In this sequel to the 1980 classic, two children are stranded on a beautiful island in the South Pacific. With no adults to guide them, the two make a simple life together and eventually become tanned teenagers in love.
In the Victorian period, two teenagers, David and Sarah, travel with a caravan from Baghdad to Damascus. At an oasis, the white slave agent known as the Jackal raids them, mainly to add the... See full summary »
In 1933 New York, an overly ambitious movie producer coerces his cast and hired ship crew to travel to mysterious Skull Island, where they encounter Kong, a giant ape who is immediately smitten with leading lady Ann Darrow.
In the Victorian period, two children are shipwrecked on a tropical island in the South Pacific. With no adults to guide them, the two make a simple life together, unaware that sexual maturity will eventually intervene.
The hot-headed young D'Artagnan along with three former legendary but now down on their luck Musketeers must unite and defeat a beautiful double agent and her villainous employer from seizing the French throne and engulfing Europe in war.
Paul W.S. Anderson
On a Caribbean cruise, Jenny is marooned on a beach with her rock and roll idol. Deliriously in love with the idea of time alone with him, she manages to hide the fact that they're a stone's throw away from their resort.
While the general theme of this film resembles "The Blue Lagoon" (the film for which this is a sequel), the basic plot is quite different. We open the film with a ship finding the craft with our original characters in it, Richard and Emmeline dead and Paddy alive. Established in the first film, the only word Paddy ever says is "Richard", so the crew assumes Richard is the infant's name. Taken in by Sarah, a widow with an infant baby girl Lilli, Richard (Paddy) is cared for in a return to civilization. Struck by cholera, the crew of the ship start to die and the captain sets Sarah, Richard, Lilli and a healthy crew member on a lifeboat in an attempt to preserve their lives. With water and food running short, the crew member escorting Sarah and the children becomes dangerous, so Sarah takes the only course of action she feels suitable to preserve the children: she strikes him and throws him overboard. Taking control of the small craft, she eventually guides them back to the island of ... Written by
Milla Jovovich said that this is the worst film she's ever done. See more »
Richard continually beats the shark swimming across the reef. A shark can swim from between 25-45mph whereas most Olympic swimmers can only swim about 5mph. He would stand no chance. See more »
Mother died six years ago.
Capt. Jacob Hilliard:
How do you follow the years?
She taught us. We count the moons, we know that twelve full moon are one year.
We have Christmas and Thanksgiving, and Easter, although we're not exactly sure we celebrate them on the right days.
Capt. Jacob Hilliard:
It's utterly amazing, the two of you all these years in this remote, Godforsaken place.
Not Godforsaken, Captain Hilliard. Not Godforsaken at all.
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The Bad: - Disregards the plot from The Blue Lagoon - Sexual "overtones" rather than "undertones" - More an attempt at capitalizing on the popularity of the original than an extension of the latter's story
There aren't many situations that manage to capture the imagination as does watching two children blossom into young adults isolated from civilization on a dessert island. The Blue Lagoon's charm was the unadulterated depiction of the purity and innocence of mind that "civilized" society deprives us. It was the forgotten image of what children are all doomed to lose as they experience life based on societal dictates rather than the nature we are all born with.
Return to the Blue Lagoon re-examines these themes, if under the somewhat greater taint of society's teachings. In this way, the purity of the characters of Return is not as pure, the innocence not as innocent. Although the opening sequence makes quick work of any attachment to the original, Return was a decent film in its own right. Fans of the original will inevitably find it difficult to resist the sequel. The trick will be mentally disregarding it, should it prove more unsettling than fulfilling.
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