An exiled magician finds an opportunity for revenge against his enemies muted when his daughter and the son of his chief enemy fall in love in this uniquely structured retelling of the 'The... See full summary »
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Raymond J. Barry,
Tulse Luper is a 20th century everyman whose collection of 92 suitcases intersects with every person, event and movement in history. Here in the second of a three part story, we find him ... See full summary »
Raymond J. Barry,
An exiled magician finds an opportunity for revenge against his enemies muted when his daughter and the son of his chief enemy fall in love in this uniquely structured retelling of the 'The Tempest'. Written by
Keith Loh <firstname.lastname@example.org>
Peter Greenaway is one of the great filmmakers, with an original and personal vision. This movie is a marvelous mixture of Shakespeare, visual poetry, music, art ... a feast for the imagination.
Having said that, I must add that I watched it with my wife whose succinct comment was "pretentious". Well, yes, it is a little pretentious, and there are spots that move along too slowly, so you can't just "let it happen" as you do with most movies. This one requires you to pay attention.
It includes what must be the longest single pan to the side ever filmed. I'm not sure how long it was, but it went on forever. I guess it must have gone more than 360 degrees, circled back to the original spot, where new sets had replaced the old. I'm not sure. But it is dazzling. Actually, you can take virtually any frame from this movie and make it into a poster.
Films have been around for about a century, and there isn't much around that doesn't recycle old material. Peter Greenaway is an exception. Like him or not, he's a dyed-in-the-wool original.
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