7.8/10
43,114
97 user 50 critic

Night on Earth (1991)

An anthology of 5 different cab drivers in 5 American and European cities and their remarkable fares on the same eventful night.

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1 win & 1 nomination. See more awards »

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Cast

Cast overview, first billed only:
...
...
Lisanne Falk ...
Rock Manager
Alan Randolph Scott ...
Rock Musician #1
Anthony Portillo ...
Rock Musician #2
...
...
...
Angela
Richard Boes ...
Cab Driver #1
...
Driver - Paris
...
Blind Woman
Pascal N'Zonzi ...
Passenger #1 (as Pascal Nzonzi)
Emile Abossolo M'bo ...
Passenger #2 (as Émile Abossolo-M'bo)
Stéphane Boucher ...
Man in Accident (as Stephane Boucher)
Noel Kaufmann ...
Man on Motorcycle
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Storyline

A collection of five stories involving cab drivers in five different cities. Los Angeles - A talent agent for the movies discovers her cab driver would be perfect to cast, but the cabbie is reluctant to give up her solid cab driver's career. New York - An immigrant cab driver is continually lost in a city and culture he doesn't understand. Paris - A blind girl takes a ride with a cab driver from the Ivory Coast and they talk about life and blindness. Rome - A gregarious cabbie picks up an ailing man and virtually talks him to death. Helsinki - an industrial worker gets laid off and he and his compatriots discuss the bleakness and unfairness of love and life and death. Written by Ed Sutton <esutton@mindspring.com>

Plot Summary | Plot Synopsis

Plot Keywords:

taxi | night | anthology | usa | europe | See All (72) »

Taglines:

Five Taxis. Five Cities. One Night.

Genres:

Comedy | Drama

Motion Picture Rating (MPAA)

Rated R for violence, language, and some drug use | See all certifications »

Parents Guide:

 »
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Details

Country:

| | | |

Language:

| | | |

Release Date:

12 December 1991 (Germany)  »

Also Known As:

LANewYorkParisRomeHelsinki  »

Box Office

Budget:

$3,500,000 (estimated)

Gross:

$2,015,810 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

The five taxis used in the film were: 1981 Chevrolet Caprice Classic Wagon (Los Angeles segment), 1983 Ford LTD Crown Victoria (New York segment), 1980 Peugeot 504 (Paris segment), 1976 Fiat 128 (Rome segment), 1973 Volvo 144 (Helsinki segment). See more »

Goofs

Winona Ryder's character opens the trunk through the missing rear window, but from the inside of the car it appears that the window is not missing. See more »

Quotes

Victoria Snelling: [trying to make a phone call while the cab's radio's blasting] Will you hold on a second please? Miss - would you please, uh, just turn the music off?
Corky: [condescendingly turning it off] Sure, Mom.
Victoria Snelling: Thank you.
See more »

Crazy Credits

During the end credits, the titles of the crew members are in the language of the place/unit they worked in (ie the Helsinki unit's credits are in Finnish, and so on). See more »

Connections

Featured in Los Angeles Plays Itself (2003) See more »

Soundtracks

Good Old World
Written by Tom Waits and Kathleen Brennan
Produced by Tom Waits
Arranged by Tom Waits and Francis Thumm
Jalma Music, Inc.
Administered by Ackee Music, Inc. (ASCAP)
Tom Waits performs courtesy of Island Records, Inc.
See more »

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User Reviews

 
5 little stories, 5 cities, 4 languages - surprising
6 January 2002 | by (Vienna, Austria) – See all my reviews

A fantastic piece of entertainment: five little stories, five cities, four languages. That's all. This movie has no message but it portrays five regions of the world most sensitively.

The L.A. episode is the weakest. It is not bad but it has one big problem: it is the first one. People start watching the movie and expect something sensational. This first episode cannot present anything spectacular, only first class character acting. There are no big surprises or twists, the episode is not particularly funny or anything. Honestly, when I saw the first minutes of this movie I thought: `O dear, I'm going to fall asleep!'

Then, the N.Y. story came. This one made me laugh real hard, and it made Armin Mueller Stahl one of my favourite actors. I started to love this movie, and I was well prepared for the Paris episode, which is, in my opinion the best, the most satisfying of them.

I found the story of the Roberto Benigni episode rather stupid, but his talent in exaggerating (so he did this even seven years before 1999's Oscar ceremony!) made up for it.

Then, the huge contrast: The liveliest episode is followed by the dreariest. Finnish workers tell each other stories from their lives, each trying to tell the saddest.

`Night on Earth' is not a movie for everybody but I think it is, in any case, the ideal movie to watch on television at two o'clock in the morning.


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