| Photos (see all 17 | slideshow) |
| Bill Paxton | ... | Chief Dale 'Hurricane' Dixon | |
| Cynda Williams | ... | Lila 'Fantasia' Walker | |
| Billy Bob Thornton | ... | Ray Malcolm | |
| Michael Beach | ... | Wade 'Pluto' Franklin | |
| Jim Metzler | ... | Lt. Dudley 'Dud' Cole | |
| Earl Billings | ... | Det. John McFeely | |
| Natalie Canerday | ... | Cheryl Ann Dixon | |
| Robert Ginnaven | ... | Deputy Charlie | |
| Robert Anthony Bell | ... | Byron Walker | |
| Kevin Hunter | ... | Ronnie Walker | |
| Phyllis Kirklin | ... | Mrs. Walker | |
| Meredith 'Jeta' Donovan | ... | Bonnie Dixon | |
| Jimmy Bridges | ... | Bobby Post (as James D. Bridges) | |
| Phyllis Sutton | ... | Jackie | |
| Derrick Williams | ... | Darren | |
| June Jones | ... | Danielle | |
| Loren Tyler | ... | Marco | |
| Deniese Payne | ... | Marco's Wife | |
| John Mahon | ... | Chief Jenkins | |
| J. Robert Bailey | ... | Lieutenant | |
| Max Segar | ... | Assistant Chief | |
| Duncan Rouleau | ... | Video Analyst | |
| Don Brunner | ... | Press Officer | |
| Layne Beamer | ... | Bill O'Donnell, Texas State Trooper | |
| Mea Combs | ... | Janey, Cashier | |
| Jesse Dabson | ... | Beaver | |
| Jennifer Watson-Johnston | ... | Kim (as Jennifer Hunt Watson) | |
| Rocky Giordani | ... | Billy 'The Face' | |
| Curtis York | ... | Jeremiah Malcolm | |
| Jeff Bailey | ... | Harlan Childress | |
| Lilli Rouleau | ... | Loreen Childress | |
| Walter Norman | ... | Larry Gibson, Arkansas State Trooper | |
| Rebecca Ortese | ... | Fern, Waitress | |
| Jackie Stewart | ... | Earl, Truck Driver | |
| Leslie Mauldin | ... | Truck Driver's Wife (as Leslie Maudlin) | |
| Steven Reich | ... | Car Salesman | |
| Leo Tillman | ... | June Hawkins | |
| rest of cast listed alphabetically: | |||
| Wynn Reichert | ... | Coroner (uncredited) | |
Directed by | |||
| Carl Franklin | |||
Writing credits(WGA) | ||
| Billy Bob Thornton | (written by) & | |
| Tom Epperson | (written by) | |
Produced by | |||
| Jesse Beaton | .... | producer | |
| Paul Colichman | .... | executive producer | |
| Miles A. Copeland III | .... | executive producer | |
| Ben Myron | .... | producer | |
| Tony To | .... | line producer | |
| Harold Welb | .... | executive producer | |
Original Music by | |||
| Peter Haycock | |||
| Derek Holt | |||
Cinematography by | |||
| James L. Carter | |||
Film Editing by | |||
| Carole Kravetz | |||
Casting by | |||
| Donald Paul Pemrick | (as Don Pemrick) | ||
Production Design by | |||
| Gary T. New | |||
Art Direction by | |||
| Dana Torrey | |||
Set Decoration by | |||
| Troy Myers | |||
Costume Design by | |||
| Ronald Leamon | (as Ron Leamon) | ||
Makeup Department | |||
| Jason Gade | .... | additional makeup artist | |
| Susan Jennifer Lipson | .... | key hair stylist | |
| Elaine L. Offers | .... | key makeup artist | |
| Gwyne Redner | .... | key hair stylist | |
Art Department | |||
| Julie Crane | .... | on-set dresser | |
| Raymond Prado | .... | storyboard artist | |
| Frank Silva | .... | property master | |
Sound Department | |||
| Vanessa Theme Ament | .... | foley artist | |
| Dwayne S. Henkel | .... | boom operator | |
| Steve Kohler | .... | sound mixer | |
| Jeffrey Perkins | .... | supervising re-recording mixer | |
| Steve Rice | .... | dialogue editor | |
| Ken Segal | .... | production sound mixer | |
| David Lewis Yewdall | .... | supervising sound editor | |
| Lisa Howes Yewdall | .... | post-production sound coordinator | |
Special Effects by | |||
| Guy Faria | .... | special effects coordinator | |
Stunts | |||
| Jeff Cadiente | .... | stunt coordinator | |
| Al Jones | .... | stunts (as Alton Leo Jones) | |
| Tierre Turner | .... | stunts | |
| Kym Washington | .... | stunt double (as Kim Washington) | |
| Danny Weselis | .... | stunts | |
Casting Department | |||
| Deverin Karol | .... | casting assistant | |
| Sarah Tackett | .... | location casting | |
Costume and Wardrobe Department | |||
| Henry Earl Lewis | .... | costume supervisor | |
Editorial Department | |||
| Marian Rooney | .... | first assistant editor | |
Music Department | |||
| Paul Di Franco | .... | music supervisor | |
| Cathy McKelvey | .... | assistant music editor | |
| Frank McKelvey | .... | music editor | |
| Terry Plumeri | .... | orchestral underscore | |
| Rick Winquest | .... | music scoring mixer | |
| Ross Wright | .... | orchestrator | |
Transportation Department | |||
| Bradley Myers | .... | driver | |
| Benjamin Rivera | .... | driver (uncredited) | |
Other crew | |||
| Sherri Alderman | .... | script supervisor: second unit | |
| Christopher Byrne | .... | production assistant: second unit | |
| Michael Cain | .... | location manager | |
| Liz Chiz | .... | assistant: Ms. Phillips | |
| Toby Forlenza | .... | script supervisor | |
| John P. Melfi | .... | production coordinator | |
| Ian Moray | .... | key set production assistant | |
| Patrick Shiffrar | .... | assistant to producer | |
| Rachel Villa | .... | production coordinator: second unit | |
Thanks | |||
| Joe Ball | .... | the filmmakers wish to express their gratitude to | |
| Bill Beaton | .... | the filmmakers wish to express their gratitude to | |
| Rita Beaton | .... | the filmmakers wish to express their gratitude to | |
| Debbie Bell | .... | the filmmakers wish to express their gratitude to | |
| Cathy Burham | .... | the filmmakers with to express their gratitude to | |
| Pat Campbell | .... | the filmmakers wish to express their gratitude to | |
| Rose Crane | .... | the filmmakers wish to express their gratitude to | |
| Sally Cruikshank | .... | the filmmakers wish to express their gratitude to | |
| Paul Culberg | .... | the filmmakers wish to express their gratitude to | |
| Jon Davison | .... | the filmmakers wish to express their gratitude to | |
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| Pulp Fiction | Cidade de Deus | No Country for Old Men | Léon | Reservoir Dogs |
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This modern film noir pits three violent criminals on the run from a violent drug rip-off against two LA cops aided by a rural sheriff. The trio of bad-guy consists of a white-trash loser (Thornton), his African-American girlfriend (Williams), and their high-IQ, sociopath friend (Beach) also black. After committing multiple murders in California they high-tail to Thornton's and Williams' hometown of Star, Arkansas to lay-low. Their journey across the backroads of Texas is fraught with danger, (it's not like they don't stand out) and unbeknownst to them, the cops are waiting....
Very well done without the "look at me I'm so realistic" dialogue too often found in this much copied genre. One of the best of its kind, well worth the rental.