Leo Spivak is drifting through life without a compass. His father is aging fast, his teenage daughter is rebelling, his protégé is after his job and his wife is losing her patience. A twist... See full summary »
New York City, the 1930s. A powerful crime family is caught in a lethal crossfire between union organizers and brutal corporate bosses. Against this turbulent backdrop, the family's three ... See full summary »
Rachel, shy little 9 year old, loved by her father and stifled by a possessive mother, meets Valérie, a fearless and shameless girl of her age. With her new friend, she engages to profanity, indecency and nonsense, and opens up to life.
Urania Cabral returns to Santo Domingo, after several years, and remembers her and her family's relationship to Rafael Trujillo, the Dominican dictator, as well as the events surrounding his assassination.
Writer, ex-con and 40-something bottle-baby Tim Madden, who is prone to black-outs, awakens from a two-week bender to discover a pool of blood in his car, a blond woman's severed head in ... See full summary »
Tulse Luper is a 20th century everyman whose collection of 92 suitcases intersects with every person, event and movement in history. Here in the second of a three part story, we find him ... See full summary »
Raymond J. Barry,
A musical of sorts set in Winnipeg during the Great Depression, where a beer baroness organizes a contest to find the saddest music in the world. Musicians from around the world descend on the city to try and win the $25,000 prize.
Maria de Medeiros
This film is nothing much, but nothing really bad. If you choose to watch it, you're in for 75 minutes of light-hearted, well acted and reasonably well filmed comedy. It is not rated (in Italy at least) but I suppose PG would be recommended in most countries due to some scenes and sexual allusions throughout the film. One trivia not mentioned here is that Venice was re-built at Mosfilm studios, and looks better than the original (no tourists fooling around). I especially enjoyed Tom Conti's Italian accent and mimics and the good (almost collective) performance by Smotkunovskij, Larionov and Shirvindt as the three inquisitors. Aleksandr Abdulov looked too high-pitched to me (and based on what I gather from the Russian press this role added nothing to his fame). Very enjoyable Zouc, good Wilby, very professional but maybe too cold Isabella Rossellini. Connoisseurs of Russian life will especially enjoy the Turkish bath scene.
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