A mute woman along with her young daughter, and her prized piano, are sent to 1850s New Zealand for an arranged marriage to a wealthy landowner, and she's soon lusted after by a local worker on the plantation.
Surreal character study focusing on the friendship between two male hustlers, Mike and Scott, in Portland, Oregon. They live on the streets, do drugs, and sell themselves to men and women. Mike is quiet, gay and suffers from narcolepsy. Abandoned as a child, he is obsessed with finding his long-lost mother. Scott is the rebellious son of a high-ranking family, who lives this life mostly to embarrass his father. Mike is in love with Scott, who still maintains he is straight and insists that his wild lifestyle on the streets is only temporary. Together, they embark on a quest to find Mike's mother, traveling from Portland to Idaho to Italy, with Scott picking up a beautiful girl along the way. Written by
For its initial American video release, this gay themed movie was packaged as a straight film, with both of its stars Keanu Reeves and River Phoenix in clinches with women on the video jacket. See more »
When Mike is in Idaho he has a clear view of Mt. Hood. Not only is the mountain too far away to see (over 200 miles), there is another mountain range lying between Idaho and Mt. Hood, blocking the view. See more »
You think, um, that you could spot me ten more dollars?
Ten dollars? What's the matter, you can't get it from your dad?
My dad and I don't get along too well, you know that Walt.
We're not getting along that well either now, are we?
No we don't get along too well... or else he wouldn't have gone out and drowned himself at Boxcar Canyon.
Again? He hit the water this time?
He survived the first time, this time...
[...] See more »
I'm not quite sure what to make of 'My Own Private Idaho.' I am aware of it's huge cult following and that makes me want to like it more than I did, or at least give some thought as to why I didn't think as highly of it as many others did.
Gus Van Sant is a hit or miss director - Drugstore Cowboy, To Die For, and Good Will Hunting were all excellent, Even Cowgirls Get the Blues and his Psycho remake were horrendous - and I hate to say that I'm leaning more towards the miss column with 'My Own Private Idaho.' The best way I can put this film is that it seems like there are too many cooks making the soup and all the ingredients have been served better. Van Sant wants to make this a road movie, a comedy, a coming-of-age movie, a Shakespeare play, a surreal picture... I feel like he's taken the best elements of 'Easy Rider', 'Pixote', and 'Henry V' and mangled them.
River Phoenix is excellent though, he's the best part of the film and I give the credit solely to him. Why? Because ever other performance just isn't very good. Reeves seems uncomfortable in almost every scene whether it's quoting Shakespeare or lying shirtless in bed with Phoenix, he can't pull off what this movie wants. Neither can Richert as the leader of the band of hustlers - who comes across so over the top and theatrical that as a contrast to Phoenix's mellow/realistic hustler it just doesn't work. The problem with taking dialogue straight from Henry IV is for one it's awfully hard to top the Bard for writing. Two; you need actors who can deliver it well.
Van Sant has imagination and the visuals in the film are breathtaking. The movie starts off extremely well, but it's obvious that he had little control of the script or the actors and in the end that kills the movie.
Very surprising that Phoenix didn't pick up an Oscar nomination.
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