| John Dildine | ... | Narrator (voice) | |
| Roland Freisler | ... | Himself (archive footage) | |
| Carl Friedrich Goerdeler | ... | Himself (archive footage) | |
| Adolf Hitler | ... | Himself (archive footage) | |
| Axel von der Busche | ... | Himself (as Axel von dem Bussche) | |
| Ewald von Kleist | ... | Himself (as Ewald Heinrich von Kleist) | |
| Adam von Trott zu Solz | ... | Himself (archive footage) |
Directed by | |||
| Hava Kohav Beller | |||
Writing credits(in alphabetical order) | ||
| Hava Kohav Beller | ||
Cinematography by | |||
| Gábor Bagyoni | |||
| Volker Rodde | |||
| Martin Schaer | |||
Film Editing by | |||
| Tonicka Janek | |||
| David Rogow | |||
| Juliet Weber | |||
Camera and Electrical Department | |||
| Karola Ritter | .... | assistant camera | |
Editorial Department | |||
| Kevin Boland | .... | assistant editor | |
Other crew | |||
| John Crowley | .... | script consultant | |
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| Pin Gods | Prerokbe Ognja | Puss in Books: Adventures of the Library Cat | Anti Glamour | Money Man |
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| Full cast and crew | Company credits | External reviews |
| IMDb Documentary section | IMDb USA section |
This documentary is surprisingly suspenseful and gripping since the outcome is known in advance--the loose knit group of civil servants and military failed to Assassinate Hitler. And yet the way that this movie unspools the various strands of the plot, especially the details about how secretive all communication had to be, were fascinating. As was the sense of it all that was, or that was attempted to be made, by the few surviving plotters, their friends, and wives. Terrific use of archival footage--the decadent Wiemar era, scenes of war and battle, the post-war devastation--that featured many images previously unfamiliar to me. The movie strung them together in montages that were memorable and stirring and in some way uplifting. The same can be said for this fascinating movie. A find.