An exiled magician finds an opportunity for revenge against his enemies muted when his daughter and the son of his chief enemy fall in love in this uniquely structured retelling of the 'The...
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As a young girl in Japan, Nagiko's father paints characters on her face, and her aunt reads to her from "The Pillow Book", the diary of a 10th-century lady-in-waiting. Nagiko grows up, ... See full summary »
An American architect arrives in Italy, supervising an exhibition for a French architect, Boullée, who is famous for his oval structures. Through the course of 9 months he becomes obsessed ... See full summary »
Tired of her husband's philandering ways, the mother of two daughters drowns her husband. With the reluctant help of the local coroner, the murder is covered up. Her daughters are having ... See full summary »
Identical twins Oliver and Oswald Deuce lose their wives in a car crash caused by a white swan. The brothers, who are zoologists, become obsessed with the death and decay of animals. They ... See full summary »
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The first of three parts, we follow Tulse Luper in three distinct episodes: as a child during the first World War, as an explorer in Mormon Utah, and as a writer in Belgium during the rise ... See full summary »
Raymond J. Barry,
The planet has been affected by a mysterious occurrence known as the Violent Unknown Event, or V.U.E. It has caused immortality and disability. Victims have learned new and peculiar ... See full summary »
An 'essayistic' documentary in which Greenaway's fierce criticism of today's visual illiteracy is argued by means of a forensic search of Rembrandt's Nightwatch. Greenaway explains the ... See full summary »
An exiled magician finds an opportunity for revenge against his enemies muted when his daughter and the son of his chief enemy fall in love in this uniquely structured retelling of the 'The Tempest'. Written by
Keith Loh <email@example.com>
Prospero was John Gielgud's favorite stage role and he had attempted to mount a film of Shakespeare's "The Tempest" for decades, contacting Orson Welles, Akira Kurosawa and Ingmar Bergman about directing and Welles and Albert Finney about playing Caliban. The version with Welles directing and playing Caliban was in preparation until the financial failure of Welles' and Gielgud's film of 'Falstaff (1966)' forced the project to fall through, where it laid dormant until Gielgud finally convinced Peter Greenaway to make this version. See more »
I was absolutely in awe the first time I saw this film, but haven't really been able to sit through it again (its mainly the shoddy VHS I own), but I plan to give it the time it deserves. First off, I love Shakespeare, and I knew the Tempest fairly well before seeing this. I can imagine enjoying it fresh, but honestly, its main pts are for those familiar with the play. That said, Greenway has created a grand piece of artwork with this film. I love plot, I miss it often (and its often missing these days), but I equally enjoy works that don't use it or go beyond it. The visuals are lush, and Michael Nyman's score is fantastic...Prospero's Books is more experience than story, like a painting or a song.
Understandbly, Greenway is one of those filmmakers whose audience should be prepared for something different than the regular fare. I have a feeling my own attachment to the source material may be casting the film more glowingly than it deserves. The play has its flaws too, but for someone who takes the time it certainly rewards you well.
I'll comment on the nudity, very briefly. Sex, sensuality, and natural forms are three things that can be very differently perceived, and Prospero's Books deals with it in an adult (as in mature) manner, come that way and you'll be fine.
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