An NYPD Detective (Michael Keaton) and his struggle for justice, while taking care of his late partner's three little girls after he is killed in the line of duty.

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Cast

Cast overview, first billed only:
...
Artie Lewis
...
Rita Lewis
...
Stevie Diroma
...
Lieutenant Danny Quinn
...
Grace
...
Beniamino
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Felix
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Cheryl Clark
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Marian Diroma
Rhea Silver-Smith ...
Barbara Diroma
Blair Swanson ...
Carol Diroma
...
Oreste
David Barry Gray ...
Mickey Garrett
...
Raisa (as Lisa Arrindell)
...
Knudson
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Storyline

When NYPD detective Artie Lewis' colleague and friend is shot in a police operation, he and his wife Rita want to adopt his three little children. But they have to realize that their income doesn't suffice for the required larger home. So Artie decides to take the money from the drug-dealing mobster Benjamino. Written by Tom Zoerner <Tom.Zoerner@informatik.uni-erlangen.de>

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How far will one man go to be a good father and stay... See more »


Motion Picture Rating (MPAA)

Rated R for violence, language and drug content | See all certifications »

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Release Date:

3 May 1991 (USA)  »

Also Known As:

Un buen policía  »

Box Office

Gross:

$11,276,846 (USA)
 »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Original title was "We're Alive." See more »

Quotes

[first lines]
Rita Lewis: Hey.
Artie Lewis: Hey.
See more »

Connections

References Ghostbusters (1984) See more »

Soundtracks

The Real Deal
Written by Lifers Groud, Solid Productions and Robert S. 'Hellrazor'
Performed by Lifers Group
Courtesy of Hollywood BASIC
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User Reviews

 
One big emotional deception - and I'm not just talking about the plot; that goes for the audience, too.
24 July 2006 | by (Oldham, Gtr Manchester, England.) – See all my reviews

This could have been a good plot had the screenplay wanted to delve deeply into the terrain of conflicted morals; instead of taking it for granted that we accept that the events that happen are the result of a man following his only logical option. It's utterly manipulative and trite film-making, with everybody concerned thinking that they can just throw us some closeups of big doe eyes, and we'll suddenly forget that this is NOT action taken by those wanting to claim superior motivation.

If you're driven to pursue illegality, then chances are you're desperate, but do you have to be boneheaded about it, too? Why not try to get some of your colleagues onside in the scheme? In for a penny in for a pound, after all... That would of course eliminate your 'lone man in search of justice' angle, but at least it would make more sense, instead of feeling like a dupe, which unfortunately seems to be the practice of the whole tale.

"One Good Cop" is suffocatingly mawkish. Were it not for the violence and improperly used talent involved, it could easily pass for a dreary teledrama instead of a fully-fledged motion picture. It's trying to convince us that it has a singular approach; but the reality is that its type is nothing but bland and needlessly ubiquitous, which is a far more depressing snapshot of how life and the movie business works than any of the faux emotions tossed our way here.


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