The hairdresser, wife and mother Cynthia Kellogg is in police department being interrogated by the experienced detective John Woods and his partner, Detective Linda Nealon. Through ...
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Coming from a police family, Tom Hardy ends up fighting his uncle after the murder of his father. Tom believes the killer is another cop, and goes on the record with his allegations. Demoted then to river duty, the killer taunts Tom.
Sarah Jessica Parker,
A color-blind psychiatrist Bill Capa is stalked by an unknown killer after taking over his murdered friend's therapy group, all of whom have a connection to a mysterious young woman that Capa begins having intense sexual encounters with.
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The hairdresser, wife and mother Cynthia Kellogg is in police department being interrogated by the experienced detective John Woods and his partner, Detective Linda Nealon. Through flashbacks, she reveals how her best friend and colleague Joyce Urbanski married the scum and nasty James Urbanski; how hard Joyce's life with James was; and why Joyce became a criminal. The smart detective finds some contradictions in her statement and presses Cynthia, trying to disclose the truth of two murders. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Bryan Singer's 'The Usual Suspects' was itself a rather unusual thriller: almost the entire plot consisted of a criminal suspect telling the police a lie. By literally representing the character's words in images, the film exploited the trust that any movie-watcher has to put in what they see; the very concept of cinema only works if the audience can believe their own eyes, so it's a somewhat underhand trick to take advantage of this. But 'The Usual Suspects' nonetheless worked as a film, for three reasons. Firstly, the lie was extraordinarily entertaining in itself. Secondly, it's essentially falsity was brilliantly revealed. And thirdly, this revelation forced the viewer to reconsider everything they had seen in the film. If all movies were like this, cinema would die, but as an isolated film, it definitely made the grade.
Alan Rudolph's curiously named 'Mortal Thoughts' (surely "morbid thoughts" are actually what feature in this film) is a kind of precursor to 'The Usual Susepcts', but less acclaimed, and with good reason. The basic tale is less interesting than in the later film; there's no cleverness in the revelation, and the actual truth does not anyway fundamentally change one's opinion of the characters. The film doesn't even try and fool the audience: Harvey Keitel's policeman tells the witness throughout that he doesn't believe what she is saying, and once you accept that the woman may be lying, then the possibilities are limitless (something Singer dealt with deftly by only uncovering the lie at the very end, before it truly sinks into the audience that if the story was a pack of lies, then the truth could be anything). The result is a film that is reasonably watchable, but hardly distinguished. Yet in the true story, revealed at the end, there's actually a tale of human drama that might have driven a pretty strong film. The secondary tale of someone merely lying about such a story, however, is comparatively dull.
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