7.1/10
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154 user 61 critic

My Own Private Idaho (1991)

R | | Drama | 20 July 1991 (Japan)
Two best friends living on the streets of Portland as hustlers embark on a journey of self discovery and find their relationship stumbling along the way.

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9 wins & 8 nominations. See more awards »

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Cast

Cast overview, first billed only:
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William Richert ...
Rodney Harvey ...
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Carmella
Michael Parker ...
Digger
Jessie Thomas ...
Denise
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Budd
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Tom Troupe ...
Jack Favor
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Sally Curtice ...
Robert Lee Pitchlynn ...
Walt
...
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Storyline

Mike Waters lives on the street and befriends the somewhat older and streetwise Scott Favor who shows him what is necessary to survive. Waters suffers from narcolepsy and can fall asleep at any moment and in almost any circumstance. Favor comes from a rich family and is rebelling against his own background. They travel together extensively - Waters is driven by the need to find his biological mother - and spend time in Italy. Later in life however, Favor has joined mainstream society and has little time for his old friend. Written by garykmcd

Plot Summary | Add Synopsis

Taglines:

whatever it takes to have a nice day See more »

Genres:

Drama

Motion Picture Rating (MPAA)

Rated R for strong sensuality, language and drug use | See all certifications »

Parents Guide:

 »
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Details

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Language:

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Release Date:

20 July 1991 (Japan)  »

Also Known As:

A Caminho de Idaho  »

Filming Locations:

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Box Office

Budget:

$2,500,000 (estimated)

Gross:

$6,401,336 (USA)
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Company Credits

Production Co:

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Technical Specs

Runtime:

Sound Mix:

|

Color:

(Alphacine)

Aspect Ratio:

1.78 : 1
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Did You Know?

Trivia

During the many rewrites, Gus Van Sant wrote one version as a stage play. Not with any interest in staging it, just out of boredom of writing a screenplay over and over. See more »

Goofs

When Mike and Scott are biking it to Idaho, and Scott is having trouble starting the bike, the bike is steady on its stand in the front shot, when Scott is still astride it. When Scott hands the bike over to Mike, and the shot is from behind, Scott's hands are back on the handlebars, they were on the tank, and the bike is not on the stand. See more »

Quotes

Bob Pigeon: Scott. When you inherit your fortune, on your twenty-first birthday, let's see... how far away is this?
Scott Favor: One week away, Bob, just one more week.
Bob Pigeon: Let's not call ourselves robbers, but Diana's foresters. Gentlemen of the shade. Minions of the Moon. Men of good government.
Scott Favor: [under his breath] When I turn twenty-one, I don't want any more of this life. My mother and father will be surprised at the incredible change. It will impress them more when such a fuck-up like me turns good than if I had been a ...
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Connections

Referenced in Rescued from the Closet (2001) See more »

Soundtracks

Der Adler
Music Composed by Tom Dokoupil
Lyrics by Udo Kier
Performed by Udo Kier and Tom Dokoupil
Courtesy of Whitehouse Music
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User Reviews

 
Odd, touching, River Phoenix is intensely brilliant..
10 June 2001 | by (London, England) – See all my reviews

This is the movie that I sincerely hope River Phoenix will long be remembered for. His performance as the narcoleptic and confused street-hustler Mike is so perfect and touching and realistic that it makes me cry every time. Gus Van Sant's films often have a strange aura about them (see Drugstore Cowboy, To Die For) and never has it been more evident than in this oddly affecting road movie/drama. The camera shots of long horizon-spanning roads and skylines, fast-motion clouds, surreal and symbolic shots of houses and rushing rivers provide the film with a strange almost other-worldly charm. Interspersed with the gritty realism of life on the streets of Portland Oregon in the early 90's, and (stranger still) Shakespeare. Some of the plot (Bob and Scott mainly) is based on the Shakespeare play Henry IV (with Keanu Reeves playing the Prince Hal character of Scott, and William Richert playing the Falstaff-like role of "King-Of-The-Streets" Bob.) It's a fascinating, touching and very successful blend of styles overall. The big themes (the search for love and belonging) are conveyed in a very interesting and genuinely moving manner. I particularly enjoyed the symbolism and pathos the film flittingly suggests. The performances are uniformly excellent, and this movie remains one of my all-time favourites. One of the greatest (and most unique) indie movies of the 1990's.


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