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Quigley Down Under (1990)

6.8
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Ratings: 6.8/10 from 13,258 users  
Reviews: 94 user | 18 critic

Sharpshooter Matt Quigley is hired from Montana by an Australian rancher paying a very high price. But when Quigley arrives Down Under, all is not as it seems.

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Cast

Cast overview, first billed only:
...
...
...
...
Ron Haddrick ...
Tony Bonner ...
Jerome Ehlers ...
Conor McDermottroe ...
Roger Ward ...
...
Steve Dodd ...
Kunkurra
Karen Davitt ...
Slattern
Kylie Foster ...
Slattern
...
Reilly
Jonathan Sweet ...
Sergeant Thomas
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Storyline

Sharpshooter Matt Quigley is hired from America by an Australian rancher so he can shoot aborigines at a distance. Quigley takes exception to this and leaves. The rancher tries to kill him for refusing, and Quigley escapes into the brush with a woman he rescued from some of the rancher's men, and are helped by aborigines. Quigley returns the help, before going on to destroy all his enemies. Written by Ed Sutton {esutton@mindspring.com}

Plot Summary | Plot Synopsis

Taglines:

There's a price on his head. A girl on his mind. And a twinkle in his eye. See more »


Certificate:

PG-13 | See all certifications »

Parents Guide:

 »
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Details

Country:

|

Language:

Release Date:

19 October 1990 (USA)  »

Also Known As:

A Gun, a Woman and... A Kiss  »

Box Office

Budget:

$20,000,000 (estimated)

Gross:

$21,413,105 (USA)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

The famous gun that is used by Matthew Quigley is a replica model 1874 Sharps Buffalo Rifle, built by Shiloh Rifles, of Montana. They are chambered in .45-110, which is a .45 caliber bullet propelled by 110 grains of black powder. This round was the most accurate and powerful in the world until the advent of smokeless gunpowders. See more »

Goofs

When Quigley kills the man after they are dumped in the desert, there is a drastic difference between the shadow on the dead man's face between the moments just before Quigley shoots and after he shoots. See more »

Quotes

Elliott Marston: Ah-ha. The legendary Sharps.
Matthew Quigley: You know your weapons. It's a lever-action, breach-loader. Usual barrel length's thirty inches. This one has an extra four. It's converted to use a special forty-five caliber, hundred-and-ten-grain metal cartridge, with a five-hundred-forty-grain paper patch bullet. It's fitted with double-set triggers, and a Vernier sight, marked up to twelve-hundred yards. This one shoots a mite further.
Elliott Marston: An experimental weapon with experimental ammunition.
Matthew Quigley: You could call it that.
Elliott Marston: ...
See more »

Connections

Referenced in Basil Poledouris: His Life and Music (1997) See more »

Soundtracks

Quigley Gets Beat Up
composed by Basil Poledouris
See more »

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User Reviews

 
You sure look pretty in the morning sun.
31 October 2001 | by (BC) – See all my reviews

Underseen western which , after a few theatrical misfires (though I also enjoyed him in High Road to China), gave Tom Selleck a role which suited him perfectly. A role which, as a previous comment stated, John Wayne would have been right at home in. It can be argued that this is just a politically correct revisionist western wherein the American witnesses injustices on aborginals in a foreign land and is outraged to action despite the utter mistreatment of native Indians during this same period back home. Some may say it is so, but I prefer to think of Quigley as a man who came to Australia BECAUSE of the injustices he's known back home and is looking perhaps for something better. Selleck represents, as did John Wayne, the decent and noble side of America, and there is no doubt that this is a man given to stand up and do the right thing no matter where he is, Wyoming or Fremantle.

This aside, Quigley succeeds most as a light romance amidst the traditional shoot em up scenario. In fact, the love story is what drives it along most and provides it's most special moments. During a heartfelt speech beside the campfire, Cora relates how heartbreaking it was for her to have her Husband Roy, who blamed her for the death of their child, put her on a ship to Australia and walk away from her life not looking back. This is what matters to her most, as it matters to Quigley that she call him by his right name or he won't share his bed. When presented with their first parting, Quigley leaves Cora and the Aborigine baby in the cave and though assuring her he will return for her he rides away, without stopping to look back.

This is mere oversight on his part and it leads to the most moving scene in the film, one which never fails to bring a tear to my eye - when they are again about to be parted she asks him "I'll never see you again, Will I". He can't say because of what's ahead for him, but he puts his hand on her cheek and says "You sure look pretty in the morning sun". As he mounts his horse and rides off Cora watches after him wondering, as we are wondering, if he'll stop and look back. And then he does. It's one of the most thoughtful and emotionally fleeting moments in movie history. Too bad it hasn't been seen and appreciated by more people.

The musical score, by Basil Poledouris, is also a treat and it hits all the right notes. His score for Conan the Barbarian is an acknowledged classic but here I think he goes a step better. It truly is a nice piece of music to hear amid the action and quieter moments.

Quigley is a very good modern day western. It won't fail to entertain and it must surely be a film which both men and women can enjoy together. If they made more of these kinds of movies I definitely wouldn't complain.


58 of 71 people found this review helpful.  Was this review helpful to you?

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Recent Posts
One BIG flaw in the plot, though a necessary one.... blove-1
does the music annoy anyone else? mezzogrl
Impossible shot yamavstar1
Why did the old Aborigine hit Quigley? chiefsacre
Quigley gun fight at the end of the movie grrronphoneu
Favorite quote? monopoly-jalopy
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