A story of amour fou. Walt is madly in love/lust with a young illegal Mexican immigrant. However, the object of his unrequited affection doesn't even speak any English and finds Walt really... See full summary »
Mike Waters lives on the street and befriends the somewhat older and streetwise Scott Favor who shows him what is necessary to survive. Waters suffers from narcolepsy and can fall asleep at any moment and in almost any circumstance. Favor comes from a rich family and is rebelling against his own background. They travel together extensively - Waters is driven by the need to find his biological mother - and spend time in Italy. Later in life however, Favor has joined mainstream society and has little time for his old friend. Written by
The song, to which Udo Kier sings along, was part of Kier's cabaret act. Usually, he would sing along to the tape, while using a flashlight as a microphone. Gus Van Sant changed it, to avoid comparisons to Blue Velvet (1986). See more »
When Bob approaches Scott in the bar near the end of the film, two marks of black gaffer tape can be seen on the floor. See more »
I'm the one who heard him cry out last night. He said "God, God, God..." three or four times. And when I got there I put my hand into the bed and felt his feet. And they were cold as stone. And I checked the rest of his body. And it too was as cold as stone...
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I had heard some good recommendations on this film but am lost as to why the overall rating (6.9) on IMDb is so high. Am I missing something?
I watched the whole movie intently, even though my attention was flagging a lot. Those long (metaphoric?) cloud scenes with houses falling apart, reminiscent to me of the Kansas tornado in the Wizard of Oz, lonely stretches of road reminding the protagonist (over and over) of a face, yeah we get it, we don't care. And on. River Phoenix, in the lead playing Mike, is remarkable and eerie too - so much of James Dean in him, the short intense and talented life.
This is loosely based on Shakespeare's Henry IV part one, and it transfers huge chunks of the play into the movie script, some of it sounding forced and odd. An experiment that for me, fell flat on its face.
Keanu Reeves, playing Scott, plays a street hustler in an act of rebellion against his father the mayor of the town. He befriends Mike, a narcoleptic prostitute who falls asleep on the job all the time, and who to all intents and purposes falls in love with him. They go on a road trip to find River's mother who abandoned him when he was small.
The details of Mike's parentage are appalling and the road trip takes them to a rather weird Italy and then back again to the streets where Scott turns his back on his old ways, abandoning Mike.
Uneven and actually frustrating, the dialogue was very muddy and hard to understand at times and the shifting of script from modern to Shakespeare not successful.
4 out of 10. Could be to some tastes, but not to mine.
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