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Once Around (1991)

R  |   |  Comedy, Drama, Romance  |  1 February 1991 (USA)
6.5
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Ratings: 6.5/10 from 3,367 users  
Reviews: 45 user | 15 critic

Renata Bella feels like a failure at life and career. But when Renata attends a seminar on selling real estate, she finally finds True Love. Sam Sharpe, while a top-notch, successful ... See full summary »

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Title: Once Around (1991)

Once Around (1991) on IMDb 6.5/10

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Cast

Cast overview, first billed only:
...
Sam Sharpe
...
Renata Bella
...
Joe Bella
...
Jan Bella
...
Marilyn Bella
...
Gail Bella
...
Tony Bella
...
Peter Hedges
...
Jim Redstone
...
Rob
Cullen O. Johnson ...
Sonny
Joan Gay ...
Aunt
Lou Criscuolo ...
Uncle
Myra Taylor ...
Trainer #1
Michael Steve Jones ...
Trainer #2
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Storyline

Renata Bella feels like a failure at life and career. But when Renata attends a seminar on selling real estate, she finally finds True Love. Sam Sharpe, while a top-notch, successful salesman, is much older than Renata. She is swept away by his excessively flamboyant style and irrepressible nature. The very traits she finds romantic, however, lead to repeated conflict with her family, especially her beloved father Joe, leaving Renata trapped in the middle. Written by Reid Gagle

Plot Summary | Add Synopsis

Taglines:

The Bellas were one big happy family. Then Renata met Sam... See more »

Genres:

Comedy | Drama | Romance

Certificate:

R | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

1 February 1991 (USA)  »

Also Known As:

Ce cher intrus  »

Filming Locations:

 »

Box Office

Gross:

$14,851,083 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

Principal photography on this picture was conducted during February, March and April 1990. The production shoot for the film ran for just over around two months. See more »

Goofs

In this, as in almost all films where an attempt is made to characterize a Boston accent, players don't understand that Bostonians would never not pronounce the r at the end of a word if the next word begins with a vowel. The classic "Park the car in Harvard Yard" is supposed to be pronounced thusly, "Pahk the car in Hahvad Yahd." See more »

Quotes

Joe Bella: Isn't it funny - on the one lousy day you wanna put a gun in your mouth, everybody wants to come over to celebrate.
See more »


Soundtracks

Glory of Love
Written by Billy Hill
Performed by Danny Aiello
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User Reviews

 
An utterly superb film
16 February 2004 | by (Kingman, Arizona) – See all my reviews

An extremely well-crafted script developing a wide range of individual psychologies within an extended family, together with good casting and acting make this an exceptional film. None of the characters is, to my taste, naturally attractive or charismatic, but as personalities striving to maintain stability in their lives, they are fascinating and fuel a continual dramatic tension.

Dreyfuss plays the most enigmatic character, the one "tearing apart" the family, and so has the central role, but his past remains a mystery. When we first encounter him he is alone, a man in his sixties perhaps, staring out over the sea, with behind him a divorce only recently finalized. He delivers a materialistic and self-gratifying speech, with horrifically inappropriate humor, to a flock of aspiring condominium salespeople and proceeds to "fall in love" and quickly marry the immature "baby" member of the film's subject family. But behind his frequently obnoxious salesman's rhetoric and showy possessions, just who is he, and what are his motives? Why did his prior marriage fail? What scars does he bear from the 40s, when he was born in Lithuania and somehow escaped with at least his mother for the States? While looking out over the sea was he contemplating suicide? Was suicide in his mind when he met the simpleton girl on a rooftop with no guard rail and opted to grab on to her for help? His background is eclipsed behind the family's bourgeois Italian-American heritage, as though only Italian ethos can matter, or can be stylishly accepted - so he's given little opportunity to explain. Otherwise, the emptiness and tactlessness of his impromptu speeches seem to underscore an ingrained sense of the absurd and perhaps of despair.

Dreyfuss' character has large gaps, gaping scars - like the ragged edges of a piece of a puzzle, a piece that fits perfectly into the poorly developed, ragged edges of the family's youngest and otherwise socially inept and professionally helpless daughter. Together they form a whole - not necessarily people we'd like to know or befriend, but - but they drive the film to a dramatic climax.

As said, this film develops the characters of a extended family - not just the two above. This is a film well worth seeing and thinking about - and it seemed to me, just off and on (and in some close-ups) a little Swedish in its sensitivity.


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