Three intercut stories about outsiders, sex and violence. In "Hero," Richie, at age 7, kills his father and flies away. After the event, a documentary in cheesy lurid colors asks what ... See full summary »
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In Serbia, Baron Frankenstein lives with the Baroness and their two children. He dreams of a super-race, returning Serbia to its grand connections to ancient Greece. In his laboratory, ... See full summary »
Directors:
Paul Morrissey,
Antonio Margheriti
Stars:
Joe Dallesandro,
Monique van Vooren,
Udo Kier
Three years ago entomologist Dr. Susan Tyler genetically created an insect to kill cockroaches carrying a virulent disease, now the insects are out to destroy their only predator, mankind!
Director:
Guillermo del Toro
Stars:
Mira Sorvino,
Jeremy Northam,
Alexander Goodwin
Sequel to "Tetsou" this time has the Iron Man transforming into cyberkinetic gun when a gang of vicious skinheads kidnap his son. When the skinheads capture him, they begin to experiment on... See full summary »
We watch Baron Frankenstein escaping from the guillotine and going to Germany. There, he names himself Dr. Stein and plans to restart his experiments by using parts of dead bodies.
Director:
Terence Fisher
Stars:
Peter Cushing,
Francis Matthews,
Eunice Gayson
A man tries to uncover an unconventional psychologist's therapy techniques on his institutionalized wife, while a series of brutal attacks committed by a brood of mutant children coincides with the husband's investigation.
While vacationing on a remote Scandanavian island with his younger pregnant wife, an artist has a emotional breakdown while confronting his repressed desires.
Three intercut stories about outsiders, sex and violence. In "Hero," Richie, at age 7, kills his father and flies away. After the event, a documentary in cheesy lurid colors asks what Richie was like and what led up to the shooting. In the black and white "Horror," a scientist isolates the elixir of human sexuality, drinks it, and becomes a festering, contagious murderer; a female colleague who loves him tries to help, to her peril. In "Homo," a prisoner in Fontenal prison is drawn to an inmate whom he knew some years before, at Baton juvenile institute, and whose humiliations he witnessed. This story is told in dim light, except for the bright flashbacks. Written by
<jhailey@hotmail.com>
After reading a bit about Todd Haynes' "Poison" and the homosexual comparisons that people seem to only be drawing from it, I've come to the conclusion that it doesn't deserve to just be tagged as a seminal film of the "new queer cinema". It's so much more than that.
First of all, I found "Homo" to be the least intriguing of the 3 stories. "Hero" is actually more disturbing, showing the sudden disappearance of a mentally-inflicted, patricidal child who, according to his mother, was sent from the angels. I was particularly impressed by Haynes' creative use of layering in the adultery and spanking scenes.
But, in blending three prominent aspects (color, black and white, documentary) of the film medium into his film, the beautiful b&w "Horror" is the most notable, showing the sudden downfall of a scientist's prosperity. Haynes conveys the scientist's hysteria to his audience by using slanted, extreme close-up camera techniques and spastic editing, not to mention a haunting soundtrack.
The film is a bizarre one, indeed... but undeniably artful, and it certainly doesn't deserve to simply be pigeonholed into nothing more than a cornerstone for homosexual cinema.
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After reading a bit about Todd Haynes' "Poison" and the homosexual comparisons that people seem to only be drawing from it, I've come to the conclusion that it doesn't deserve to just be tagged as a seminal film of the "new queer cinema". It's so much more than that.
First of all, I found "Homo" to be the least intriguing of the 3 stories. "Hero" is actually more disturbing, showing the sudden disappearance of a mentally-inflicted, patricidal child who, according to his mother, was sent from the angels. I was particularly impressed by Haynes' creative use of layering in the adultery and spanking scenes.
But, in blending three prominent aspects (color, black and white, documentary) of the film medium into his film, the beautiful b&w "Horror" is the most notable, showing the sudden downfall of a scientist's prosperity. Haynes conveys the scientist's hysteria to his audience by using slanted, extreme close-up camera techniques and spastic editing, not to mention a haunting soundtrack.
The film is a bizarre one, indeed... but undeniably artful, and it certainly doesn't deserve to simply be pigeonholed into nothing more than a cornerstone for homosexual cinema.