When Jailer Vishwanath Pratap Singh slaps arch-criminal Dr. Michael Deng, he does not realize he has re-shaped his own future, as soon after his two sons, and daughter-in-law are ... See full summary »
Disowned by his parents at a young age Pratap Narayan Tilak ended up in a small time village controlled by underworld dons and some very powerful and influential politicians. Lazy, ... See full summary »
At the behest of Mahesh Verma, Shanta Prasad alias Abba, recruits Ghulam-E-Musthafa, a gangster and hit-man to carry out their nefarious activities. When Dayanand Dixit refuses to sell his ... See full summary »
Raghunath Namdev Shivalkar (Sanjay Dutt) and his best friend Dedh Footiya (Sanjay Narvekar) struggle to find work in Mumbai. They decide to run a pav bhaji stall.But fate steps in when ... See full summary »
Widowed Lala Yodhraj Bhalla lives in a palatial house with his daughter, Suman, and son, Shashiraj. Both of his children are of marriageable age. He gets a shock when he finds out that ... See full summary »
Mahesh Deshmukh (Anil Kapoor) has joined the nation's armed forces as that he can honestly and patriotically serve the country. During his college days he has a run-in with fellow-collegian... See full summary »
Brought up by a gangster named Bharat Malik, Shivam Pandit lives a faithless and reckless lifestyle, doing the bidding of his mentor - which also includes being a hit-man. Bharat does not ... See full summary »
J. Brandon Hill
Shiva is being groomed to become a policeman just like his father Purshottam Sathe. When his father refuses to let the son of a local MLA illegally park his car, Purshottam is transferred ... See full summary »
Orphaned at a very young age, Kishen and Karan, long for a home, a meal and a soft bed in sleep in. Instead they face starvation, are frequently molested, and end up living on the footpaths of Charni Road, Bombay. Then Kishen meets with a gangster named Anna, and goes to work for him. His first job: Snatch a man's handbag - which he carries out successfully. In this way Kishen is able to feed himself and Karan. He does not want Karan to be involved in any shady dealings, and gets him to go to school, study, and eventually travel to the United States for further education. Years later Karan completes his studies and returns home. He is met by Kishen, and together they make plans to travel to Delhi and then to Poona to meet Karan's sweetheart, Paro. But Karan wants to meet with Paro's brother, Inspector Prakash, and both agree to meet at a venue near Dadar Railway Station - a place where pigeons gather together and are fed by passer-bays. They are indeed happy to see other, but their ... Written by
Vidhu Vinod Chopra's Parinda is one of the first Hindi films dealing with life in the Mumbai underworld and one of the most realistic of its kind. Stylishly presented, the film is excellently directed and is aided by fantastic cinematography, great editing, beautiful music and natural acting. As opposed to most of the Hindi movies of that time, the story of Parinda is devoid of clichés, and the screenplay as well as the dialogues are well written. There are neither the typical courageous action heroes nor the exaggerated fantasy action sequences one gets to see so much in Hindi films, though at some points you do feel its loyalty to the general Hindi film style (that's called commercial pressure). Chopra portrays the relationship between the two brothers authentically, as he does with practically every other relationship in the film.
The narrative is very focused and taut, letting the director create the required mood for a gripping drama of its sort. The film's emotional impact is thus strong, though it does get a bit too slow and dark at places. The acting is for the most part excellent. This is one of Jackie Shroff's finest performances, powerful and heartfelt, strong and restrained. Nana Patekar plays the psychologically disturbed fire-phobic Anna with intensity and conviction, portraying every negative shade of his character in his well-known inimitable style. Madhuri Dixit is lovely in a role that is not very substantial. However, Anil Kapoor is just okay and his often childish and overly naive on-screen persona gets on your nerves from time to time. His character's transformation was also too quick to be believable. This is of course not entirely his fault.
Which brings me to the next point. Parinda, though compelling and innovative for its time, is not without its flaws. While RD Burman's music is stupendous as always and managed to relieve the film's raw tension, as it was done with the soulful and memorable "Tum Se Mil Ke", the other melodious songs seemed inappropriate in such a dark thriller and often distracted from the seriousness of the situation. The marriage song, for one, was completely redundant. Additionally, some of the scenes towards the end were quite implausible and went a bit over-the-top, though I really liked the film's final scene, which was overwhelming. Overall, Parinda is an enjoyable and impressive gangster movie known today as a favourite cult movie among lovers of Indian cinema. It's easy to see why. It was different and entertaining, but its intentions were stronger than its actual quality.
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