| Raymond Burr | ... | Perry Mason | |
| Barbara Hale | ... | Della Street | |
| William R. Moses | ... | Ken Malansky | |
| Valerie Harper | ... | Dyan Draper | |
| Diana Muldaur | ... | Lauren Jeffreys | |
| Scott Baio | ... | Asst. D.A. Peter Whelan | |
| Robert Clohessy | ... | Tony Loomis | |
| George DiCenzo | ... | Albert Nardone (as George Di Cenzo) | |
| Bruce Kirby | ... | Det. Lt. Brennan | |
| Robert Knepper | ... | Kim Weatherly | |
| Gianni Russo | ... | Marco Sabatini | |
| Ally Walker | ... | Julia Collier | |
| Claire Yarlett | ... | Tanya Sloane | |
| Deborah Brown | ... | Secretary (as Debra-Jayne Brown) | |
| Gil Colon | ... | Bailiff | |
| Leanna Creel | ... | Shannon Wilson | |
| Susan Edwards | ... | Mrs. Wilson | |
| Pat Finley | ... | Judge Treyball | |
| Mary Pat Gleason | ... | Amanda Cooper | |
| Leigh Reyburn | ... | Deborah Richards | |
| David Richards | ... | Supervisor / Gerald | |
| Blair Weickgenant | ... | Lacy Reynolds (as Blair Weickgenont) | |
| Wendelin Harston | ... | Maid | |
| Sue Leiser | ... | Buyer | |
| Wayne Meledandri | ... | Mechanic | |
| Lance Migliaccio | ... | Henchman #2 | |
| Gary Montgomery | ... | Maitre D' / Gerard | |
| Mark Schwiesow | ... | Rocket | |
| Norm Silver | ... | Security Guard | |
| Huey Stewart | ... | Henchman #1 |
Directed by | |||
| Christian I. Nyby II | |||
Writing credits | ||
| Robert Janes | (written by) | |
| Erle Stanley Gardner | (characters creator) | |
Produced by | |||
| Dean Hargrove | .... | executive producer | |
| Fred Silverman | .... | executive producer | |
| Billy Ray Smith | .... | producer | |
| David Solomon | .... | producer | |
| Joel Steiger | .... | co-executive producer | |
Original Music by | |||
| Dick DeBenedictis | |||
Cinematography by | |||
| Robert Seaman | (director of photography) | ||
Film Editing by | |||
| Carter DeHaven | (as Carter De Haven IV) | ||
Casting by | |||
| Robert J. Ulrich | |||
Production Design by | |||
| Paul Staheli | |||
Set Decoration by | |||
| Charlie Helms | |||
Costume Design by | |||
| Ronn Rynhart | |||
Makeup Department | |||
| Rosanne Bigelow | .... | hair stylist | |
| Patti Dallas | .... | makeup artist | |
| Emily Katz | .... | makeup artist | |
| Kathy MacKay | .... | hair stylist (as Kathy Mackay) | |
| Dionne Smith | .... | makeup artist | |
Production Management | |||
| Mike Moder | .... | executive in charge of production | |
| Billy Ray Smith | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Gail Joyce Fortmuller | .... | second assistant director | |
| Gary Grillo | .... | first assistant director | |
Art Department | |||
| Randy Holland | .... | construction coordinator | |
| Susan MacDonald-Petersen | .... | property master (as Macdonald-Petersen) | |
Sound Department | |||
| James L. Aicholtz | .... | re-recording sound mixer | |
| James Emerson | .... | production sound mixer | |
| Robert L. Harman | .... | re-recording sound mixer | |
| Eileen Horta | .... | supervising sound editor | |
| Greg LaPlante | .... | sound editor | |
| Allen L. Stone | .... | sound re-recording mixer | |
| John O. Robinson III | .... | sound effects editor (uncredited) | |
Stunts | |||
| Gary Jensen | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Jerry Jencks | .... | key grip | |
| Brad Lipson | .... | gaffer | |
| Lee Nakahara | .... | camera operator | |
| Douglas O'Kane | .... | first assistant camera: a | |
Casting Department | |||
| Eric Dawson | .... | casting | |
Costume and Wardrobe Department | |||
| Sharon T. Brunn | .... | costumer: women | |
| Kelly Andrew King | .... | costumer: men (as Kelly A. King) | |
| Kathleen A. Saunders | .... | costume assistant | |
Editorial Department | |||
| Hal Harrison | .... | post-production executive | |
| Victoria Jensen | .... | assistant editor | |
| Haya Tawatao | .... | post-production coordinator | |
Music Department | |||
| Ted Roberts | .... | music editor | |
| Fred Steiner | .... | composer: original Perry Mason theme | |
Transportation Department | |||
| Gil Talamantes | .... | transportation coordinator | |
| Dave West | .... | transportation captain | |
Other crew | |||
| Karen Beard | .... | location manager | |
| Robert Benevides | .... | production consultant | |
| Donna Colabella | .... | production executive | |
| Wayne Fitzgerald | .... | title designer: main title | |
| Jeff Glasser | .... | script supervisor | |
| Pamela Knapp | .... | production accountant | |
| Dennis Smith | .... | legal advisor | |
| Carol Ann Thomas | .... | production coordinator | |
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| Perry Mason: The Case of the Defiant Daughter | Perry Mason: The Case of the Lost Love | Perry Mason: The Case of the Glass Coffin | Fracture | Perry Mason: The Case of the Sinister Spirit |
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| Full cast and crew | Company credits | IMDb Crime section |
| IMDb USA section |
Perry Mason: The Case of the Fatal Fashion finds Perry and Della Street in New York getting an award from the American Bar Association. An undefeated trial record ought to get some recognition I would think. Anyway a friend of Della's, fashion editor Diana Muldaur gets herself arrested for the murder of a rival, Valerie Harper and in fact Raymond Burr and Barbara Hale witness a confrontation between the two at a posh eatery.
These two rivals have a thing going that makes Hedda and Louella look like school girls. Of course Harper has a number of other people who loved her equally as much.
The same perpetrator also ran down a fashion designer who could have exposed the individual. This throws Perry with his trusty investigative lawyer, William Moses in an alliance with some mobsters. Seems that the designer was a cousin of a mob boss who wants also to mete out some justice in their usual manner.
One thing I could not get is when Moses and mobster Robert Clohessy track down the perpetrator I cannot believe that the police were also not vigorously pursuing the case. Of course Clohessy has some access to sources that the cops just don't have.
But the best part of this particular Mason entry is Scott Baio as the young rather full of himself Assistant District Attorney introducing himself to Raymond Burr saying how he studied all of his cases and looked forward to beating him. Foolish Boy.
In fact my favorite scene is Burr and Baio at a sidebar with the judge. Baio was wanting to reopen his case and add a witness and came ready and prepared with precedents. Burr catches him off guard and says he has no objection to the new witness and then proceeds to demolish the witness on cross examination. Absolutely priceless.
Scott Baio is the best thing in this particular Perry Mason movie and it should be seen for him alone if nothing else.