| Matthew Modine | ... | Francesco Sacredo | |
| Faye Dunaway | ... | Countess Matilda Von Wallenstein | |
| Jennifer Beals | ... | Lady Olivia Candioni | |
| Ian Bannen | ... | Father of Francesco | |
| Corinne Cléry | ... | Jacqueline | |
| rest of cast listed alphabetically: | |||
| Darci Adams | |||
| Paul Norman Allen | ... | Italian peasant | |
| Antonio Barbini | |||
| Gianfranco Barra | ... | Manolo | |
| Charles Borromel | |||
| Francesca Cassola | ... | Sposa bambina | |
| Feodor Chaliapin Jr. | ... | Federico | |
| Lewis E. Ciannelli | |||
| Efisio Coletti | |||
| Cyrus Elias | |||
| Jacques Herlin | ... | Old fiancé of Olivia | |
| Karina Huff | ... | Blond Maid | |
| John Karlsen | |||
| Claudia Lawrence | |||
| Renzo Martini | |||
| Andrea Maria Mazza | |||
| Federica Moro | |||
| Ana Obregón | |||
| Angelo Susani | |||
| Vernon Wells | |||
Directed by | |||
| Carlo Vanzina | |||
Writing credits(in alphabetical order) | ||
| Livia Giampalmo | writer | |
| Alberto Ongaro | novel | |
| Carlo Vanzina | writer | |
| Enrico Vanzina | writer | |
Produced by | |||
| Daniele Passani | .... | executive producer | |
Original Music by | |||
| Pino Donaggio | |||
Cinematography by | |||
| Luigi Kuveiller | |||
Film Editing by | |||
| Ruggero Mastroianni | |||
Production Design by | |||
| Paola Comencini | |||
Costume Design by | |||
| Roberta Guidi Di Bagno | |||
Makeup Department | |||
| Dick Naastepad | .... | makeup artist | |
Second Unit Director or Assistant Director | |||
| Gaia Gorrini | .... | assistant director | |
Special Effects by | |||
| Franco Ragusa | .... | special effects | |
Stunts | |||
| Ottaviano Dell'Acqua | .... | stunt coordinator | |
Music Department | |||
| Cinzia Cavalieri | .... | musician: synthesizers assistant | |
| Maurizio Guarini | .... | musician: keyboards | |
Other crew | |||
| Maurizio Guarini | .... | synthesizer programmer | |
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| Nothing Underneath | South Kensington | Kaos | Ciao, Professore! | Man on Fire |
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| Full cast and crew | Company credits | IMDb Comedy section |
| IMDb Italy section |
Certainly no one would watch this film for its quality acting. Faye Dunaway and Jennifer Beals are the major exceptions. These two ladies deliver prime performances as do a few of the other actors (Karina Huff as an estate serving woman and Claudia Lawrence as Olivia's nurse).
Unfortunately the film centers around Matthew Modine who continually demonstrates he should have sought out another profession than acting. He is supposed to be quite the lady's man here and various actresses do their part to try to make him look that way. But Modine just doesn't have what it takes to carry it off to the audience. Perhaps he will stick to stunts and sword play as he would probably do well at that. But if there is a god, he won't speak another line of dialogue in film.
Ian Bannen plays Modine's father and his part suffers I believe from poor directing. Bannen is an accomplished actor and should have done better, but it appears to me that he was simply directed to make himself appear pure victim rather than take his losses like a man of sterner stuff.
The thing I liked about the film is it's unique story line and the intensity that Faye Dunaway introduces into the story. It's a story of one Francesco Sacredo (Modine) who wagers and loses his rights to his life and livingness to Countess Matilda (Dunaway). On losing the wager Sacredo refuses to abide by the terms of the wager and flees. In his flight he hops in and out of bed with most of the women he meets along the way. The Countess hires men to pursue him and the pursuit of Sacredo becomes a game for the Countess like a cat playing with a mouse. It's this last aspect of the film that makes the film for me, in spite of Modine's and Bannen's acting.
I also liked the sets and costuming. They seemed well done. I give it a 7/10 for Dunaway's and Beal's parts and the story line minus the Modine factor.