Three intercut stories about outsiders, sex and violence. In "Hero," Richie, at age 7, kills his father and flies away. After the event, a documentary in cheesy lurid colors asks what ... See full summary »
Another dazzling suburban phantasm from writer-director Todd Haynes, Dottie Gets Spanked (made post-Poison and pre-Safe) is a stylized, bittersweet nod to his childhood fascination with I ... See full summary »
J. Evan Bonifant,
In 1984, British journalist Arthur Stuart investigates the career of 1970s glam superstar Brian Slade, who was heavily influenced in his early years by hard-living and rebellious American singer Curt Wild.
Jonathan Rhys Meyers,
The true story of gay lovers, Richard Loeb and Nathan Leopold Jr. who kidnapped and murdered a child in the early 1920s for kicks. The plot covers the months before the crime, the ... See full summary »
A story of amour fou. Walt is madly in love/lust with a young illegal Mexican immigrant. However, the object of his unrequited affection doesn't even speak any English and finds Walt really... See full summary »
French sailor Querelle arrives in Brest and starts frequenting a strange whorehouse. He discovers that his brother Robert is the lover of the lady owner, Lysiane. Here, you can play dice ... See full summary »
Muhammad, a rejected boy from the fringe of society, floats through the streets of a filthy city, exposed and desolated, until he meets Gurevich; a lone rover who rides his motorcycle into ... See full summary »
Three intercut stories about outsiders, sex and violence. In "Hero," Richie, at age 7, kills his father and flies away. After the event, a documentary in cheesy lurid colors asks what Richie was like and what led up to the shooting. In the black and white "Horror," a scientist isolates the elixir of human sexuality, drinks it, and becomes a festering, contagious murderer; a female colleague who loves him tries to help, to her peril. In "Homo," a prisoner in Fontenal prison is drawn to an inmate whom he knew some years before, at Baton juvenile institute, and whose humiliations he witnessed. This story is told in dim light, except for the bright flashbacks. Written by
The three episodes are set in 1944 ("Homo"), 1985 ("Hero") and probably the 1950s ("Horror") and their stories are not connected in a conventional sense: "The film's three strands are stylistically distinct - a newsmagazine-style account of a suburban boy who killed his abusive father, a black-and-white B-movie about a scientist turned leprous outcast, a rough-trade romance set in a Genet-like prison - and it cuts among them to create a web of unsettling correlations and an echo-chamber effect."[Dennis Lim,NYTimes 2010] See more »
Prison was not new to me. I'd lived in them all my life. In submitting to prison life, embracing it... I could reject the world that had rejected me.
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Make sure that you are not tired when watching this film. Although this film introduces some outstanding performances by some little known actors, the film falls short. One of the three short stories of the film is shot in black and white and is strangely reminiscient of David Lynch's masterpiece "The Elephant Man." When Dr. Graves is ordered out to the fire-escape, I was just waiting for him to shout, "I'm not an animal; I'm a human being." The prisoner story, unlike the black and white story, is full of emotion and intensity. Issues such as homosexuality, abuse, and longing for love are enmeshed in this tale. The third story is shot documentary style. An unseen interviewer questions neighbors, family, and friends about the events leading up to the shooting and death of an abusive father. This movie will intrigue you, confuse you, and bother you. It's worth a watch.
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