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Tom Wingo is unhappy with his life. His wife doesn't understand him and he also doesn't get along with his dominant mother. When his sister attempts suicide, her psychologist Susan Lowenstein consults him. Patiently and cautiously she uncovers the terrible secret hidden in Tom and Savannah's childhood. On the other side she's unhappy too and so both help each other to find their way back to life. Written by
Barbra Streisand initially hired composer John Barry to score the film. Barry left the project because Streisand insisted that he move from New York to Los Angeles to work on the score, and Barry did not want to work with "someone constantly looking over my shoulder." Streisand hired James Newton Howard as the film's composer. Barry later retitled his "Prince of Tides theme as "Moviola," and released it on his 1992 album of the same name. See more »
When Tom and Susan are at the French restaurant, Tom is fiddling with his drink and between shots his fingers move back and forth between being around the glass and on the stem. See more »
I have seen this movie many times and it always holds me. Its rhythm, cinematography and casting is perfect and the story never fails to deliver.
Tom Wingo, played by Nolte in an all-time best for him, has to go to New York to help his twin sister, Savannah Wingo, played by Melinda Dillon who has attempted suicide for the umpteenth time. Tom is aware there are ghosts in the family but wants to keep them submerged. However with the love for his sister and the encouragement of her psychiatrist, Lowenstein, played by Streisand, the truth begins to unfold along with a love between Lowenstein and Tom who are both in unhappy marriages.
There are no easy solutions here to the many issues that are raised, suffice is to say that Streisand, who also directs, keeps a gentle hand in and does not wham home any major emotional points. George Carlin is deft in a minor role, as is Blythe Danner as Tom's wife. The film never fails to pack a punch for me.
9 out of 10. Kudos to all, not a false note.
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