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Writer, ex-con and 40-something bottle-baby Tim Madden, who is prone to black-outs, awakens from a two-week bender to discover a pool of blood in his car, a blond woman's severed head in ... See full summary »
Aboard a ship early in the 20th-century, a middle-aged Italian tells his story of love to a Russian. In a series of flashbacks filmed almost entirely in creams, whites, and ochers, the ... See full summary »
San Gimignano, in Toscana, alla fine degli anni '70. La fine degli ideali degli anni '70 vista in un piccolo microcosmo, pensando a platee più vaste di giovani in crisi. Giovanni, ... See full summary »
A Parigi una troupe italiana sta girando in economia un film sulla Traviata. A Rosa, la sarta del primo attore Alberto Sanna, piace molto il personaggio di Violetta, tanto da piangere ogni ... See full summary »
This film is nothing much, but nothing really bad. If you choose to watch it, you're in for 75 minutes of light-hearted, well acted and reasonably well filmed comedy. It is not rated (in Italy at least) but I suppose PG would be recommended in most countries due to some scenes and sexual allusions throughout the film. One trivia not mentioned here is that Venice was re-built at Mosfilm studios, and looks better than the original (no tourists fooling around). I especially enjoyed Tom Conti's Italian accent and mimics and the good (almost collective) performance by Smotkunovskij, Larionov and Shirvindt as the three inquisitors. Aleksandr Abdulov looked too high-pitched to me (and based on what I gather from the Russian press this role added nothing to his fame). Very enjoyable Zouc, good Wilby, very professional but maybe too cold Isabella Rossellini. Connoisseurs of Russian life will especially enjoy the Turkish bath scene.
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