In this sequel to The Blue Lagoon (1980), two children are stranded on a beautiful island in the South Pacific. With no adults to guide them, the two make a simple life together and eventually become suntanned teenagers in love.
In the Victorian period, two children are shipwrecked on a tropical island in the South Pacific. With no adults to guide them, the two make a simple life together, unaware that sexual maturity will eventually intervene.
A mirage, a fantasy, a dream come true; a single man, stranded on a deserted island, finds reprise one morning when a boat carrying 5 gorgeous models drops anchor. Luckily for our man, it's... See full summary »
While the general theme of this film resembles "The Blue Lagoon" (the film for which this is a sequel), the basic plot is quite different. We open the film with a ship finding the craft with our original characters in it, Richard and Emmeline dead and Paddy alive. Established in the first film, the only word Paddy ever says is "Richard", so the crew assumes Richard is the infant's name. Taken in by Sarah, a widow with an infant baby girl Lilli, Richard (Paddy) is cared for in a return to civilization. Struck by cholera, the crew of the ship start to die and the captain sets Sarah, Richard, Lilli and a healthy crew member on a lifeboat in an attempt to preserve their lives. With water and food running short, the crew member escorting Sarah and the children becomes dangerous, so Sarah takes the only course of action she feels suitable to preserve the children: she strikes him and throws him overboard. Taking control of the small craft, she eventually guides them back to the island of ... Written by
Richard continually beats the shark swimming across the reef. A shark can swim from between 25-45mph whereas most Olympic swimmers can only swim about 5mph. He would stand no chance. See more »
I always weather a storm well. I get that from Mother.
Yes, you do. Captain Hilliard says he wants to set sail at dawn.
I guess that means that Captain Hilliard's daughter wants to set sail at dawn.
I don't care what she wants. I don't care about her at all, I know that now, Lilli. Do you understand? You're the most important thing in the whole world to me.
Well you can set sail at dawn... But we're not going.
See more »
Return to the Blue Lagoon -- Bad films coming full circle
I can only think of one thing more incomprehensible than making a movie from a bad script and that is for a filmmaker to base his idea for a movie on another movie that is terrible. Normally directors try to rip off good movies, like the guy who directed "The Italian Connection" based on the "The French Connection" (good thinking because sometimes Americans confuse the French and the Italians), or the other fellow who directed the porno "American Booty" based on Sam Mendes' "American Beauty." And if all else fails, do a sequel like "Jaws II" based on the good "Jaws" or "Exorcist II" based on the great "Exorcist." I could go on, except I will be going off track and forgetting to tell you about the time when they decided to make the terrible "Return of the Blue Lagoon" based on the terrible "Blue Lagoon" which must have had the makers of sequels and rip offs scratching their heads.
The problem with "Return to the Blue Lagoon" is the same as the last film. It is not about anything. It seems that the filmmakers felt, in spite of the bad critical reception of the first Blue Lagoon, that an exotic island and two teenagers discovering sex and then fornicating (though we see none of that) was enough to create an entertaining film. Of course, the filmmakers did a little tweaking for this film. There is the sad background story which explains how the two kids got stuck on the island, like the last two kids. Who says that Carl Orff's Carmina Burana does not have any influence over film-making. There is also an egg competition, an encounter with a native, a seductive English girl from the outside and a lascivious sailor. But other than that, Lilli (Milla Jovovich) and Richard (Brian Krause) go through the same motions as Brooke Shields and Christopher Atkins as though they were destined to live the exact same lives as the previous couple on the island. What "Return to the Blue Lagoon" really is, if you think about it, is an unsexy pornographic movie for kids; a stage for kids to go through before they see the softcore and hardcore porn films. But even based on that sordid criteria, "Return to the Blue Lagoon" fails because even the sleaziest, worst acted pornos at least do something to your libido. "Return to the Blue Lagoon" does nothing because it has all the bad acting you would expect from a porno without any of any of the great sex (not least because the actors are underage). So if you are interested in a movie where a couple have lots of great sex on a deserted tropical island, watch Lina Wertmueller's "Swept Away by a Mysterious Destiny in the Blue Sea of August" instead. It has gorgeous pictures of a tropical paradise, far better acting, and you won't feel dirty and guilty by the end of the film because the actors, Giancarlo Giannini and Mariangela Melato, were both in their thirties (though they look like in the their twenties) at the time of filming.
7 of 14 people found this review helpful.
Was this review helpful to you?