A mute woman along with her young daughter, and her prized piano, are sent to 1850s New Zealand for an arranged marriage to a wealthy landowner, and she's soon lusted after by a local worker on the plantation.
From the Pulitzer Prize-winning author of "The Hours" comes a story that chronicles a dozen years in the lives of two best friends who couldn't be more different. From suburban Cleveland in... See full summary »
Surreal character study focusing on the friendship between two male hustlers, Mike and Scott, in Portland, Oregon. They live on the streets, do drugs, and sell themselves to men and women. Mike is quiet, gay and suffers from narcolepsy. Abandoned as a child, he is obsessed with finding his long-lost mother. Scott is the rebellious son of a high-ranking family, who lives this life mostly to embarrass his father. Mike is in love with Scott, who still maintains he is straight and insists that his wild lifestyle on the streets is only temporary. Together, they embark on a quest to find Mike's mother, traveling from Portland to Idaho to Italy, with Scott picking up a beautiful girl along the way. Written by
Many members of the cast (including River Phoenix, Keanu Reeves, Flea, and Michael Parker) moved into director Gus Van Sant's large old house in Portland, Oregon during filming. They apparently caused such a disturbance (staying up late, getting drunk, partying, and playing music) and overtook the house to such an extent that Van Sant eventually had to move out of his own house and stay with a friend in order to get some sleep. See more »
(At 12.45) As Mike goes to look out the window at the back garden in the old ladies house the boom mic is visible reflected in the window. See more »
[in a coffee shop]
How'd we get home?
That German guy. Hans. He brought you downtown, you were passed out. He said he was heading to Portland, so I asked him for a ride.
For some reason I'm forgetting a German guy named Hans.
Well. You were sleeping.
How much do you make off me while I'm sleeping?
Just a ride, Mike. I don't make anything. What, you think that I sell your body while you are asleep?
[Scott stirs his coffee]
No, Mike. I'm on your side.
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Odd, touching, River Phoenix is intensely brilliant..
This is the movie that I sincerely hope River Phoenix will long be remembered for. His performance as the narcoleptic and confused street-hustler Mike is so perfect and touching and realistic that it makes me cry every time. Gus Van Sant's films often have a strange aura about them (see Drugstore Cowboy, To Die For) and never has it been more evident than in this oddly affecting road movie/drama. The camera shots of long horizon-spanning roads and skylines, fast-motion clouds, surreal and symbolic shots of houses and rushing rivers provide the film with a strange almost other-worldly charm. Interspersed with the gritty realism of life on the streets of Portland Oregon in the early 90's, and (stranger still) Shakespeare. Some of the plot (Bob and Scott mainly) is based on the Shakespeare play Henry IV (with Keanu Reeves playing the Prince Hal character of Scott, and William Richert playing the Falstaff-like role of "King-Of-The-Streets" Bob.) It's a fascinating, touching and very successful blend of styles overall. The big themes (the search for love and belonging) are conveyed in a very interesting and genuinely moving manner. I particularly enjoyed the symbolism and pathos the film flittingly suggests. The performances are uniformly excellent, and this movie remains one of my all-time favourites. One of the greatest (and most unique) indie movies of the 1990's.
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