Brooklyn cop Gino Felino is about to go outside and play catch with his son Tony when he receives a phone call alerting him that his best friend Bobby Lupo has been shot dead in broad ... See full summary »
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Brooklyn cop Gino Felino is about to go outside and play catch with his son Tony when he receives a phone call alerting him that his best friend Bobby Lupo has been shot dead in broad daylight on 18th Avenue in front of his wife Laurie Lupo and his two kids by drug kingpin Richie Madano, who has been Gino and Bobby's enemy since childhood. As Gino is hunting Madano down, Gino discovers the motive behind Bobby's murder. This is when Gino's hunt for Madano leads to the showdown of a lifetime. Written by
Todd Baldridge <firstname.lastname@example.org>
Movie was originally much longer and it included more plot and characters. Steven Seagal cut some of William Forsythe scenes because he felt that Forsythe was upstaging him. Also, editor Michael Eliot re-edited original cut of the movie. He did same job with some other Warner Bros movies. Some scenes were deleted and some others were cut for pacing, this is why there are two montage scenes with no dialogue in the movie. Re-editing also caused some minor continuity mistakes. See more »
When Gino hits Richie with the roller, the padding on Richie's back can clearly been seen underneath his shirt. See more »
This is one of those first few movies which represent Seagal's best. The story moves by quickly, the action never stops, and the quality is excellent.
Seagal's bombastic aikido style is a sure show-stopper. The action is so captivating that it almost renders the story unnecessary. The story consists of Seagal searching out the murderer of a friend. There are other elements to the plot, but that is the gist. It would do no good to attempt to detail the plot however, as the story is lost in a flurry of fists and knees.
If you are a fan of Seagal's bone-crunching, show-stopping, hard-hitting martial arts style, you will simply love this one.
Although this is quite pretentious and philosophically preachy, this has to be one of my absolute favorites of his older movies.
I love it!
It rates a 7.4 from...
the Fiend :.
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