story.
The film is also very well shot and expertly set, creating a suggestive yet realistic ambiance that is up to the level of the plot and the acting.
In perhaps his best role ever, Gabino Diego is the young Felipe IV, the homely Habsburg monarch to whom he bears a surprising resemblance. Felipe is dumbstruck by the brief sight of a naked prostitute the Court favorite because of her exquisite beauty which suddenly leads him to realize that he has never seen the Queen, his own lovely wife, in the buff. Why? Because although ribaldry and bawdiness were the norm for the commoners of 17th-Century Spain, the nobility and royals only had sex for procreation's sake at least with their spouses with floor-length nightgowns tailored with a conveniently located opening at the level of the pelvis to avoid the sins of concupiscence. Something that Felipe's equally young Bourbon Queen finds hard to understand, but she acquiesces to the customs of these oddly pious and dour Spaniards. Surrounded as he is by very conservative priests who constantly protect (and isolate) him as one of the visible heads of the Church in Spain, the naive King needs more than a little help to arrange a romantic tryst alone with the Queen, without the overbearing and antilibidinous presence of their omnipresent escorts and attendants. It is this entertaining and intriguing "foreplay" that is the backbone of the film.
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