Vada Sultenfuss is obsessed with death. Her mother is dead, and her father runs a funeral parlor. She is also in love with her English teacher, and joins a poetry class over the summer just... See full summary »
Vada Sultenfuss has a holiday coming up, and an assignment: to do an essay on someone she admires and has never met. She decides she wants to do an assignment on her mother, but quickly ... See full summary »
Jamie Lee Curtis,
Sylvia's work increasingly takes her away from the three men who help bring up Mary, her daughter. When she decides to move to England and take Mary with her, the three men are heartbroken ... See full summary »
Vada Sultenfuss is obsessed with death. Her mother is dead, and her father runs a funeral parlor. She is also in love with her English teacher, and joins a poetry class over the summer just to impress him. Thomas J., her best friend, is "allergic to everything", and sticks with Vada despite her hangups. When Vada's father hires Shelly, a makeup expert, in his funeral parlor, and begins to fall in love with her, Vada is outraged and does everything in her power to split them up. Written by
Liz Jordan <email@example.com>
Because of a scene in which Anna Chlumsky and Macauley Culkin become blood brothers by mixing each other's blood from a cut, the British Board of Film Classification insisted that the film carry a warning to children against performing such a ritual to prevent the transmission of HIV. See more »
The missing bike streamer changes sides. See more »
I was born jaundiced. Once I sat on a toilet seat at a truck stop and caught hemorrhoids. And I've learned to live with this chicken bone that's been lodged in my throat for the past three years. So I knew Dad would be devastated when he learned of my latest affliction.
Dad, I don't want to upset you, but my left breast is developing at a significantly faster rate than my right. It can only mean one thing: cancer. I'm dying.
[making a sandwich]
Okay, sweetie, hand me the ...
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God knows, good family entertainment is hard to come by. In my considered opinion, My Girl is an outstanding exception from this rule. I have not read the book the film is based on. I would not be surprised, if it turned out to be much more superior to the film version; I, for one, find it unfortunately too often a case. However, judged on its own merits, the movie scores as high a rating as 8 in my book--in terms of achieving its purpose: pleasing the whole spectrum of possible viewers. The story-line is nicely balanced, with just the right mixture of the human situation drama, realism, insight into child psychology and optimism. One might argue that in the film finale Veda is shown as having too quickly recovered from her supposedly terrible and tragic loss, but children are indeed this way, and the depth of her earlier suffering is sure evidence that this chapter of her life will be forever locked into her conscience. It is exactly the balance I want my daughter exposed to. The dialog is fine: mature enough to show Veda's precociousness without overdoing it and to give the parents some intellectual pleasure and simple enough, on the other hand, for children to follow without losing themselves in its complexities. I regard myself as a poor judge of acting, but having said that, I find the acting in My Girl totally satisfying. If I may venture a guess, I'd say that, e.g., Jack Nickelson at his best would be to a large extent lost on the younger audience and would not be missed by adults who expected just to have great time with their kids together. That my wife and I have had.
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