This is about a self-styled New York hipster who is paid a surprise and quite unwelcome visit by his pretty sixteen-year-old Hungarian cousin. From initial hostility and indifference a ... See full summary »
A collection of five stories involving cab drivers in five different cities. Los Angeles - A talent agent for the movies discovers her cab driver would be perfect to cast, but the cabbie is reluctant to give up her solid cab driver's career. New York - An immigrant cab driver is continually lost in a city and culture he doesn't understand. Paris - A blind girl takes a ride with a cab driver from the Ivory Coast and they talk about life and blindness. Rome - A gregarious cabbie picks up an ailing man and virtually talks him to death. Helsinki - an industrial worker gets laid off and he and his compatriots discuss the bleakness and unfairness of love and life and death. Written by
Ed Sutton <firstname.lastname@example.org>
This film takes place sometime during the winter, and the opening story takes place in Los Angeles starting at 7:07 PM. At no time during the winter would Los Angeles be this sunny at 7:07 PM. In fact, the latest time of day the sun would set during the winter would be at 6:07 PM on March 20, the last day of winter. (Currently, March 20 would occur during Daylight Savings Time, but, in 1991, Daylight Savings Time did not begin until April.) See more »
Well, fuck you, fuck you, and fuck you!
Look, Angela, just shut up!
No, you shut up! Don't you be tellin' me to shut up!
You shut up!
No, you shut up!
[he unzips his jacket]
You know what your fuckin' problem is, Yoyo? You don't realize you're wearin' your ass on your head!
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During the end credits, the titles of the crew members are in the language of the place/unit they worked in (ie the Helsinki unit's credits are in Finnish, and so on). See more »
Performed by Davie Allan & The Arrows
Written by Davie Allan
Courtesy of Capital Records, Inc.
By Arrangement with CEMA Special Markets and Curb Records, A California Corporation
Mike Curb Music (BMI) See more »
Jim Jarmusch does an excellent job in creating character conflict and intriguing, realistic dialogue. But what I admire most in this movie are the opening scenes of every segment. He knows how to capture the essence of every city and how to establish mood. National Geographic has nothing over Jarmusch's photographic talent.
All segments are well written and tie in with the respective cities that are the back drop of the film: LA, NY, Paris, Rome and Helsinki. The Helsinki segment is the most depressing and it's kind of a bummer that the movie had to end on that note. The Paris segment steals the show. Incredible camera work and terrific dialogue.
Overall, the movie gave me a renewed appreciation for cinema. Thanks Jarmusch.
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