Two innocent people are arrested. An interesting third person, with broken English, joins them in their cell. On his idea, they decide to escape from the prison. Their journey is the rest of the movie.
A self-styled New York hipster is paid a surprise visit by his younger cousin from Budapest. From initial hostility and indifference a small degree of affection grows between the two. Along... See full summary »
As the extremely withdrawn Don Johnston is dumped by his latest woman, he receives an anonymous letter from a former lover informing him that he has a son who may be looking for him. A freelance sleuth neighbor moves Don to embark on a cross-country search for his old flames in search of answers.
This shortcut repeats the structure of Coffee and Cigarettes. This time, Iggy Pop and Tom Waits meet in a bar. But, again, we don't know why they agreed to do that in the first place, ... See full summary »
A collection of five stories involving cab drivers in five different cities. Los Angeles - A talent agent for the movies discovers her cab driver would be perfect to cast, but the cabbie is reluctant to give up her solid cab driver's career. New York - An immigrant cab driver is continually lost in a city and culture he doesn't understand. Paris - A blind girl takes a ride with a cab driver from the Ivory Coast and they talk about life and blindness. Rome - A gregarious cabbie picks up an ailing man and virtually talks him to death. Helsinki - an industrial worker gets laid off and he and his compatriots discuss the bleakness and unfairness of love and life and death. Written by
Ed Sutton <firstname.lastname@example.org>
The five taxis used in the film were: 1981 Chevrolet Caprice Classic Wagon (Los Angeles segment), 1983 Ford LTD Crown Victoria (New York segment), 1980 Peugeot 504 (Paris segment), 1976 Fiat 128 (Rome segment), 1973 Volvo 144 (Helsinki segment). See more »
In the Rome segment you can see several times a black car following the cab, probably the production crew. See more »
Jim Jarmusch does an excellent job in creating character conflict and intriguing, realistic dialogue. But what I admire most in this movie are the opening scenes of every segment. He knows how to capture the essence of every city and how to establish mood. National Geographic has nothing over Jarmusch's photographic talent.
All segments are well written and tie in with the respective cities that are the back drop of the film: LA, NY, Paris, Rome and Helsinki. The Helsinki segment is the most depressing and it's kind of a bummer that the movie had to end on that note. The Paris segment steals the show. Incredible camera work and terrific dialogue.
Overall, the movie gave me a renewed appreciation for cinema. Thanks Jarmusch.
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