| Raymond Burr | ... | Perry Mason | |
| Barbara Hale | ... | Della Street | |
| William R. Moses | ... | Ken Malansky | |
| Mason Adams | ... | Frank Halloran | |
| Michael Nader | ... | Johnny Sorrento | |
| Anne Schedeen | ... | Paula Barrett | |
| Pamela Bowen | ... | Joanna Calder | |
| Betsy Jones-Moreland | ... | Judge Elinor Harrelson | |
| Sean Kanan | ... | Jeff Sorrento | |
| Mitzi Kapture | ... | Janice Kirk | |
| Beverly Leech | ... | Karen Thatcher | |
| Howard McGillin | ... | Mike Calder | |
| Richard Portnow | ... | Dave Barrett | |
| Stephen Tobolowsky | ... | Sergeant Phil Baranski | |
| Gwynyth Walsh | ... | Maria Sorrento | |
| Paul Anka | ... | Nick Angel | |
| Rich Beall | ... | Albert Faro | |
| Kevin Gray | ... | Valet | |
| Dan Kopper | ... | Man in Supermarket | |
| Leigh Reyburn | ... | Charlene | |
| Eric Server | ... | Asst. D. A. Stuart | |
| Rosie Holotik | ... | Connie Angel (as Rosie Waters) | |
| Walker Williams | ... | Bartender #1 | |
| Jeff Austin | ... | Pool Hall Manager | |
| Gary Cupp | ... | Bartender #2 | |
| Prince Havely | ... | Reporter #1 | |
| Annette Marin | ... | Reporter #2 | |
| Katy Whelan | ... | Reporter #3 |
Directed by | |||
| Ron Satlof | |||
Writing credits(in alphabetical order) | ||
| Sean Cholodenko | written by | |
| Erle Stanley Gardner | characters | |
Produced by | |||
| Dean Hargrove | .... | executive producer | |
| Fred Silverman | .... | executive producer | |
| Billy Ray Smith | .... | producer | |
| David Solomon | .... | producer | |
| Joel Steiger | .... | co-executive producer | |
Original Music by | |||
| Dick DeBenedictis | (as Richard DeBenedictis) | ||
Cinematography by | |||
| Robert Seaman | (director of photography) | ||
Film Editing by | |||
| Carter DeHaven | (as Carter De Haven IV) | ||
Casting by | |||
| Eric Dawson | |||
| Robert J. Ulrich | |||
Production Design by | |||
| Paul Staheli | |||
Set Decoration by | |||
| Charlie Helms | |||
Costume Design by | |||
| Ronn Rynhart | |||
Makeup Department | |||
| Rosanne Bigelow | .... | hair stylist | |
| Patti Dallas | .... | makeup artist | |
| Brenda Moen | .... | hair stylist | |
| Dee Sandella | .... | key makeup artist | |
| Dionne Smith | .... | makeup artist | |
Production Management | |||
| Mike Moder | .... | executive in charge of production | |
| Billy Ray Smith | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Tom Blank | .... | first assistant director | |
| Gail Joyce Fortmuller | .... | second assistant director | |
Art Department | |||
| Randy Holland | .... | construction coordinator | |
| Susan MacDonald-Petersen | .... | property master | |
Sound Department | |||
| James L. Aicholtz | .... | sound re-recording mixer | |
| James Emerson | .... | production sound mixer | |
| Robert L. Harman | .... | sound re-recording mixer | |
| Eileen Horta | .... | supervising sound editor | |
| Allen L. Stone | .... | sound re-recording mixer | |
| Gregg Barbanell | .... | foley artist (uncredited) | |
| Greg LaPlante | .... | sound editor (uncredited) | |
| John O. Robinson III | .... | sound effects editor (uncredited) | |
Special Effects by | |||
| Keith Mosca | .... | special effects foreman (uncredited) | |
Stunts | |||
| Gary Jensen | .... | stunt coordinator | |
| Gene Hartline | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Jerry Jencks | .... | key grip | |
| Brad Lipson | .... | gaffer | |
| Lee Nakahara | .... | camera operator | |
| Douglas O'Kane | .... | first assistant camera | |
Costume and Wardrobe Department | |||
| Sharon T. Brunn | .... | costumer: women | |
| Kelly Andrew King | .... | costumer: men (as Kelly A. King) | |
Editorial Department | |||
| Hal Harrison | .... | post-production executive | |
| Victoria Jensen | .... | assistant editor | |
| Haya Tawatao | .... | post-production coordinator | |
Music Department | |||
| Ted Roberts | .... | music editor | |
| Fred Steiner | .... | composer: theme "Perry Mason" | |
Transportation Department | |||
| Gil Talamantes | .... | transportation coordinator | |
| Dave West | .... | transportation captain | |
Other crew | |||
| Karen Beard | .... | location manager | |
| Robert Benevides | .... | production consultant | |
| Donna Colabella | .... | production executive | |
| Wayne Fitzgerald | .... | title designer: main titles | |
| Jeff Glasser | .... | script supervisor | |
| Pamela Knapp | .... | production accountant | |
| Andrea Nachman | .... | production coordinator | |
| Dennis Smith | .... | legal advisor | |
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| Perry Mason: The Case of the Lady in the Lake | Perry Mason: The Case of the Silenced Singer | Perry Mason: The Case of the Heartbroken Bride | The Dead Pool | Perry Mason Returns |
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| Full cast and crew | Company credits | IMDb Crime section |
| IMDb USA section |
Television has never seen a more ethical attorney than Perry Mason, as is well known he never takes on a really guilty client. But this particular Mason television film really plays it close to the edge in the realm of lawyer/client privilege.
If I'm wrong some lawyers or law student will no doubt write and correct me, but in this particular film Raymond Burr is defending mobster Michael Nader who is charged with murdering his wife. Nader is one of the darker characters that Mason has ever defended either in the two hour films or the one hour television series from the Ffities and Sixties.
Nader's wife Gwynyth Walsh is killed when someone fires a bullet into a speeding car Walsh is driving causing her to lose control and the car hurtle over a cliff. Of course there's no lack of suspects as usual.
But in order to get at the truth, Burr actually let's it come out that his client actually did another murder some time earlier. The two crimes are indirectly linked. Maybe I'm wrong but the fact that he got his own client nailed for another murder to acquit him of the one he's defending him for seems to be stretching the lawyer/client privilege issue out of shape. I think the Bar Association might have had something to say on the issue.
Still it ends as all Perry Mason stories do with the guilty part unmasked. Not someone you would have suspected given the kind of parts this individual normally plays.