In this sequel to the 1980 classic, two children are stranded on a beautiful island in the South Pacific. With no adults to guide them, the two make a simple life together and eventually become tanned teenagers in love.
A mirage, a fantasy, a dream come true; a single man, stranded on a deserted island, finds reprise one morning when a boat carrying 5 gorgeous models drops anchor. Luckily for our man, it's... See full summary »
In the Victorian period, two children are shipwrecked on a tropical island in the South Pacific. With no adults to guide them, the two make a simple life together, unaware that sexual maturity will eventually intervene.
Faye Hanlon is a community-college professor with an emotionally depressed husband and an abundance of sexual frustration. Her sister drags her to a male strip-club for a girls-night out, ... See full summary »
John G. Avildsen
Lesley Ann Warren,
In the Victorian period, two teenagers, David and Sarah, travel with a caravan from Baghdad to Damascus. At an oasis, the white slave agent known as the Jackal raids them, mainly to add the... See full summary »
After a man finally gets over his former girlfriend, who has moved to Los Angeles and become a television star, and falls in love with another woman, the former girlfriend's show is canceled and she wants him back.
A young girl leaves for Nepal with her parents and brother. She is unhappy to leave her home at first, but soon isn't when she meets a handome young man. The story unfolds into a romantic and daring quest in search of the "Invisible City."
George Kuffs didn't finish high-school, just lost his job and his girlfriend who still is in college is pregnant. Since he can't see how he can support her, he thinks she is better off ... See full summary »
Bruce A. Evans
Ric Roman Waugh
While the general theme of this film resembles "The Blue Lagoon" (the film for which this is a sequel), the basic plot is quite different. We open the film with a ship finding the craft with our original characters in it, Richard and Emmeline dead and Paddy alive. Established in the first film, the only word Paddy ever says is "Richard", so the crew assumes Richard is the infant's name. Taken in by Sarah, a widow with an infant baby girl Lilli, Richard (Paddy) is cared for in a return to civilization. Struck by cholera, the crew of the ship start to die and the captain sets Sarah, Richard, Lilli and a healthy crew member on a lifeboat in an attempt to preserve their lives. With water and food running short, the crew member escorting Sarah and the children becomes dangerous, so Sarah takes the only course of action she feels suitable to preserve the children: she strikes him and throws him overboard. Taking control of the small craft, she eventually guides them back to the island of ... Written by
In a secluded paradise... surrounded by a coral sea, a boy and a girl grew up alone. Now they are experiencing the first awakenings of love. A love that can only be threatened... by discovery. See more »
Richard continually beats the shark swimming across the reef. A shark can swim from between 25-45mph whereas most Olympic swimmers can only swim about 5mph. He would stand no chance. See more »
I may be young, captain, but I have spent three years in a climate of fearsome heat, with insects as big as rats and rats as big as cats! I can certainly deal with deck and down with fever!
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The Bad: - Disregards the plot from The Blue Lagoon - Sexual "overtones" rather than "undertones" - More an attempt at capitalizing on the popularity of the original than an extension of the latter's story
There aren't many situations that manage to capture the imagination as does watching two children blossom into young adults isolated from civilization on a dessert island. The Blue Lagoon's charm was the unadulterated depiction of the purity and innocence of mind that "civilized" society deprives us. It was the forgotten image of what children are all doomed to lose as they experience life based on societal dictates rather than the nature we are all born with.
Return to the Blue Lagoon re-examines these themes, if under the somewhat greater taint of society's teachings. In this way, the purity of the characters of Return is not as pure, the innocence not as innocent. Although the opening sequence makes quick work of any attachment to the original, Return was a decent film in its own right. Fans of the original will inevitably find it difficult to resist the sequel. The trick will be mentally disregarding it, should it prove more unsettling than fulfilling.
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