Sissy Hankshaw is born with enormous thumbs that help her hitchhiking through the US from a young age. She becomes a model in advertising and her NY agent 'the Countess' sends her to his ... See full summary »
1963, the night before the 18 years old "Birdlace" Eddie and his friends are shipped to Vietnam. They play a dirty game called 'Dogfight': all of them seek a woman for a party, and who ... See full summary »
A story of amour fou. Walt is madly in love/lust with a young illegal Mexican immigrant. However, the object of his unrequited affection doesn't even speak any English and finds Walt really... See full summary »
An eccentric and dogmatic inventor sells his house and takes his family to Central America to build an ice factory in the middle of the jungle. Conflicts with his family, a local preacher ... See full summary »
Mad with grief after the death of his Kiowa wife, Talbot awaits death under a tree with her body beside him. She begins to haunt him because he won't burn her. His father, who bought him the wife, thinks her sister might reason with him.
Dealing with nuclear testing and its long-lasting deadly effects, the story portrays Boy, a young widower living in the desert on a nuclear testing site. Living as a hermit,he waits for the... See full summary »
Surreal character study focusing on the friendship between two male hustlers, Mike and Scott, in Portland, Oregon. They live on the streets, do drugs, and sell themselves to men and women. Mike is quiet, gay and suffers from narcolepsy. Abandoned as a child, he is obsessed with finding his long-lost mother. Scott is the rebellious son of a high-ranking family, who lives this life mostly to embarrass his father. Mike is in love with Scott, who still maintains he is straight and insists that his wild lifestyle on the streets is only temporary. Together, they embark on a quest to find Mike's mother, traveling from Portland to Idaho to Italy, with Scott picking up a beautiful girl along the way. Written by
Gus Van Sant was very thankful for the time-lapse photography Eric Alan Edwards shot. He realized in editing that the William Shakespeare language felt very out of place next to the hard reality of other scenes. Cutting in the time-lapse footage gave the film an element of surreality where the antiquated dialogue fit right in. See more »
At the campfire scene, whenever the camera shows Scott, Mike's hands are hanged to each other, but whenever the camera shows Mike, he is playing with piece of wood. See more »
[in a coffee shop]
How'd we get home?
That German guy. Hans. He brought you downtown, you were passed out. He said he was heading to Portland, so I asked him for a ride.
For some reason I'm forgetting a German guy named Hans.
Well. You were sleeping.
How much do you make off me while I'm sleeping?
Just a ride, Mike. I don't make anything. What, you think that I sell your body while you are asleep?
[Scott stirs his coffee]
No, Mike. I'm on your side.
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"Wherever, whatever, have a nice day, River Phoenix"
I watched this film on TV 5 years ago, when I was only eleven years old, and I remember that I was especially impressed by River Phoenix's magnificent performance. I had already watched "Stand By Me" (one of my favorites), and it was very interesting watching him older in such a daring film. I think he was the best actor of his generation but, unfortunately, he died too young.
"My Own Private Idaho" is a poetic and bittersweet road movie, one of Gus Van Sant's best. Here in Brazil it received a bad title, "Garotos de Programa" (something like "Rent Boys"). Yes, the main characters are rent boys, but this is not what defines them. "My Own Private Idaho" (what a beautiful title!) mostly deals with loneliness, virile sexuality and friendship, and paternity. It's much more than "a film about rent boys". Besides, watching it the so-called "modern boys" would realize that Keanu Reeves isn't Neo from "The Matrix", but a versatile actor; and, perhaps, they'd discover that boyish friendship may be truly sincere. 10/10.
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