Own the rights?
After reading a bit about Todd Haynes' "Poison" and the homosexual comparisons that people seem to only be drawing from it, I've come to the conclusion that it doesn't deserve to just be tagged as a seminal film of the "new queer cinema". It's so much more than that.First of all, I found "Homo" to be the least intriguing of the 3 stories. "Hero" is actually more disturbing, showing the sudden disappearance of a mentally-inflicted, patricidal child who, according to his mother, was sent from the angels. I was particularly impressed by Haynes' creative use of layering in the adultery and spanking scenes.But, in blending three prominent aspects (color, black and white, documentary) of the film medium into his film, the beautiful b&w "Horror" is the most notable, showing the sudden downfall of a scientist's prosperity. Haynes conveys the scientist's hysteria to his audience by using slanted, extreme close-up camera techniques and spastic editing, not to mention a haunting soundtrack.The film is a bizarre one, indeed... but undeniably artful, and it certainly doesn't deserve to simply be pigeonholed into nothing more than a cornerstone for homosexual cinema.
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