Sissy Hankshaw is born with enormous thumbs that help her hitchhiking through the US from a young age. She becomes a model in advertising and her NY agent 'the Countess' sends her to his ... See full summary »
1963, the night before the 18 years old "Birdlace" Eddie and his friends are shipped to Vietnam. They play a dirty game called 'Dogfight': all of them seek a woman for a party, and who ... See full summary »
A story of amour fou. Walt is madly in love/lust with a young illegal Mexican immigrant. However, the object of his unrequited affection doesn't even speak any English and finds Walt really... See full summary »
Mad with grief after the death of his Kiowa wife, Talbot awaits death under a tree with her body beside him. She begins to haunt him because he won't burn her. His father, who bought him the wife, thinks her sister might reason with him.
An eccentric and dogmatic inventor sells his house and takes his family to Central America to build an ice factory in the middle of the jungle. Conflicts with his family, a local preacher ... See full summary »
A recent high school graduate is faced with two options, either go to a business school where his father wants him to go to, or get a full time job. However he decides to defy his father ... See full summary »
Dealing with nuclear testing and its long-lasting deadly effects, the story portrays Boy, a young widower living in the desert on a nuclear testing site. Living as a hermit,he waits for the... See full summary »
Surreal character study focusing on the friendship between two male hustlers, Mike and Scott, in Portland, Oregon. They live on the streets, do drugs, and sell themselves to men and women. Mike is quiet, gay and suffers from narcolepsy. Abandoned as a child, he is obsessed with finding his long-lost mother. Scott is the rebellious son of a high-ranking family, who lives this life mostly to embarrass his father. Mike is in love with Scott, who still maintains he is straight and insists that his wild lifestyle on the streets is only temporary. Together, they embark on a quest to find Mike's mother, traveling from Portland to Idaho to Italy, with Scott picking up a beautiful girl along the way. Written by
The character of Bob was based on a drug dealer from Portland, Oregon that all the young hustlers knew. See more »
When Mike and Scott are biking it to Idaho, and Scott is having trouble starting the bike, the bike is steady on its stand in the front shot, when Scott is still astride it. When Scott hands the bike over to Mike, and the shot is from behind, Scott's hands are back on the handlebars, they were on the tank, and the bike is not on the stand. See more »
Scott. When you inherit your fortune, on your twenty-first birthday, let's see... how far away is this?
One week away, Bob, just one more week.
Let's not call ourselves robbers, but Diana's foresters. Gentlemen of the shade. Minions of the Moon. Men of good government.
[under his breath]
When I turn twenty-one, I don't want any more of this life. My mother and father will be surprised at the incredible change. It will impress them more when such a fuck-up like me turns good than if I had been a ...
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Mike (River Phoenix) has narcolepsy, and whenever he feels super-stressed he suffers what I interpret to be attacks of cataplexy, that is, sleep triggered by heightened emotions. His friend, would-be lover and fellow male prostitute, Scott (Keanu Reeves), has a rich dad who's going to leave him a hefty sum when he turns 21. These two characters are the main focus of "My Own Private Idaho" which deals with common and uncommon themes, such as home, sexual identity and love. Van Sant throws in some Shakespearean language plagiarised straight from Henry IV and a non-linear narrative and you've got one very cute surrealist indie film.
The credits to this film are it's director and star, River Phoenix, whose understated and moving performance lifts this film above the trash it easily could've been in another director or actor's hands. Van Sant uses symbols to represent emotional states and his use of special effects is limited and effective. There is some really heartfelt dialogue in this movie, especially the much-mentioned camp-fire scene.
This film can be irritating; sometimes the Shakespearean dialogue doesn't work (and it's okay to admit that a near-perfect film like this has flaws) and Reeves is sometimes a little stiff. The film is mostly redeemed by its bitter-sweet ending and fun opening titles.
I'm not going to tackle any issues in this film because I just don't have the energy. Just appreciate the film for what it is and have a nice day. :)
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