The year is 1952, in Quebec City. Rachel, 16, unmarried, and pregnant, works in the church. Filled with shame, she unburdens her guilt to a young priest, under the confidentiality of the ... See full summary »
An all-knowing interlocutor guides us through a series of affairs in Vienna, 1900. A soldier meets an eager young lady of the evening. Later he has an affair with a young lady, who becomes ... See full summary »
Two friends from Miami are in the Mediterranian are enjoying life by scamming money off of rich women. One day, they read about a young woman set to inherit $50 million from her father. At ... See full summary »
Kristin Scott Thomas
Amanda Weber is a museum employee. Her nephew, Victorien, who feels that wild animals should not be kept in zoos, has been murdered, and she seeks to find out why and how. She knows that ... See full summary »
Superficial people are revealed and drastically changed by circumstance or luck in this a tale of death, seduction, blackmail and theft among British and Americans in Florence in the ... See full summary »
Kristin Scott Thomas,
A Pre-World War I physician in Austria struggles with his decision about which woman he will marry. Miranda Richardson plays the roles of two different women in his life. Written by
John Sacksteder <firstname.lastname@example.org>
Theoretician Wolfgang Nehring has characterized the Austrian physician/novelist/dramatist Arthur Schnitzler in this fashion: " a courageous diagnostician of the people and society of his time", and with this romantically dressed, psychologically laced drama based upon a novel by Schnitzler, director Roberto Faenza has crafted a strongly atmospheric and artfully subtle piece that is, so to speak, delightful to the senses and satisfying to the mind. Keith Carradine is very effective as Doctor Emil Gräsler, a bachelor who has become emotionally sedated through use of shielding from his closeness with his unwed sister Frederica (Miranda Richardson), rationale for maintaining the comfort of his detachment from women, but after Frederica unexpectedly hangs herself, Emil seeks love to obviate the feelings of loss that have resulted from the abrupt end to the binding alliance with his sibling. He receives assistance in his amorous search from three widely disparate women, acutely played by Richardson (fulfilling the requirements of a well-developed dual role), Kristin Scott-Thomas, and Sarah-Jane Fenton. The film is an Italian/Hungarian production, shot in Italy and released there during 1991 under the title MIO CARO DOTTOR GRÄSLER and, with Hugh Fleetwood's tasteful English language screenplay, two years after in the United States where it was renamed THE BACHELOR and distributed in a sole San Francisco art house wherein fortunate patrons were pleasured by a vividly beautiful work, thanks to elegant and accurate period designing, inventive use of camera and colour by cinematographer Giuseppe Rotunno, along with seamless editing from Claudio Cutry, all under perfectly paced direction of Faenza who leads his highly capable cast, the creative readings of Fenton and Richardson earning for them partitioned acting laurels in an always interesting film that remains savoury after multiple viewings.
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