| Photos (See all 14 | slideshow) | Videos (see all 4) |
| River Phoenix | ... | Mike Waters | |
| Keanu Reeves | ... | Scott Favor | |
| James Russo | ... | Richard Waters | |
| William Richert | ... | Bob Pigeon | |
| Rodney Harvey | ... | Gary | |
| Chiara Caselli | ... | Carmella | |
| Michael Parker | ... | Digger | |
| Jessie Thomas | ... | Denise | |
| Flea | ... | Budd | |
| Grace Zabriskie | ... | Alena | |
| Tom Troupe | ... | Jack Favor | |
| Udo Kier | ... | Hans | |
| Sally Curtice | ... | Jane Lightwork | |
| Robert Lee Pitchlynn | ... | Walt | |
| Mickey Cottrell | ... | Daddy Carroll | |
| Wade Evans | ... | Wade | |
| Matthew Ebert | ... | Coverboy (as Matt Ebert) | |
| Scott Patrick Green | ... | Coverboy / Cafe Kid | |
| Tom Cramer | ... | Coverboy | |
| Vana O'Brien | ... | Sharon Waters | |
| Shaun Jordan | ... | Cafe Kid | |
| Shawn Wight | ... | Cafe Kid (as Shawn Jones) | |
| George Conner | ... | Bad George | |
| Oliver Kirk | ... | Indian Cop | |
| Stanley Hainsworth | ... | Dirtman (as Stanley Hainesworth) | |
| Joshua Halladay | ... | Baby Mike | |
| Douglas Tollenen | ... | Little Richard | |
| Steven Clark Pachosa | ... | Hotel Manager (as Stephen Clark Pachosa) | |
| Lannie Swerdlow | ... | Disco Manager | |
| Wally Gaarsland | ... | Rock Promoter | |
| Brian Wilson | ... | Rock Promoter (as Bryan Wilson) | |
| Mark Weaver | ... | Rock Promoter | |
| Conrad 'Bud' Montgomery | ... | Rock Promoter | |
| Pat Patterson | ... | Cop | |
| Steve Vernelson | ... | Cop | |
| Mike Cascadden | ... | Cop | |
| Eric Hull | ... | Mayor's Aide | |
| James A. Arling | ... | Minister | |
| Jim Caviezel | ... | Airline Clerk | |
| Ana Cavinato | ... | Stewardess | |
| Melanie Mosely | ... | Lounge Hostess | |
| Greg Murphy | ... | Carl | |
| David Reppinhagen | ... | Yuppie at Jake's | |
| Tiger Warren | ... | Himself | |
| Massimo Di Cataldo | ... | Italian Street Boy | |
| Pao Pei Andreoli | ... | Italian Street Boy | |
| Robert Egon | ... | Italian Street Boy | |
| Paolo Baiocco | ... | Italian Street Boy | |
| Mario Stracciarolo | ... | Mike's Italian Client | |
| rest of cast listed alphabetically: | |||
| Heather J. Braden | ... | Yuppie at Jake's (uncredited) | |
| Kirsten Kuppenbender | ... | Portland Street Girl (uncredited) | |
| Jesse Merz | ... | Mean Kid #2 (uncredited) | |
| Tom Peterson | ... | Bit Part (uncredited) | |
| Eli Swenson | ... | Street Hustler - Seattle (uncredited) | |
| Gus Van Sant | ... | Man Behind Hotel Counter (uncredited) | |
Directed by | |||
| Gus Van Sant | |||
Writing credits | ||
| William Shakespeare | (play "Henry IV") | |
| Gus Van Sant | (written by) | |
Produced by | |||
| Anthony Brand | .... | line producer (as Tony Brand) | |
| Solomon J. LeFlore | .... | consulting producer | |
| Allan Mindel | .... | co-executive producer | |
| Laurie Parker | .... | producer | |
Original Music by | |||
| Bill Stafford | |||
Cinematography by | |||
| John J. Campbell | (as John Campbell) | ||
| Eric Alan Edwards | |||
Film Editing by | |||
| Curtiss Clayton | |||
Production Design by | |||
| David Brisbin | |||
Art Direction by | |||
| Kenneth Hardy | |||
Set Decoration by | |||
| Missy Stewart | (as Melissa Stewart) | ||
Costume Design by | |||
| Beatrix Aruna Pasztor | |||
Makeup Department | |||
| Gina Monaci | .... | key hair stylist | |
| Gina Monaci | .... | key makeup artist | |
Production Management | |||
| Paul Hellerman | .... | unit production manager | |
| Paolo Tinari | .... | production manager: Italy | |
Art Department | |||
| Charles Armstrong | .... | construction coordinator | |
| J. Adam Bogle | .... | painter (as Adam Bogle) | |
| Nina Bradford | .... | swing gang | |
| Chistine Chapman | .... | assistant scenic | |
| Sean Fong | .... | swing gang | |
| Benjamin Hayden | .... | lead man | |
| Anne Hyvarinen | .... | lead scenic artist | |
| Anton Kimball | .... | paintings: Richard Waters | |
| Ed Kuchar | .... | wall covering specialist | |
| Kevin Lindeman | .... | art department assistant | |
| Arnold Pander | .... | storyboard artist | |
| Dan Self | .... | set dresser (as Daniel Self) | |
| Dan Self | .... | swing (as Daniel Self) | |
| Cary Shafer | .... | construction foreman | |
| Vittorio Troiani | .... | property master: Italy | |
| Ken Erck | .... | scenic artist (uncredited) | |
| Ellen Freund | .... | property master (uncredited) | |
Sound Department | |||
| Peter Appleton | .... | sound editor | |
| Kelley Baker | .... | supervising sound editor | |
| Forrest Brakeman | .... | adr recordist | |
| Kelly Cannon | .... | sound intern | |
| Jan Cyr | .... | sound mixer: Seattle | |
| Dean Giammarco | .... | mixing assistant | |
| Mark Goodermote | .... | boom operator: Seattle | |
| Jon Huck | .... | sound mixer: Italy | |
| Karen Karbo | .... | foley walker | |
| Parker Logan | .... | dialogue continuity | |
| Robert Marts | .... | sound mixer: Seattle | |
| Steve Miller | .... | foley walker | |
| Michael F. Newman | .... | sound editor | |
| Robert Polich | .... | boom operator | |
| Paul A. Sharpe | .... | sound re-recording mixer (as Paul Sharpe) | |
| Tom Sheft | .... | sound editing assistant | |
| Bill Sheppard | .... | sound re-recording mixer | |
| Concha Solano | .... | sound editing assistant | |
| Reinhard Stergar | .... | sound mixer | |
| Peter Weiss | .... | boom operator: Italy | |
| Patrick Winters | .... | sound editor | |
| Wayne Woods | .... | adr recording engineer (as W. Wayne Woods) | |
| Wayne Woods | .... | foley recording engineer (as W. Wayne Woods) | |
| David Abrahamsen | .... | sound re-recording mixer (uncredited) | |
| Bruce Murphy | .... | stereo sound consultant: Ultra (uncredited) | |
Special Effects by | |||
| Venora Dobrowolski | .... | mechanical effects: The Illusion Works | |
| John H. Schmeer | .... | mechanical effects: The Illusion Works (as Jon Henry Schmeer) | |
Visual Effects by | |||
| Tom Arndt | .... | visual effects coordinator (as Thomas Arndt) | |
| Laura Di Trapani | .... | visual effects crew | |
| Karen Hout | .... | visual effects crew (as Karen E. Hout) | |
| Janet Karecki | .... | visual effects crew | |
| Kathleen Nichols | .... | visual effects crew | |
| Steve Warner | .... | visual effects crew | |
| Chel White | .... | visual effects crew | |
Camera and Electrical Department | |||
| Edward Barnes | .... | best boy grip (as Ted Barnes) | |
| Jeff Duffy | .... | generator operator | |
| Jeff Duffy | .... | grip | |
| Eric Alan Edwards | .... | additional still photographer | |
| Rolando Ferrario | .... | first assistant camera: Italy | |
| Massimo Galiano | .... | best boy: Italy (as Massimo Galliano) | |
| Gary Gatewood | .... | second assistant camera | |
| Tino Gorga | .... | gaffer: Italy | |
| Scott Patrick Green | .... | additional still photographer | |
| Antonio La Barbera | .... | electrician: Italy (as Antonio Labarbera) | |
| Matthew May | .... | best boy electric | |
| Giuliano Mazzoni | .... | electrician: Italy | |
| Mark McGinnis | .... | dolly grip (as Mark Mc Ginnis) | |
| Jeff Mishler | .... | first assistant camera | |
| Rebecca Revak | .... | grip (as Rebecca M. Revak) | |
| Giancarlo Rocchetti | .... | key grip: Italy | |
| Vincenzo Savino | .... | still photographer: Italy | |
| Dennis Sherwood | .... | grip | |
| Abigayle Tarsches | .... | still photographer | |
| Bruce Weber | .... | special photography | |
| T.J. Civis | .... | grip (uncredited) | |
| Mark Watson | .... | key grip (uncredited) | |
Casting Department | |||
| Don Campeau | .... | extras casting: Central Extras Casting (as Donald Campeau) | |
| Patti Carns Kalles | .... | extras casting: Seattle (as Patti Kalles) | |
| Sandy Collister | .... | casting associate | |
| Yvonne Couture | .... | extras casting: Central Extras Casting | |
Costume and Wardrobe Department | |||
| Vanessa Vogel | .... | wardrobe supervisor | |
Editorial Department | |||
| Nils Benson | .... | apprentice film editor | |
| Trevor Cable | .... | editorial intern | |
| Amy E. Duddleston | .... | assistant film editor | |
| Bill Scott | .... | color timer | |
| Jeff Smithwick | .... | color timer | |
| Teresa Tamiyasu | .... | post-production assistant | |
| Karen Thorndike | .... | negative cutter | |
| John Dowdell | .... | hd colorist (uncredited) | |
Music Department | |||
| Dean Baskerville | .... | music recording technician | |
| Kim Burton | .... | musician: viola | |
| Vernon Dunn | .... | musician: banjo | |
| Steve Einhorn | .... | music assistant | |
| Rob Farley | .... | music engineer | |
| Sandy Gernhart | .... | musician: yodeling and accordion | |
| Donald Granger | .... | musician: whistler | |
| Jamie Haggerty | .... | additional music arranger | |
| Jamie Haggerty | .... | musician: dulcimer and synthesizer | |
| Scott Hybl | .... | music engineer | |
| Richard Letcher | .... | musician: banjo | |
| Richard McNutt | .... | musician: vibraphone (as Richard Mc Nutt) | |
| Richard Meyers | .... | musician: saw | |
| Jean G. Poulot | .... | additional music arranger (as Jean Poulot) | |
| Jean G. Poulot | .... | musician: hurdy gurdy and tar (as Jean Poulot) | |
| Lori Presthus | .... | musician: cello | |
| Dorothy Rust | .... | musician: french horn | |
| Bill Stafford | .... | music arranger | |
| Bill Stafford | .... | musician: pedal steel guitar | |
| Elliot Sweetland | .... | musician: banjo | |
| Hollis Taylor | .... | musician: violin | |
| Bruce Van Buskirk | .... | musician: recorders | |
Transportation Department | |||
| Robert Giasson | .... | driver | |
| Mark James | .... | transportation coordinator | |
| Carol Knotts | .... | driver | |
| J.R. Knotts | .... | driver | |
| Mark Knotts | .... | transportation captain | |
| Franco Moranti | .... | driver: Italy | |
| Katrina L. Sanders | .... | driver (as Katrina Sanders-Payne) | |
| Marvin LaRoy Sanders | .... | driver (as Marvin Sanders) | |
| Tom Scherer | .... | driver | |
Thanks | |||
| Donna L. Bascom | .... | thanks (as Donna Bascom) | |
| James L. Brooks | .... | special thanks | |
| Cam Galano | .... | thanks | |
| Solomon J. LeFlore | .... | special thanks | |
| Scott Melloo Nall Jr. | .... | dedicatee | |
| Nick Wechsler | .... | special thanks | |
| Recent Posts (updated daily) | User |
|---|---|
| Narcolepsy | jeberkin |
| ideal double feature | Noboru_Wataya |
| Salmon spawning | stewardia |
| Hated this movie. | firsttube99-1 |
| The Ending | ElisabethScorria |
| Smoking Girl in Cafe | ValleyGhost |
|
|
|
|
|
| Mysterious Skin | 1900 | The Best of Youth | Kings & Queen | The Basketball Diaries |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
I adore this movie, have owned it on VHS long before there was anything else and have seen it an insane number of times. It isn't perfect, but with me personally, though I'm a European female and thus have no personal life experience that could resemble anything the main characters go through, it struck a chord of universality that made it heart-breaking. The pathos in it, the bitter poetry, the warped magic is just unbelievably beautiful... and painful. It is visually inventive and the casting - even Keanu Reeves's, which has been so often criticised - is top-notch. Reeves's character is a flippant, spoilt young man who goes through life acting in his own self-glorifying drama: what better actor to cast in that role than someone whose acting is so contrived? And Phoenix... well, what can I say... to me, this is THE River Phoenix role, the one that can single-handedly turn him into an immortal, a legend. The Shakespearian quotations I adored: the relationship between Prince Hal and Falstaff from Henry IV, Part II is among the most mesmerising of the Bard's dramatic repertoire - that play was like an emotional earthquake to me. My Own Private Idaho caught its spirit perfectly, and translated it into a context that was original in its own right yet more faithful to Shakespeare in feeling than a more literal transposition might have been. Also, I found the portrayal of Rome in the part in which River's character goes out there to search for his mother, refreshingly true to life and totally cliché-free. As an Italian from Rome, it's very rare that I see a non-Italian film portraying my city of origin with so much authenticity. The FEEL of the place at a given time - the late 80s - was spot-on. In conclusion: to me, not only was My Own Private Idaho one of the best adaptations of (at least parts) of a Shakespeare play that I've seen, but also a tragedy of almost Shakespearian intensity in its own right. It had it all: the unhealthy, consuming passion (the fatal flaw), the power struggles, the young heir in his reckless, youthful days eventually maturing into the arrogance of the privileged (Keanu), the parental ghost that one of the protagonists looks to as his prophetic voice, the voice that may give his life a meaning (River's search for and the flashbacks to the memory of his mother), the intense pathos throughout, the tragic deaths at the end... that film is just pure magic to me! Just writing about it makes me want to see it again - what, for the 20th time or something?! And the tragedy at My Own Private Idaho's core is so universal, it really becomes completely secondary whether it's about and between men, women, homosexuals or heterosexuals.