An exiled magician finds an opportunity for revenge against his enemies muted when his daughter and the son of his chief enemy fall in love in this uniquely structured retelling of the 'The... See full summary »
Mr. Neville, a cocksure young artist is contracted by Mrs. Herbert, the wife of a wealthy landowner, to produce a set of twelve drawings of her husband's estate, a contract which extends ... See full summary »
Tulse Luper is a 20th century everyman whose collection of 92 suitcases intersects with every person, event and movement in history. Here in the second of a three part story, we find him ... See full summary »
Raymond J. Barry,
An 'essayistic' documentary in which Greenaway's fierce criticism of today's visual illiteracy is argued by means of a forensic search of Rembrandt's Nightwatch. Greenaway explains the ... See full summary »
Tongue-in-cheek, early Greenaway short reflects the incredibly meticulous encyclopedic nature of his early films. An attempt is made to "reconstruct" a proposed, but never made, film ... See full summary »
A commissioned project, made for TV in honor the the 200th anniversary of Mozart's death, this is a highly avant-garde piece of music, theater and dance, set to an original score by the ... See full summary »
A short made for TV with director Peter Greenaway discussing the dazzling 3.5 minute opening sequence from his film, 'Prospero's Books (1991)'. As Prospero (John Gielgud) walks through his ... See full summary »
An exiled magician finds an opportunity for revenge against his enemies muted when his daughter and the son of his chief enemy fall in love in this uniquely structured retelling of the 'The Tempest'. Written by
Keith Loh <email@example.com>
In the horizontal tracking shot that follows Prospero as he makes his way through the Island, the various figures behind the opening credits are based on their allegorical association with Water (as this is an adaptation of 'The Tempest'); Peter Greenaway has confirmed that there are actually 100 figures of Biblical, Mythological, Historical relevance. The theme is further explored in another short program made for TV by Greenaway called A Walk Through Prospero's Library (1991). See more »
Imagine if William Shakespeare, Leonardi DaVinci, Sigmond Freud, and Jean Luc Goddard all met in a dark alley, got drunk together, and made a film. If you could image the result, you would then get an idea of what this movie is about.
Told with the help multiple on-screen images and the strength of Sir John Guilgud narration and acting skills, Greenaway brings a new face to Shakespeare's "The Tempest." This film is innovative, sensual, and challenging as Shakespeare intended.
I would warn that this film sparks a cast of about 100+ naked people. Although it is nudity used in the best taste possible, this is not a film to be showing to the High School English class.
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