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A Midnight Clear (1992)

R | | Drama, War | 24 April 1992 (USA)
This WW2 psychological drama plays out at Christmas. US GIs hold an isolated cabin in the Ardennes against a handful of Germans cut off from their main force. Combat-weary and short of rations, both sides are determined to survive.

Director:

Writers:

(novel), (screenplay)
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1 nomination. See more awards »

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Cast

Complete credited cast:
...
Bud Miller
...
Cpl. Mel Avakian
...
Stan Shutzer
...
Sgt. Will Knott
...
Vance 'Mother' Wilkins
...
Paul 'Father' Mundy
...
Major Griffin
...
Lieutenant Ware
David Jensen ...
Sergeant Hunt
...
Older German Soldier
Rachel Griffin ...
Janice
Timothy S. Shoemaker ...
Eddie (as Tim Shoemaker)
Kelly Gately ...
Bill Osborn ...
American Sentry
...
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Storyline

Set in 1944 France, in the Ardennes forest region, an American Intelligence Squad locates a German platoon wishing to surrender rather than die in Germany's final war offensive. The two groups of men, isolated from the war at present, put aside their differences and share a Christmas celebration. The surrender plan includes a mock battle that turns bad when one of the soldiers is unaware of the surrender plan. Written by Anthony Hughes <husnock31@hotmail.com>

Plot Summary | Add Synopsis

Genres:

Drama | War

Motion Picture Rating (MPAA)

Rated R for language, war violence and a scene of sensuality | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

24 April 1992 (USA)  »

Also Known As:

Section 44  »

Filming Locations:


Box Office

Budget:

$5,000,000 (estimated)

Gross:

$1,526,697 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

The interiors of the mansion were built in the gymnasium of a local high school. The attic set was constructed on the stage of the school's theater. See more »

Quotes

Will Knott: Griffin was a mortician in civilian life, and he seemed to be spending most of his military life producing work for his army counterparts.
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Soundtracks

The Jersey Bounce
Recorded by Studo Music Department
Written by Buddy Feyne, Bobby Plater (as Bobby Platter), Tiny Bradshaw and Edward Johnson
Published by Lewis Music Publishing Co., Inc.
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User Reviews

The haunting imagery of "A Midnight Clear"
28 December 1999 | by (Fairfax Virginia) – See all my reviews

This movie was on Bravo last night but was terribly edited so I stopped watching and stuck my video taped copy into the VCR. This movie truly grew on me over time. I had planned to see it in the theater in, I think 1993, when it was released but it was in theaters for such a brief time that I lost my opportunity. I'm very happy to see that other posters here were also profoundly affected by this movie. The first time I'd seen it I was dumbstruck and truly didn't know what to make of it. Like many, I'd been fed a steady diet of WW2 movies with John Wayne, William Holden, Richard Widmark, and the like. They were all of a jingostic testosterone bent and featured stirring musical scores, minimal blood, and happy endings, as in all the Germans/Japanese die. This was the first WW2 movie I'd ever seen that dispensed with all that crap and gave you a sense of how war makes victims of everybody, sparing no one it's violent assault on our sanity. For this Keith Gordon/William Wharton, Mike Nichols/Joseph Heller, Kurt Vonnegaut, James Jones, Norman Mailer, John Hersey should all be praised for their courage to discard ideological dogma and poignantly lament our violated humanity. They may have, dare I say, stepped upon an enlightend plain where even Steven Spielberg has yet to trod. His movies are remarkable presentations of events, but do not explore any issues that might touch upon this theme of the individual, powerless, human suffering in war time. They are far more traditional morality plays. In short this movie makes you truly feel sorrow for these dead, good intentioned German (Nazi) Soldiers who wanted nothing more than to end their misery as fodder in der Fuherer's army. I was struck By the scene in which Will Knott stares into the eyes of the German officer who's face betrays a million nightmarish images of the Russian front and perhaps some horrible deeds for which he has paid a dear price in guilt worthy of Macbeth. This was one of many scenes which conveyed so much with out a single line of script. Just the faces of the experience guiding the viewer. Mark Ishams fantastic musical score helped quite a bit to. For those who hated this movie, I'm not sure what to say. If your looking for a very heavy-handed war movie this is not for you. If, however, you appreciate the deft and delicate hand in conveying a powerful message and making a powerful statement, than you will be richly rewarded by a movie you will never forget.


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