After 18 months Sam returns to his place of birth. He wants to ask his girlfriend Meg who he had let down when he left, to go with him to the big city. However Meg was deeply sad because of... See full summary »
This is the story of the crippled young Alan Marshall and his hero worship of the local he-man horse trainer East Driscoll, the schoolboy crush Alan has on the local aristocratic English ... See full summary »
The island of Ambon in Indonesia, 1945. During the War, the number of Australian POWs on the island had dropped from 1100 to less than 300 due to abuses by their Japanese captors. Capt. ... See full summary »
After a botched bank job, a gang takes hostage a Japanese girl on the run from an arranged marriage, and escapes. Their wheel man saves the girl from them and the two go on the run with cops, the gang and her psycho husband on their tail.
Set in the 1950s, Rough Magic tells the story of what happens when a pretty apprentice magician goes to Mexico to escape her fiancé, a wealthy politician, and to find a Mayan shaman who ... See full summary »
The story of airmen training in rural Manitoba in the summer of 1942 to go overseas and become bomber pilots in World War II, as well as the romantic entanglements which overcome them while they contemplate life and love in a world at war.
Aaron Kim Johnston
Black comedy about a blind man, Martin, who takes photographs as "proof" that the world really is as others describe it to him. The film explores his antagonistic relationships with Celia, who cleans and cooks for him and habitually rearranges the furniture in the house, and with Andy, a mate he thinks he can trust. Written by
Russell Crowe and Daniel Pollack also worked together in Romper Stomper, 2 years later. See more »
The first time Martin enters his house, he gets surprised by Celia sitting and making a noise. However, since she is smoking, he could have smelled the smoke as soon as he had opened the door. Later in the movie, he is suggested to have a pretty sensitive nose for a perfume a lady is wearing in the veterinarian's office. See more »
[to a departing Martin]
You killed Ugly.
[Martin lifts cat out of garbage bin]
I think you broke his neck.
He's not dead.
Oh shit! Sorry Ugly!
See more »
Unique, low-key, quirky fun that defies an easy classification; it's all about "proof" of experience and reliance on each other's honesty
I just watched on video "Proof", a 1991 film from Australia that seemed like it would be a comedy about a blind man who takes pictures to "prove" the experiences he has had in life. This film was many things - unique, subtle, intriguing, and a very interesting look at the psychology of human interaction - but I fail to see how it was a "comedy", not that that at all detracts from this good film!
The main character, Martin (Hugo Weaving; flashback scenes from when he was perhaps eight or nine years old played by Jeffrey Walker) is blind from birth and, though it isn't really explained how, develops a distrust of people, including his Mother (Heather Mitchell). He starts taking pictures to prove that in fact he is experiencing what others say he is; as an adult, it becomes compulsive.
The problem in "proving" one's experiences in this way is that it relies on a sighted person to detail the pictures, and Martin finds such a trusted friend in Andy (Russell Crowe). Celia (Geneviève Picot) has an unhealthy relationship with Martin, frustrated as his housekeeper who loves him, but who gets only cruel coolness from Martin. In jealousy and anger, she attempts to disrupt the friendship that Martin and Andy have begun.
I liked this quite unique film that really doesn't fit any easy categories, except perhaps as a quirky low-key drama. It was very interesting to have a deep focus on just three characters (and just a few other minor ones, including the guide dog Bill).
To be a little critical, I found it a bit difficult to believe that Martin had such a seemingly unfounded distrust of people, as all of the flashbacks to his childhood seemed to show his Mother loving and not misleading her son. Celia's motivation for love after working for years as Martin's help and nothing more was a little difficult for me to understand. I really liked Andy, but didn't understand his motivation either to so quickly agree to be the photo interpreter and then dive into a friendship.
That said, "Proof" was a pleasure to watch. It was almost surreal in a sense, and quirkily fun to see the characters interact. The film dealt in an interesting way with the principles of honesty and trust. I would like to see the film again soon, and suspect it will be even more interesting in the second viewing.
--Dilip Barman, May 8, 2004
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